We leave the desert flats of Australia
and the axe and the snakes and the flames
and walk into the quiet, starlit night
and become two characters in our own lives.
This is the part where the mother and daughter
lean into each other and walk extra close
so they can speak in tones so low
the audience can’t hear their words.
The camera follows them with a low angle tracking shot
focused on where their hands are joined,
then it tilts to the sky to end the scene
in an extremely wide shot where our characters
are barely a blip on the screen,
surrounded by infinite mystery,
the stars, the only lights.