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Archive for September, 2017

 

 

They are dead,

the sunflowers,

all petal-less and brown,

and I almost uprooted them

from the garden,

almost tossed aside

their tall brittle stalks,

their heavy bowed heads,

 

but see today how

the small gray birds

flutter amongst the dead

and dive for dark seeds,

how the garden air shimmers

with dozens of wings.

 

Patience, I think,

with whatever we believe

is lost—

so much beauty survives

even after a frost.

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This new collection of poems, edited by Phyllis Cole-Dai and Ruby R. Wilson, is an incredible book with so many of my favorite poets in it from across cultures and continents and centuries. I’m grateful to have three poems included in it, and I have been reading it every day, letting the poems do their good work on me. For more information about the book, including authors, reviews, and purchase info, visit Poetry of Presence

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that Sunday afternoon in Madison

when we went to brunch, then found our seats

in the theater where the French Revolution

is waging again and a man falls in love

and the woman dies and her daughter is horribly

enslaved, and my brother, a bear of a man,

the heavyweight champion wrestler who

routinely pinned behemoths to their backs

and threw keggers to “make me clean

the floors,” my brother beside me

cried enough tears for the whole globe,

a lightning rod for sorrow, as if his heart

were big enough to take on the burdens

of the whole world, how I loved him then,

his face radiant and glistening,

both of us weeping near to heaving

and holding each other’s hands, smiling
at each other in the dim light, both of us

seeing ourselves as the other as the players

built a barricade and all our walls fell down.

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Sitting in the rain

in the dark

with three good tires

I think of Confucius,

who, when arrested

by accident didn’t fuss,

rather sat in his cell for five days

playing lute until his story

untangled and he

was set free.

It is dry in the car,

and though the radio works,

I do not turn it on.

I never learned

to play lute,

but sense that perhaps

I am being played, what

with this long neck,

with my deep round back,

with my body still learning

to open.

The rain keeps

inconsistent time

on the windshield.

It is not deliberately

that the world

throws rocks

in the road.

Or is it?

The dark is only

the dark.

I feel a lessening

of the tension,

a tuning,

and who is it

that pulls

the strings.

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Before Sleep

 

 

 

I sing to my daughter

in the dark and discover

I am nine again, and

hear the voice of my own

mother, singing

 

from outside the window

the river fills in the spaces

where the song ends

before it begins again, and then

there is only the river

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For years I have wanted to be on the faculty at the Cliff Notes Writing Conference in Boulder, Utah, and this year, my dream comes true! If you’ve not been to this tiny town in the midst of Utah’s immense splendor, it’s past time for a road trip.

I’ll be teaching with the phenomenal David Lee, Utah’s past poet laureate, and all-around amazing Author Steven Nightingale. Workshops and performances all weekend long.

For more information about the schedule, lodging, and Boulder, Utah, visit here. 

To talk with a real person about it, contact Cheryl Cox at 435-335-7550.

 

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the semicolon,

ever winking, ever promising

two independents can come together—

a tiny constellation

glittering beneath my pinkie

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I return to find the basil dead,

wilted and browned, dull limp flags.

 

And the cosmos, bent and spent

and dead. And the beans, dead.

 

And the marigolds, still brilliant,

but the forked tongues of their leaves

 

say they are dead. What a difference

one night of cold can make, how

 

no matter how warm the season has been,

it irrevocably changes things.

 

It doesn’t matter I knew it would happen

eventually. The petunias fall all over themselves

 

in profuse bloom as if to say, it’s okay,

not all is lost, but it’s enough to make a woman

 

decide to pay attention, to be warm

in every garden she enters.

 

Some blooms defy the seasons.

There’s so much beauty at stake.

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In Knots

 

 

I’ve spent years learning to tie the monkey’s fist,

wrapping the long working end of the rope

around the fingers of my hand. While rocking

and nursing and feeding and soothing, I’ve held

the first set of turns in place, then made three more turns

with the rope. While reading and chasing and

swinging and catching, I’ve learned to pass the end

through the inside of the knot, to make turns inside

other turns. And pull it all tight, just so.

 

I have wanted to perfect this heaving line knot,

something I might use to throw to my son

to save him when he drifts away.

I have practiced the art of the throw, but it seems

I have tied my own hands by accident.

And now that it’s time to untether the line,

my hands want only to practice what they know,

holding on, holding on, holding on,

how clumsy this new art, letting go.

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Surrender is not like this highway

with its dotted lines and passing lanes

and its well-marked exit signs.

Surrender is more a dirt country road

where you’ve taken a turn

that doesn’t show up in the map.

And then run out of gas. And

get a flat. And then, when you think

it can’t get worse, you start

to giggle, then full belly laugh.

Yeah, surrender is something like that.

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Why do I keep you

I say to the dress

that doesn’t fit

that never has

and hold it up

to admire its sheen

then hang it up

in the closet again.

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Say, “I want to drink a beer,”

says the man in the speaker.

It is seven thirty in the morning,

and I have been practicing,

for twenty minutes, how to say

Jo quiero beber una cerveza,

only sometimes the man tells me

to ask for a cold beer, una cerveza fria.

And I do. I ask for un sandwich frio,

too, and repeatedly query, Quanto questa,

how much will it cost, or else I insist,

Hablo un poco de Español, or

No tengo mucho dinero,

I don’t have much money,

but mostly, the man

with the low, clear voice prompts me

to ask for beer. Cold beer. And though

the sun has just barely risen

over the mountain, and though

I only rarely drink beer,

and though I am sipping on a latte,

driving my children to school,

I find myself craving a cold,

cold beer, preferably with a lime,

preferably served on a beach

with a breeze, the sun a giant

glittering peso, the bottle slick

with its own cold sweat,

and some man I don’t see insists

in a low, clear voice, voy a pagar,

jo voy a pagar, I’m going to pay,

and in my perfect Pimsleur accent,

I say to him, gracias, señor, muchas gracias,

and sip my cold beer, waiting

for the next lesson.

 

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Go Ahead and Test It

 

 

 

next time it is overcast, gray

a little soggy and damp,

go for a walk, notice

how little light it takes

for the world to shine

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Wait until the necessary and everlasting overpowers you, until day and night avail themselves of your lips. 

—Ralph Waldo Emerson, “Essays and Lectures”

 

 

I believe in ripeness, the wisdom

of waiting. Here on my counter,

the melon sweetens and softens.

The peppers slowly turn from green

to red. The tomatoes become less

like stones and more like kisses.

Terrible to taste an early grape,

the way its sharp juice rucks

the soft lips. Terrible to eat

the berry before it’s earned

its blush. And still, the misery

of waiting—how eagerness

rises up in us, a surge of please,

a tide of want, a rush of now.

Yes, to the wait, the awful wait,

how this trial of patience

brings us closer to ourselves,

how it makes the future inevitable

ever that much sweeter.

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One Insight

 

 

how beautiful they are,

all those smiles

I don’t see on your lips

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for Barbara Ford

 

 

We sit on the couch in the low lamplight

and talk for hours about the heart,

its longing to know and be known.

I watch your hands as you speak, how

your long fingers dance. And sometimes,

my eyes catch on a moth amusing itself

at the edge of the room, content in shadow.

We are both well aware that pain

can also be a blessing, that just because

something is not going right doesn’t mean

it is wrong. There are problems

we will never solve, but tonight, it is not

about the solving of things, it’s about the feeling

of them, the willingness to lean over the edge

of the well-lit world, the thrill of fluttering

in the darkness together.

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All morning, I make myself useful—

mow the lawn and vacuum

the carpet and scrub the potatoes

and slice the melon and straighten

the shelves and look out the window

and see the snapdragons I planted

last spring not because they were useful,

but because they are so beautiful.

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I’m now going to dazzle myself with the pluperfect.

            —Jack Ridl

 

 

And isn’t it dazzling, the notion

that an action not only began in the past,

 

but was finished in the past, or,

as they say in Latin, it was perfect.

 

Not like these leaves, that began

in the past as green flags, but now

 

transform into gold flame. And we all know

what happens next. No, not like

 

the boy who once fit in my lap

and now looks me in the eye.

 

Not like the dream I had for my life

that changed before it could

 

be achieved. What really ends?

What do our cells not remember?

 

Even the dead are here in this room,

on the streets, in cafes. We carry

 

our history with us everywhere

we go, and it wriggles out of its

 

perfect cage and dances through the ending,

though we thought we’d shut the curtain,

 

though the director has long since yelled “cut,”

though the audience has already left,

 

see, here it is, even now, progressive

and as present as these cut sunflowers,

 

spilling their pollen all over the table,

hardening their seeds into future gold.

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Once there’s one, you know

that there are hundreds to follow

hiding in and amongst everything,

next to impossible to eradicate—

some things seem to come

in great abundance.

May joy be one.

 

 

 

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Aspen Poetry Workshop

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