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Posts Tagged ‘moon’

One Surrender

 

 

hijacked by the moon

my heart stops trying to know better

and lets the light drive

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One Confusion

 

 

full moon

in the rear view mirror—

I curse my hands

as they drive

the other direction

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staring at the moon

until it becomes a door

I walk through

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without a map

I row my small canoe—

a leash of moonlight

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One Blessing

 

 

 

open window—

in tiptoes the moon

to kiss me goodnight

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One Emergence

 

 

 

no moon in the sky

reaching for it anyway—

a siren wails in the night

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The Serious Moonlight

The Serious Moonlight

 

 

It’s just a trick

the owl plays

to fool the ears

of evening prey—

it finds a branch

not too far off,

then calls, first loud,

and then calls soft,

an illusion.

I have no will

to dupe your heart—

to linger close

but play I’m far.

No, I just want

to be where you are

and be caught

in the ravishing moonlight.

 

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“We must move forward together to build a shared understanding. We must forge a path that allows us to move beyond our history and identify common solutions to better protect our communities.”

—Terrence Cunningham, president of the International Assn. of Chiefs of Police

 

 

With salt, of course,

though there’s the matter of how

to get the salt to stick

without the assist of gravity.

 

And paired with a slightly chilled sauvignon blank,

preferably from Marlborough, of course,

with its hints of green pepper and grass.

 

It doesn’t taste like cheese after all,

but then the experts never seem to be right.

It tastes more like, well, hard to say.

Try another bite.

 

You never thought you’d be here, did you,

sampling these bits of reflected light.

Almost as unexpected as the apology

earlier tonight from the man in the suit

so blue it looked black.

 

Maybe not a white. A red.

A cab. Dark fruit. Full body.

One that’s needed time to evolve.

Its complex woody tones compliment

the moon’s impressive density.

 

What was it he said? “While

we obviously cannot change

the past, it is clear that we

must change the future.”

 

Toast to the future

and raise your glass

and take another nibble of moon.

Notice how dark it is, really,

about the color of asphalt, worn down.

It’s only because space itself is so dark

that the moon seems comparatively light.

 

All along you thought it was white.

Where else have you been wrong?

Perhaps between sips

and forkfuls you’ll find an apology

ripening there on your own startled tongue.

At the moment, anything seems possible.

The night makes its rounds.

 

 

 

 

 

 

 

 

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Two Marvelings

 

 

 

just another full moon rise—

is it any wonder

I can’t stop bowing?

 

*

 

how, I said,

to the river bed

do you make

of yourself a home?

I let the flow shape me,

the river bed said—

flood, current,

shimmer, stone

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Votre âme est un paysage choisi / Que vont charmant masques et bergamasques / Jouant du luth et dansant et quasi / Tristes sous leurs déguisements fantasques.

            —Paul Verlaine, “Claire de Lune”

 

 

I hate the way my fingers stumble

through the prelude—in my ear,

it is beautiful, the phrases open

and flowing, and I hum sincerely, as if

with song I could make my hands

more nimble. There are fields,

golden, inside the arpeggios,

and they part as if the wind has blown

a place for a path, and then

a thousand thousand birds

take flight just before night—

or at least that is what I

want to hear. But I am clumsy,

an oxen trampling in the field

who trips in every irrigation ditch.

 

I have read that by the time

the suite was published, Debussy

hated the sound of it, deplored

his earlier style. I try to imagine him

here in the living room, his thin moustache,

his thick black bangs, oh how

he would cringe, revile my lack

of sensitivity. And how I would hate

to disappoint him. Both of us

miserable, both of us abhorring

what we hear—I would stop playing,

I would, and walk over to him

as he scoffed, and I would say,

 

Look, look Claude,

how the moon is full, so large there

on the horizon. And we’d step

out onto the porch.

There would be no birds,

no wind to part the field,

and he would slip his hand

toward the moon, and say,

There, there, that is what I was trying to say.

And I would let my empty hands

play.

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