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Archive for August, 2015

In the book of spells

I do not find the one

that helps you forget

what you want

to forget. There is one

for making the bees

come out midwinter

and another to make

the walls speak what

they’ve seen. There’s

a spell for making

minutes go slower, and

a spell to turn a woman’s

skin green. But no spell

to forget what we wish

not to know. There are

thirty-one spells for

forgiveness, though.

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Love,

Though I am undeniably broken

I come to you with no need to be fixed.

I come to you the way one river

meets another river—not joining

out of thirst but because

there is so much power

and beauty in giving oneself

to another, in moving

through the world together.

I come to you the way the half moon

comes into the yard—I could be more

whole, but in the meantime,

I will bring you everything

I have.

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There is no way to know

what we’ll find beneath

the yellowing leaves.

And always I forget

which varieties I’ve planted

and where. And so, when

the Finnish fingerlings appear

just below the surface,

I thrill in their golden

skin and knobby shapes,

and when the dark purple

potatoes emerge from the depths

of the garden bed,

by then, I am already kneeling,

but something inside kneels, too—

oh the russet and red-skinned

and pink-fleshed miracle of it all,

the sheer delight

of running my fingers

through the dirt and

pulling out potatoes,

each one somehow

a surprise, a small reminder

of how beautifully

the world can work,

how the darkness

nourishes such incredible

gifts. Ten hours since

I left the garden, and

whatever inside me knew to kneel

is still enthralled in prayer.

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Some mornings, for no reason,

the world is newer. The color

of the grass, the scent of last night’s rain,

the feel of the lover’s skin.

Everything feels charged

and abuzz with itself.

You might say, and

I would not argue,

that the world and everything in it

is another day older.

Yes, of course, and there

is also this: the taste of this peach—

I have tasted peaches before—

but this one is so very peach,

so remarkably peach,

like something I have known

only very, very new.

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the deer beside the highway

struggling to stand on broken legs

has been dead four days

and still I try to think of ways

I might save it

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How It Goes On

On the day I learned that he died,

I made blackberry jam. The kitchen

was steamy and hot from the water bath,

and the bubbling saucepan of fruit took nearly

an hour to gel. I stood and stirred

and stirred and stood. The sweet scent

touched everything. It was gray

outside and smelled of rain, while in

the pot deepened a most beautiful darkness,

the color of sugar that comes with time.

It was an accident, of course, the kind

that makes every one of us think

we are lucky to be alive, lucky to stand

wherever we are standing, whether

it’s in line for a bus or beside the road

or in front of a chalkboard or

in the middle of the kitchen stirring

blackberry jam. How could I not fall in love

with the heat, with the color of blackberries,

how could I not fall in love with the cat

and the chatter of the girl playing dolls

and the racket of the boys throwing pillows

and even the ache in my feet. What a blessing

to be alive, to feel this awful tug

in my gut, this surge of what if,

this swell of what was, this terrible gift

of standing for hours to preserve what is sweet

as if I believe there will be a day months from now

when we will eat the sweetness and

know ourselves lucky to be alive.

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Burning the Candle

Never enough arms

to juggle the minutes.

Always something to fill,

and something to fix,

something to carry,

something amiss—

one eye on the clock,

one eye on the winds.

I’m a tangle, a jumble,

a snarl of to-do,

but I always keep

two arms free

to reach

toward you.

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with gratitude to Christie and Dave for their generous hearts and abundant backyard

The thickets are always thicker than I think,

climbing the branches of nearby trees and snaking

through the grass. And red berries are always greener

than I wish, full of pucker and startling bite.

But the blackest of berries, the duller ones, bulbous,

and days past their shine, they are sweeter than I dream.

Sometimes I imagine the way a thing will be—

invent it as something grander than itself.

But the blackberry, ripened in its woodland bramble,

stains the fingers and sings on the tongue

with all the sweetness late summer can gather

and spends all its pleasure at once. Sometimes

there is no better fantasy than the thing itself—

the thorns an integral part of the story. Sometimes

I wish that the stain would never leave.

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Accidental Libretto

Oh hear that, love,

the night sky has become

an opera of blossoms.

The stars are opening

into song for anyone

who will listen.

As always, someone’s

heart is breaking,

someone’s getting even.

And someone’s love

is gaining wings.

And someone’s trapped

in prison. And all of us

are invited to be

singers in the chorus.

Or perhaps

to be the silence.

Or perhaps to write

the score. Oh darn

the world of daytime things

that keeps us from this art.

Let’s pretend that we don’t know

the end. Now’s the time

the start.

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“Look,” she says, “at the light

on the waves,” and no matter what else

has happened today,

there it is, the light, the light on the waves,

and for this moment it’s beauty enough

that the rest of the world

falls away, and I fall in love

with being alive

and with the light,

the light on the waves.

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Who Am I to You?

please, not the book

about jazz sitting pretty on the shelf—

let me be the hard-swinging

restless improvisation

slipping right off the known scale

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Inside Story

Inside the egg, the question.

Inside the leaf, the light.

Inside the beak, silence.

Inside the mask, the night.

Inside the yarn, the tangle.

Inside the blue, the why.

Inside the cage, the great escape.

Inside the wings, the high.

Inside the paint, curiosity.

Inside the stich, the gap.

Inside the now, tomorrow.

Outside the lines, the map.

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One Inexplicable

 

years ago the wildfire—

this morning in my hair

faint scent of smoke

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Caught in the Act

Let’s say you’re carrying a priceless bowl

overflowing with fruits and flowers,

and let’s say you’re balancing it on your head.

And let’s say you’re on a high wire.

And let’s say the wire is above the falls.

And let’s say it’s electrical.

And let’s say it’s about to come unplugged.

Let’s say you’re in the middle.

What is it that inspires you

to do these crazy things?

Regardless, Now’d be the right time to learn

how to use those enormous wings,

those wings you’ve pretended not to have—

that you hid because, who knows why?

We all fall sometime from the high wire act,

but some of us learn to fly.

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Tell Me It’s Real

Swirl me with pink and plum and blue,

and soak me in wisps of amber and orange.

Drench me in cream and nectarine.

Please, how do I get there?

This wooden heart seems

to only know how to beat

in shades of brown.

I see it from here, that sunset world.

God it is beautiful—

but it is like a canvas

I stare at for years,

I know it’s every line by heart,

but I can never enter.

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Of course I know I am going to die

I know it the same way I know

the sun is dying, too. This is a fact,

that feels far away. All the same,

I carry it with me today as I notice

how the new summer growth

on the spruce is startlingly blue.

And the river, low and clear, wears a shimmer

in its song. Every flower in the bed

is fully in blossom, and the meadows

are lush and green. I know they will die,

as I will die, though all of us seem so wildly

alive in this moment, especially the bindweed

I pull from the garden as if

there will be a tomorrow

with plants that need space to grow.

I speak to the reaching tendrils of beans

in hopes of a harvest,

though there are, as of yet, no white blooms.
I tell them frost will come soon.

When Donna’s letter arrives on my screen,

I am just stepping in from the garden.

It was unexpected, she says.

In her letter, I swallow a hint of what else

is as real as the green all around,

and in me ripens a deeper hint of blue,

a hue that reframes so tenderly

these fleet shades of the living.

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This morning when she pours the milk

into the child’s cup, she doesn’t stop.

She pours until the cup is full, until

it spills across the counter, ’til it spills

onto the floor. She pours and pours

until the kitchen is flooded in milk,

it is up to her knees, it is up to her waist,

it is dammed against the kitchen door,

which she opens, then she floats the creamy tide

into morning, riding atop the pearly tide.

With one hand, she waves at her neighbors,

with the other she continues to pour the milk.

She is surfing now through the streets of town,

past the bank, past the school, past the crowd

who has gathered to stare. “Oh,” they say,

with a shake of their heads, “she has really lost it

this time, bless her heart,” and they step

on the curb to keep their feet from getting wet,

and she smiles and blows them a one-handed kiss,

and with her other hand she pours and pours.

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Yet Another Layer

Steeping so long

in this coat of shoulds

I forgot it was on

’til slipping out by accident

I see it hanging separate

while I stand bare

and strangely new,

wondering what this naked

soul can do.

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I wanted to be more like you,

I did. I wanted to fit in

your hummingbird world

with its hummingbird nests

and its delicate wings and

its predisposition toward

delicate things, such as

tea cups and flowers

and gossamer strings.

So I painted my body

with delicate swirls

and colorful, whimsical

intricate whorls, and I tried

to fit my whole self inside

your dainty settings,

I tried, I tried to be more

like you, but there is no hiding

these giant gray legs and

this massive gray trunk

and these floppy gray ears.

It’s obvious. I am an elephant,

dear, and I just can’t squeeze into

this fragile world.

I belong home

in the elephant herd.

And I’m sorry I broke your fine

china cups. It’s so evident now

I can’t fit in them, but …

well, sometimes we need

to fail to learn. We need to digress

before we return.

I still think you’re lovely,

though slightly absurd,

oh beautiful, delicate,

bright hummingbirds.

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A dozen dozen crystal balls

and not a one will tell us how

our story ends. Opaque as pearls,

they show us nothing of our world.

A dozen dozen crystal balls,

all of them unreadable.

And still we try. We want to know

just how the future will unfold.

Instead of crystal balls, my dear,

let’s try using a handheld mirror.

Or better yet, a windowed room.

Or better yet, some hiking shoes.

Let’s see what is unfolding now

and join it in its opening.

Already much more is possible

when we don’t know where we’re going.

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