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after “Flower in a Field” by Dario Cvencek
 
A mother is still a mother
even in an empty house, 
even when there’s not a child
hanging on her hip or leg, 
she’s still a mother even when 
the floors are clean, devoid  
of Legos and Monopoly houses. 
Even when silence 
fills the spaces where once
rang laughter, crying, singing,
even when the cake stays exactly
where she left it in the fridge, 
when her car doesn’t leave the drive
for days because no one needs 
to be taken to school or to dance. 
Even then, she’s a mother,
when the phone doesn’t ring, 
when her child can no longer
walk in the room, can’t say hello,
can’t even breathe, even then, 
even then when there is no damn way 
she can care for her child, that sad
fact does not change the fact
that she’s a mother, just as a tree 
in the field is no less tree when the saplings 
that came from its seeds are cut down, 
just as a happy memory might still 
make you happy even if it arrives
amongst tears. She is no less a mother
when the only thing that fills her arms 
is tenderness for other mothers with 
empty arms, when instead of holding
anyone, she lets herself be held. 
 


 
 
That women can run for office and win.
That a song is a great way to wake a child.
That, in fact, there is a song for every
moment of the day, from packing a picnic, 
to washing your hair, to saying yes when
you ought to say no. 
That scrambled egg sandwiches
are a fast and easy meal
and fresh herbs make everything taste better.
That it’s worth staying up way too late
if it means you can get to the last page
of your book. 
To write handwritten thank you letters
for just about everything. 
To make your bed every morning. 
That my body is not a machine
and it matters that I care for it. 
That it’s nice to have just the right glass
for drinking water or wine or tea. 
She taught me to learn new games,
to make new friends, to try new foods,
to enjoy growing old.
That it matters to say grace
every time you sit to eat. 
That no matter how different our values, our votes, 
there is always a foundation for love.
That if I lived a thousand lifetimes,
in every one, I would choose her as a mom.


 for Noah Hoffeld
 
 
With the long slow pull and push
of the bow on the strings
in so few notes he carries
the unsayable into the room
till the air rhymes with loss 
and honey and amethyst sky
 
and every verb I’ve ever known
slips out of the clunky shoes of its syllables
to sit at the foot of the cello
saying, “teach me.” 

Still


 
 
Over four years after his death,
I still sleep with Skinny Puppy, the lovey 
my boy treasured and slept with each night, 
even into high school. Flat with no stuffing, 
a soft square body with a small round head.
Every night in the dark, I tuck its worn,
brown fabric beneath my left arm, 
let it nestle up against my heart. 
Every morning, it’s still there.
I make it into the bed. I feel no shame 
in wanting its slight weight against me. 
Such simple comfort. 
Not that I need an object for him to be with me.
I carry him inside. Close as breath. 
But four years after his death, I like 
the reminder he was here. I like
to remember how he loved soft things. 
How he was capable of such tenderness 
in the ways he held the world,
this world that could not manage to hold him. 


Just because it is simple doesn’t mean you 
can depend on good results. There are tricks 
to make sure they pop. Preheat the buttered 
pan at 450 degrees. Bring the eggs to room 
temperature. Whirl them with salt till the whole
mixture froths. Warm the milk, but not too hot.
Melt the butter. Be stingy with flour. Mix only 
as long as it takes to sing the first verse of Blackbird. 
But do not invite guests to show off your prowess,
to boast how light, how airy, how balloon-ish-ly
your popovers rise. Pride will slip in and spoil 
the batch. Pride, an ingredient so strong even 
what’s foolproof goes flat. And even if the popovers rise, 
that pride, oh my friend, you’ll taste it. You’ll taste it. 


 
 
It is okay to be numb today, 
to be stuck, to not want to move.
It is okay to be so exhausted
with the ache of meeting the world 
that even the extravagant apple blossoms,
all fragrant and fluttersome, 
look like dingy white scraps, used tissues.
It is necessary, even natural 
to sometimes shut down, 
to let the self be cold. 
The wood frog can freeze 
up to seventy percent of its body water, 
can stop its own heart from beating, 
It knows that to freeze for a season
is one way to survive. 
It will thaw and revive come spring. 
It’s okay for a time to slow down. 
To slow to stopping.
To be more solid than flow. 
I remember the years in the orchard when, 
on the coldest nights, we watered the trees, 
knowing how the process of freezing itself
releases latent heat and becomes
a source of warmth for its surroundings. 
Oh wisdom of freezing. It’s not without cost.
Every fruit grower knows that some years, 
there are no apples. That is how it is.
Other years, we delight in what ripens. 
Those years, we feast on the sweetness.


 
Just let the world amaze you. 
                  —Augusta Kantra
 
I want to know these brittling bones
and sleepless nights as transformation, 
my life an expression of the fundamental power 
that drives the universe to dramatically change—
as bud becomes bloom becomes fruit
becomes soil; as star dust becomes 
protoplanetary disks becomes asteroids 
become planets; as girl becomes woman becomes
slower till she’s silence. As dinosaurs become fossils
and dodos become story. All transforms. 
With no end, the universe remakes itself out of itself 
again and again and again. Looking in the mirror, 
I see in these wrinkles the chaos of early Earth 
barraged by space rocks, then a million years 
of rain, rain, rain, that somehow evolved 
into this world of earthworms, and aspen leaves, 
the spiraling song of canyon wren,
silk worms, pianos, cardamom tea, age spots,
night sweats, gray hair, cellular senescence,
and I entirely belong to this wild miasma 
that is ever becoming, each morning, 
each wrinkle a kind of transcendence, 
a path to a place I’ve never been. 

More flowing than walking
she moves down the street,
her green dress billowing,
her shoulders bare.
Sometimes the world 
asks us to do impossible math—
for instance to add more love 
when already we are filled to capacity
with love. And again tonight, I meet it,
the impossible. 


 
 
When no one
is looking
she touches
the wound
that hides
beneath
her smile
where the scion
of acceptance
was grafted 
to her rootstock
of stubbornness.
Most people
don’t notice
the scar,
focused as they are
on the fruit,
but she 
remembers
the cut, 
the tissue exposed.
How tenderly
she traces
that place
where the union
was formed. 
Since the wounding,
her fruits 
have become 
vibrant, complex, 
so sharp, even tart, 
and so sweet.