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Posts Tagged ‘fencing’

You’re hesitating, says John from behind his mask.

Each time I invite you to strike, you wait. And he’s right.

Each time before I extend and lunge, I drop my sword.

It’s crazy. I tell myself not to do it, but every time

he motions to strike, instinct says: drop the sword.

John, I say, I’ve trained myself not to be aggressive.

When people are vulnerable, I do everything I can

to make them feel safe. It helps that John

is gentle. It helps that he beams at me a genuine smile.

Don’t think of it as aggression, he says. If someone

you love gives you the signal to touch them,

aren’t you always ready to meet them then?

And I am. Think of it as an invitation to touch.

I wonder how many stories I’ve hardwired into me.

Thou shalt not hurt. Thou shalt not strike.

Thou shalt not stab another with a sword.

I wonder that I struggle so instinctively now

when this is so clearly a game.

John drops his sword. I extend, I lunge.

I touch his chest through his silver vest

with the tip of my sword, then retreat.

Good, he says. Good. Again. Again.

Is this the way we learn all the rules

we have written for ourselves?

By breaking them. Is this the way

we might choose to meet our opponents?

By loving them.

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Keep distance, the fencing teacher says,

and by this he means, stay close enough

to your opponent that you could, at any time,

extend, lunge and attack with your point.

All my life, I’ve tried not to keep distance.

All my life, I’ve done my best to avoid

the attack—from either side. And now,

with my silver lamé and my one white glove

and my face safe behind metal mesh, I dig

to find the part of me who craves engagement,

who seeks a bout, who wants to threaten

my target and exploit their vulnerability.

Keep distance, he says, and I understand

that this is how I show up for the game.

This is how I meet not only the opponent,

but, perhaps for the first time, myself.

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within an hour

I watch the boy transform

from seed to leaf to flower

 

 

 

 

 

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Repechage

 

 

 

Before on guard,

you meet your opponent

on the strip

without your mask

and hold your sword

between your eyes—

a salute—before

you drop the sword

and don the mask.

 

How much of the match

is fought in the gaze?

There are ways

to attack and riposte

when the body

is achingly still.

 

It’s a glint, a squint,

an unblinking hold.

It’s a stare, a glare,

a flash. I’ve felt it before—

known that it was all over

before it began.

 

But we pull on the mask

anyway, prepare

to engage, though already

we know how this goes—

who wins, and who

walks away wondering

how next time, next time

it could be different.

 

 

 

* Repechage: the competition formula which gives losers of a direct elimination bout a second chance to stay in the competition

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Advancing

 

 

 

In fencing, they call it la belle,

“the beautiful one” the tie-breaking point

in a bout—that moment when

one person touches another

and the balance is tipped.

How long ago the balance tipped

in your favor. How long ago

I knew that all I really want

is to lower my sword,

give the invitation

for you to touch me again,

beautifully, tip to target, then

start the bout again.

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Fencing 101

 

 

 

It starts as tag. The instructor

tapes off a strip in the room—

the piste—and my son and I,

confined by the long bounds,

chase and reach for each other.

But the person who’s it

keeps changing. “Left,”

says the teacher, and I am it.

I lunge for my son’s arm, and

“Right,” says the teacher, and

I retreat as fast as I can,

my son now charging for me.

“Left.” “Right.” “Left.” “Right.”

We learn quickly to hold

our weight low, to keep

one foot forward, to allow

distance enough to tag

and not enough that we might

be tagged back.

The game is familiar. I flush

with young joy. Later

we learn to extend

our arms before we lunge,

to advance, to retreat,

to allow just the right distance

to strike, to not be struck.

The instructor gives us

a string to hold between us—

our goal is to keep the curve in it,

not to let it go too slack, too taught.

My son and I dance

forward and back, keeping

step with each other.

both of us smiling, both of us

serious as steel. When it’s done,

we shake what would be

our ungloved hands.

We have learned just enough

to know there’s so much more

to learn. As we leave, I feel

it still between us,

an invisible string, linking us

in this odd game of love,

the world our piste,

one hand always ready to battle,

the other hand, ever vulnerable,

ready to open, to reach,

to meet the other

with devastatingly effective

tenderness.

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