In the painting no one did,
we don’t see the Beaver Moon,
but it is there, full and shining
on the other side of the earth.
What we do see, as if from a bird’s
eye view: the hands of three
generations of women hovering
above a square wood table.
They hold bright puzzle pieces,
and beneath their fingers, a vibrant garden
has begun to emerge.
What we don’t see is the light
and gauzy conversation—the kind
that swoops, swallow-like, through
the field of the moment, the kind
that swerves and lifts, suggesting a space
unconstrained by straight edges.
In the painting no one did, the garden
is always blooming, the hands never age,
nothing sad ever happens,
the candles on the cake, also not pictured,
are never blown out, the banter
never ends, and like the unseen moon,
the love is there, reflecting, radiant,
shining beyond the frame.