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Posts Tagged ‘music’


 
 
The quiet is best. Then
one might hear what is
strung too loose, too tight,
how the voicing is not
quite right. Not so long ago,
the tuner brought
this same instrument back
to true. But there is no failure.
that the instrument
went out of tune.
That’s is simply
what instruments do—
go sharp, go flat,
they waver until
once again the temperament
is set and then
song is what a life does—
we feel it the change
in every note—
oh the bliss of being in tune
with ourselves and
with every other instrument.
Then no matter how old
we are, we are new.

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with such fierce tenderness
the bow urges strains from the cello
like that, love, play me

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What Lives On


 
 
It didn’t last, but there was that afternoon
when we were walking side by side
down the middle of the street,
all four of us straddling the center line,
 
different musicians every few blocks.
It was Father’s Day. The alpine sun
was hot but not unbearable, and we stopped
to listen to the bright brass of the mariachi band.
 
My kids were not embarrassed when I hummed along
to Guantanamera—or at least they did not tell me so.
We laughed about I don’t remember what, but
I remember the laughter and the light,
 
easy feeling I had, a full-body certainty
everything was going to be okay.
I remember how our shadows
stretched out on the street in front of us
 
like a future I could not read.
I fell in love with the shape of our shadows,
not knowing how soon there would be only three.
These moments of gladness—
 
like notes in the summer air, they don’t stay.
But they stitch themselves into our being,
a goodness that lives and lives,
sometimes hidden for years until
 
it sings back to life with joy so real
I can almost feel the sun on my back,
can almost hear all of our voices
join the chorus for La Bamba.
 
Even now, alone in my quiet room,
my smile is as real as the tightness
in my chest, as real as those trumpets,
real, that blue, blue sky.
 

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harmony opens in me
the doors of forgiveness,
just a sliver—
then it dissolves
the idea of a door

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like honey and sunlight
the music tonight—
my body, a thousand eager mouths  

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at The Infamous Stringdusters show
 
 
Give me a night made of strings,
a night that is plucked
and strummed and bowed and picked,
a night with a driving, ecstatic music
and nothing to do but be danced
by the night as if each string of dobro
and fiddle and bass is attached
to an arm, a foot, a hip,
to the curling edge of an upper lip—
and even the broken heart is tugged
from its chair by bronze-coated strings
until it’s an open and rhythmic thing
that beats for the bliss of it, beats
for the song of it, beats
for the joy-swaying head-shaking lift
of it, beats because that’s what a heart
is for, and for hours the night
pulls every string, and the heart
beats out more, please, more.

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Inner Song

 
 
Perhaps you, too, have heard it,
despite the cacophony,
a song that rises in you—
a tune you’ve never learned
that somehow owns you
the way white owns winter,
the way breath owns
our lives. Perhaps you, too,
have marveled as the tune
spills forward, guiding you,
keeping you company
so that even when alone,
you know for certain
you are not alone.

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at the Palais Montcalm
 
 
Just because I’ve been grateful before
doesn’t make today’s gratefulness any less true—
I think of Beethoven who fell in love
with a melody by Mozart,
then wrote seven variations for cello and piano—
one minor, one song-like,
three written in different times,
but each variation at heart the same.
I think of the joy on the young cellist’s face tonight
as he drew on the bow and plucked on the strings
as if this one performance were everything.
And so it is with gratefulness—
each time we express it, it matters the most.
Whether it’s a new expression
or a variation on a gratefulness theme
that we will again and again name.
Like gratefulness for family.
Gratefulness for friends.
Gratefulness for morning, evening.
For each scrap of peace.
For each chance to be grateful again.
 

If you are interested in listening:

* Seven Variations in E flat major for cello and piano is based on the aria Bei Männern, welche Liebe fühlen (“In men, who feel love”) from Mozart’s opera The Magic Flute.


 
 

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at Parmesan, in Vieux-Québec
 
 
We hum along as the gentle old man
plays accordion beside our table,
his fingers nimble, his eyes closed,
and we smile as he sings in French
of autumn leaves and how life
separates those who love each other.
This is how the heart learns to break
and to soften at the same time.
With a sway, he keeps coaxing
the sad song from the keys
while we hold hands and
lean into the enchantment,
wishing it wouldn’t end.

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One in Tune

fitting a meteor shower
into a melody—
this love song

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