Feeds:
Posts
Comments

Archive for February, 2021

Imagine


driving south
through the mountains
watching the moonrise—
 
and around each corner,
thrilling as it rises again, again, again,
feeling luckier each time—
 
meeting the self
like that

Read Full Post »

One Irrational Fear




inside this trembling woman
her own shadow
wildly distorted, flexing

Read Full Post »

On a Full Moon Night




The three-note song of the owl
opens the night
with a single repeated note.
Hoo hoo hoo.

Listening for the song again,
I find myself opening to silence.
Then there it is:
Hoo hoo hoo.

Scientists say
the owl is sending a message:
This is mine,
my territory, my space.
But instead of being repelled,
I’m pulled in.

I sing back to the owl
three resonant notes.
Hoo hoo hoo.
Not to stake my territory.
More out of admiration
for the power of a simple song.

It teaches me to trust
what is artless,
how sometimes simplicity
is what allows others, like me,
to sing along.

Read Full Post »



 
 
And could I, like this picture frame
hold any image I was given?
I think of the news last night—
how I would rather not hold
what I saw there.
I think of what I learned just yesterday
about myself and notice how
I would rather push the image away.
But could I be like this picture frame
that will hold anything and in so doing
honor its importance? Honor
everything, no matter how mundane,
no matter how frightening,
as something worth knowing,
something essential to what it means to be alive,
a soup can, perhaps, a petunia, or a scream.
How easily the frame says yes to the world,
takes it in, anything, with no judgement,
and offers it whatever beauty it has.
 

Read Full Post »

This beautiful video was created by the incomparable Holiday Mathis. Demand that your local newspaper carry her spot-on, inspired and inspiring horoscopes if it doesn’t yet already.

Read Full Post »

Daily First Step



 
 
Every morning before I rise,
I crawl into my body, as if,
inside this grown woman
lives an infant still learning
what it is to be in a body,
what it is to move forward,
certain there is a world
I want to wobble my way through,
run through, even dance,
if only I can first find a way
to stand in it.
 

Read Full Post »




Just because I can’t hear the wind on Mars
without the sound being raised two octaves
doesn’t mean the Martian wind wouldn’t open a sail—
doesn’t mean it wouldn’t blow off my hat
or fly my kite or create thick swirls of red dust.

Just because I could barely hear the wind on Mars
with my human ears doesn’t mean
the wind wouldn’t flip up my skirt. So many forces
just beyond our senses have powerful effect—
like the words that just today I didn’t hear you say,

yet I know by the way my skin shivers they’re true.
I know, just as sure as the wind blows on Mars,
it takes just one gust to make a thousand seeds go flying.
And I am a weed with ten thousand seeds.
And those words I didn’t hear today, they’re the wind.

Read Full Post »

Tempted by Comparison


 
 
Today I know the self
as a stone in the stream—
everything around me rushing and quickening,
and me, a way to mark all this moving.
Amidst all the bubble and rush,
a stone has its own very slow journey,
and yet, there is no doubt
the stone belongs, is doing
exactly what a stone should do—
which is to be true to its stone-ness,
to know itself as a traveler, yes,
but also as an integral part of the path,
a model of consistency, seldom
in a hurry, inclined to show up
exactly where it is.

Read Full Post »


            —for Augusta Kantra
 
 
I remember that day when Augusta and I
stood beneath the satsuma tree at her front gate
and pulled dozens of bright orange spheres
from the branches, filled a basket to brimming,
and still the tree was weighted with fruit.
 
I remember how easily the leather skin peeled away,
the way I always wish an orange might peel.
I remember the juicy sweet flesh—sweeter
than most citrus. I remember it was seedless,
a surprise generosity. And the colder it is,
the sweeter the satsuma will grow.
 
But most of all, I remember Augusta—
her love-ripened smile, her sunny chatter,
her contagious gratitude
for the tree, the fruit, the scent of soft rain, the day.
 
I remember how she thrilled to share with me
something I’d never known before,
how she handed me my first satsuma—
her palm upright, extended,
and in it a small proof of abundant goodness
just waiting to be opened.
 

Read Full Post »


 
 My tears mingle with yours and the dry world is watered again.
            —Jude Janett
 
 
Parched and dusty,
the inner desert
forgets it was once a wetland.
Barren of confidence,
arid with self-disdain,
it forgets how to grow things
not covered in thorns
and spines.
 
Then you with your love
reach across the afternoon,
a brief shower of words,
and the whole inner world
remembers how it is to be lush,
to be nurturing, to be green.

Read Full Post »

The Defense




The part of me who fears being falsely accused
will do anything to defend herself—
build walls of words, make dams of truths,
construct barriers out of old conversations.
She has always been this way,
certain others are judging her.
Certain they find her at fault.
Certain she must protect herself.
I would like to take her for a walk
and show her how the ice on the river
is melting. How all winter long,
the river itself was the only thing
in its own way—impeding, constricting—
doing what rivers do in the cold.
Now that the cold recedes
the river is more open, more free.
I want her to smell that alive river scent
and know that she, too, can melt.
I want her to feel the freedom of warmth.
I want to tell her that sometimes
the best way to know the innocent self
is to let it run away.

Read Full Post »


for Michelle


Today I feel too clean to play,
but oh there was that day
when you and I
walked past the mud puddle,
all slick and ooze, a miresome mess,
and we reached our fingers into the sludge
and smeared the muck
onto each other’s faces—
thick mud, gray mud, slippery
and unctuous mud,
wide swaths of heavy mud
that slashed our cheeks,
bedecked our foreheads, mocked
our love of spotlessness.
Not war paint, but joy paint,
cool liquid earth on our skin.
Besmudged and besmirched,
we baptized each other
in the dirtiest of water,
a murky blessing,
our laughter blossoming
between us in the air,
a many-petalled prayer,
a jubilant lotus
startlingly (how?) so pure.

Read Full Post »

One Memoir

 
 
these beautiful thoughts
old pages turned yellow
every word still true

Read Full Post »


 
 
Because our conversation
feels like riding a bike uphill,  
I think of gears. I think
of how easy it is to shift
lower, how a simple flick
of the thumb makes the impossible
possible. Where are the gears
for love? There must be better
ways to use our teeth
than biting words. There must
be a series of notched wheels
in the heart that allow us
to move forward with less force,
some mechanism to make
the chain hop from one sprocket
to another, changing the way
we engage. I want to find that gadget,
those gears, the ones that help us
hear each other, the ones
that help us say what must be said,
the simple tools that allow us
to move forward at all.

Read Full Post »

And Mean It, Too

In every second, one hundred trillion neutrinos
pass through the body: One hundred trillion

subatomic particles move through us
as if we were sieves, no, as if we were nets

with holes so big that whole islands
travel through without us noticing.

It thrills me to think of the self so porous,
so leaky. Imagine if thoughts, too,

could clear us with so little friction,
so little effect. How many hopes and hurts

just today have I let stick? Imagine
them breezing through the aorta, imagine

them gliding through the brain, slipping through
the core of us, finding no purchase, no anchor.

Imagine the miracle that in any given moment
we don’t fall through our chair, our bed, the floor.

Imagine, permeable as we are, we still coalesce
enough to look at another, to see each other as whole.

We still manage to pick up the mesh of a phone,
succeed in moving our holey lips,

and hundreds of trillions of neutrinos later,
with total certainty, manage to promise a solid I love you.

Imagine, with these pervious hands
we might carry each other, might cradle

each other, might welcome each other home.

Read Full Post »

Dessert


 
Tonight it is cocoa powder,
flour, sugar and vanilla
that bring me and my daughter
together. The kitchen our mixing bowl,
time our whisk. The more we’re together
the more we laugh. How easily
distinct ingredients become a whole.
Easy as following a recipe
for chocolate cake, we slip
into the familiar banter,
the joyful two-step, the sweetness
we’ve been distilling since she
could first hold her own spoon.
In the air, hum of the oven preheating,
sound of us teasing, clang of the whisk
against the glass bowl. The cake,
it’s basically a delicious artifact,
a testament to this scent
of intimacy, like chocolate cake,
only much, much richer.

Read Full Post »




This is why we are here—
not merely to survive
but to fall in love
with the white-breasted hawk
and the rainbow fish,
with the lonely sidewalk
and the shadows of ourselves,
fall in love with the hands
of the woman wearing yellow
and the girl who loves chocolate
and the boy who loves cars
and the man who makes us want to be
a better version of ourself.

We are here to fall into unmanageable love—
to love beyond reason, beyond
fact, beyond certainty. We are here
to lose all our ideas about love
and know it as the next choice
we make, the next word
we say, the next invitation
we offer ourselves.

We are here to love
the world and each other
the way whales love water,
the way blue loves a peacock,
the way night blooming jasmine
loves night.

Read Full Post »




That was the year I only bought clothes imported from Bali—
baggy pants in a geometric black-and-white print,
long swishy flowery skirts in bright blues
and thin dresses with intricate knot designs.
I don’t know what became of them all—
Good Will, I suppose. Not that I want them back,
but I miss the girl who felt like a treasure in them,
who wore them lightly, who danced and ran in them,
who twirled in the middle of a field
so the fabric would ripple out and would fall down
in the grass and not worry about the stains.
I miss the girl who shrugged out of those clothes
every time she was near an alpine lake,
slipping nakedly into the icy clear water.
I miss how she wore her life back then,
like something exotic, something beautiful,
something new she couldn’t wait to try on.

Read Full Post »

What a woman really needs
is a blank sheet of paper,
which takes trees, of course,
softwood coniferous are best—
pines, firs, spruce, hemlock.
Their long fibers produce the strongest paper
able to hold the most difficult words.

And the tree needs sunlight, clean air, water.
And the tree must be cut using a chainsaw,
harvester, feller buncher. Must be moved
with a skidder or a forwarder.
Must be transported to the sawmill on a truck:
So many machines run by so many
human hands attached to human limbs
with human hearts and human hurts
and human hopes.

And of course, the woman
needs a pen for writing on the paper—
the ink no longer coming from soot
but from pigment including a solvent, a binder,
and a plethora of additives
such as chelating and drying agents—
a complex concoction suited to giving clarity
to complex thoughts.

She needs a room. Or a closet. A counter?
Or simply entry to an inner place
where there are no other voices
asking for help or offering help either.
A space where the predominant voice
she hears is her own—or perhaps,
more truly, the voice she is ripening into,
the voice that emerges when she lets the blank page
know more than she does, lets it lead her
on cursive paths that cross themselves often
but move her ever forward.

And then, with that clean sheet full of memories,
that pen with its synthesized balance,
that room with its impossible blessing,
she might at last meet what she really needs most,
that part of herself she will forever
continue to wonder about, that self
that reaches for her, that asks her to wrestle,
invites her to see what else she might find
in all that abundant blank.  

Read Full Post »

Ode to the Bic Lighter


 
 
My first lighter I found in a parking lot—
a smooth red plastic tube that fit
in my pocket. I knew playing with fire
was dangerous. I knew I wanted
to learn how. I remember trying again
and again to get the right purchase
with my thumb on the serrated sparkwheel.
I rolled and rolled until my skin was raw,
until at last the brief flame sputtered then died.
It wasn’t long before it came second nature—
the smooth flick needed to produce a spark,
the slight pressure on the red tongue
to maintain steady flame.
I learned how it burns
to be lit up too long,
but once you know how to make light,
how easy it is to bring it with you
everywhere you go.

This poem is published in the wonderful ONE ART Poetry Journal

Read Full Post »

Older Posts »