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Archive for September, 2017

 

 

They are dead,

the sunflowers,

all petal-less and brown,

and I almost uprooted them

from the garden,

almost tossed aside

their tall brittle stalks,

their heavy bowed heads,

 

but see today how

the small gray birds

flutter amongst the dead

and dive for dark seeds,

how the garden air shimmers

with dozens of wings.

 

Patience, I think,

with whatever we believe

is lost—

so much beauty survives

even after a frost.

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This new collection of poems, edited by Phyllis Cole-Dai and Ruby R. Wilson, is an incredible book with so many of my favorite poets in it from across cultures and continents and centuries. I’m grateful to have three poems included in it, and I have been reading it every day, letting the poems do their good work on me. For more information about the book, including authors, reviews, and purchase info, visit Poetry of Presence

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that Sunday afternoon in Madison

when we went to brunch, then found our seats

in the theater where the French Revolution

is waging again and a man falls in love

and the woman dies and her daughter is horribly

enslaved, and my brother, a bear of a man,

the heavyweight champion wrestler who

routinely pinned behemoths to their backs

and threw keggers to “make me clean

the floors,” my brother beside me

cried enough tears for the whole globe,

a lightning rod for sorrow, as if his heart

were big enough to take on the burdens

of the whole world, how I loved him then,

his face radiant and glistening,

both of us weeping near to heaving

and holding each other’s hands, smiling
at each other in the dim light, both of us

seeing ourselves as the other as the players

built a barricade and all our walls fell down.

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Sitting in the rain

in the dark

with three good tires

I think of Confucius,

who, when arrested

by accident didn’t fuss,

rather sat in his cell for five days

playing lute until his story

untangled and he

was set free.

It is dry in the car,

and though the radio works,

I do not turn it on.

I never learned

to play lute,

but sense that perhaps

I am being played, what

with this long neck,

with my deep round back,

with my body still learning

to open.

The rain keeps

inconsistent time

on the windshield.

It is not deliberately

that the world

throws rocks

in the road.

Or is it?

The dark is only

the dark.

I feel a lessening

of the tension,

a tuning,

and who is it

that pulls

the strings.

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Before Sleep

 

 

 

I sing to my daughter

in the dark and discover

I am nine again, and

hear the voice of my own

mother, singing

 

from outside the window

the river fills in the spaces

where the song ends

before it begins again, and then

there is only the river

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For years I have wanted to be on the faculty at the Cliff Notes Writing Conference in Boulder, Utah, and this year, my dream comes true! If you’ve not been to this tiny town in the midst of Utah’s immense splendor, it’s past time for a road trip.

I’ll be teaching with the phenomenal David Lee, Utah’s past poet laureate, and all-around amazing Author Steven Nightingale. Workshops and performances all weekend long.

For more information about the schedule, lodging, and Boulder, Utah, visit here. 

To talk with a real person about it, contact Cheryl Cox at 435-335-7550.

 

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the semicolon,

ever winking, ever promising

two independents can come together—

a tiny constellation

glittering beneath my pinkie

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I return to find the basil dead,

wilted and browned, dull limp flags.

 

And the cosmos, bent and spent

and dead. And the beans, dead.

 

And the marigolds, still brilliant,

but the forked tongues of their leaves

 

say they are dead. What a difference

one night of cold can make, how

 

no matter how warm the season has been,

it irrevocably changes things.

 

It doesn’t matter I knew it would happen

eventually. The petunias fall all over themselves

 

in profuse bloom as if to say, it’s okay,

not all is lost, but it’s enough to make a woman

 

decide to pay attention, to be warm

in every garden she enters.

 

Some blooms defy the seasons.

There’s so much beauty at stake.

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In Knots

 

 

I’ve spent years learning to tie the monkey’s fist,

wrapping the long working end of the rope

around the fingers of my hand. While rocking

and nursing and feeding and soothing, I’ve held

the first set of turns in place, then made three more turns

with the rope. While reading and chasing and

swinging and catching, I’ve learned to pass the end

through the inside of the knot, to make turns inside

other turns. And pull it all tight, just so.

 

I have wanted to perfect this heaving line knot,

something I might use to throw to my son

to save him when he drifts away.

I have practiced the art of the throw, but it seems

I have tied my own hands by accident.

And now that it’s time to untether the line,

my hands want only to practice what they know,

holding on, holding on, holding on,

how clumsy this new art, letting go.

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Surrender is not like this highway

with its dotted lines and passing lanes

and its well-marked exit signs.

Surrender is more a dirt country road

where you’ve taken a turn

that doesn’t show up in the map.

And then run out of gas. And

get a flat. And then, when you think

it can’t get worse, you start

to giggle, then full belly laugh.

Yeah, surrender is something like that.

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