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Heart Medicine


 
 
To stay open 
 is what I wanted.
  Though winter and war
   have taught me 
    the importance of refuge. 
 
Even then, like a wild rabbit 
 that is no less soft
  and no less gentle
   inside its dark burrow,
    the heart in its shelter
     finds ways to stay open, 
      if not to the world, 
       at least to whatever
        it is that shines
         through the self,
          and the deep remove 
           becomes a chance
            to steep in tenderness
 
before re-emerging again 
 into the world 
  with all its threats
   and dangers, 
    with all its green 
     and radiant beauty.

Celebrate with Me!

It was exactly 20 years ago on the Spring Equinox in 2006 that I began a daily poem practice. On that day, I committed to write a poem a day for 30 days. I thought that sounded impossible. But now it is over 7,300 days later. And the daily practice has completely changed everything about how I meet the world. Thank you for joining me in this daily practice … I’m so grateful you’re here seeing what happens next with me! 

This Time



Driving past the graveyard
listening to news
as it explodes—
while we breathe 
it’s never too late
to choose compassion.

In a Name?


 
 
In the moment when a person names a child, 
Gail tells me, it is said a sacred wisdom
shines through the namer that connects the child’s
soul to their character, infusing the new being 
with what they need for this life. 
 
In these days of heartache and horror,
I think of my mother holding me wet in her arms
for the first time, when she whispered syllables 
that charged me with joy—that sincere, love-drenched 
moment out of which my whole life has bloomed.
 
Perhaps this is why I cry when Gail tells me
about the magic of that moment. It’s as if mom 
gifted me an underground spring that flows 
even when the land around it is dry. Even when 
it doesn’t rain. For years. Still, that water flows.

Manual



 
The hands are churches that worship the world.
—Naomi Shihab Nye, “Daily”
 
 
To pour water over the aloe, 
the cyclamen, the jade plant, the cactus,
this, too, is prayer. Prayer in touching 
my own dry lips, marveling at the fullness
beneath fingertips. Worship in hefting
the tea pot by its thick black handle. 
Worship in squeezing the sudsy warm sponge.
Just yesterday, while we were driving,
Art said to me, “Why not open to the marvelous?” 
I equated marvelous with the grand, the inexplicable, 
even the strange. It didn’t occur to me then 
that gripping the smooth, leather arc of steering wheel 
is marvelous, cradling the white paper cup full of coffee 
is marvelous, fingering the waffle pattern on the dishcloth
as I fold it is marvelous. Marvelous, flipping through 
skin-thin pages of notebooks. Marvelous
and sacred, my palm resting on my husband’s thigh.
Marvelous, these knobby knuckles, how they 
curl around the hair brush. Sacred, 
the pillowed pads of these fingers, how they 
trace the lines of my husband’s face,
how they twist and tug wool around the knitting
needles, how they tap at the keyboard to fashion
language out of feeling, how they rest above my heart
and translate into praise that beat, faithful and familiar.

Places I Long to Go


 
 
Every time we pass this spot on the dusty river trail, 
my daughter gazes across the water to the other side, 
shaded by cliffs, where moss grows thick and deep. 
I would love to sleep on that moss, she says, 
as her eyes go gauzy, her voice grows soft.
Living in high desert, as we do, mossy places are few.
As a girl, I had in my bedroom a whole wall covered 
with a mural of a Japanese garden, its gray rocks
mostly covered in green. I, too, dreamed of stepping 
into in a place so lush, so verdant, so alive even rocks 
proved fertile ground. To find that kind of fertility inside me—
inviting what is sensual, vital, to flourish in the barren, 
desiccated places in my heart—that is my new dream. 
But it is not always easy to let in the dark. Not always easy 
to let what is hard in me be broken down so something 
might grow. There are places I long to go with my girl. 
Some are nearby, just across the stream. 
Some, breath close, are much harder to travel to.  
 

The Message


 
 
In amber lights, the electronic display
on the highway message sign read:
Slow down … for the unknown. 
And I did. All day. I drove slower.
Walked slower. Typed slower. Ate
slower. My eyes trained on the horizon, 
my whole body sensitive, hyper-alive,
as if a deer might leap out, as if a great 
piñata might appear, as if a lover 
might curl his wicked finger, as if 
the sky itself might write me a love letter, 
as if the road might lift like a ribbon in the wind,
as if anything, anything could happen, 
anything, even nothing. 

So Good


 
In a world of bests, good is a relief. Best invites an argument; good is just a suggestion.
—Melissa Kirsch, “What’s Good” in The New York Times, March 14, 2026
 
 
This morning I slip out of my good bed
into my good green slippers. I drink good coffee
and play a good game of chase with my nephews.
They are good, good boys. I take a good long drive
with my good old friend and we arrive in a town
I have loved for years full of good memories 
and good people. There we eat a good dinner
and then spend a night sharing poems. 
I’m grateful for the poems that make me ache,
because it’s good to bear what’s bad together. 
It’s not easy. But real. Real good. The kind of good
that makes your whole body hum, that makes 
your hands clap and your heart stretch wide, 
feeling so good, so good, even as you cry. 


                  for Thilo
 
To the unmoving body 
of the tiny bird in the grass
below the kitchen window,
the young boy brings a plate 
of white safflower seeds.
Hours later, when the bird
has not moved, one wing still askew,
the boy weeps. His father and I 
sing a death song as we carry 
the almost weightless body
in a brief procession across the yard.
The boy and his mother walk
behind. Her fingers lightly rest 
where his own wings would be.
There is a tenderness inside us
that knows every life is precious
and refuses to pretend otherwise. 
Later, the boy carves a chickadee
into the top crust of an apple pie,
making of grief something beautiful.
I want to protect that part of him—
the part that feels, that respects, 
that honors. I want to awaken
that part in us all—the part
that dares to care deeply, 
the part that knows every
life matters.


 
 
We lay on the porch in the dark
marveling up at the sky, Orion’s
belt at our feet, Jupiter just up
to the left. We chatted of satellites
and the soft milky way glow; we
named the constellations we could.
And when young Winston laid his head 
on my chest and I felt the gentle ease 
in his small warm weight, I was equal 
parts universe and human—
astonished again by how, in this vast,
cold, expanding world, we have been given 
the capacity to trust. And no matter
how bleak it sometimes gets on earth, 
there are also moments such as this, 
when we come together to gaze into the night
and, lingering in immensity, we feel it,
side by side by side by side by side by 
side by side, the gift of loving each other, 
dark though it may be.