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Posts Tagged ‘present’

after reading “Behave Beautifully” by Moudi Sbeity
 
 
Here is a stack of dictionaries
thick with words I never will know.
Here is the pen filled with the ink
of stories unwritten. Here is
the sky filled with stars I can’t name
and clouds that will not last.
And here, unseen, is the bridge
of the moment that links me
to all that was and all that is,
all that is real and all that is dream.
The bridge, as long as forever.
The bridge as solid as rain.
The long, beautiful bridge
vast enough to hold every word,
every story, every version
of what might be. It is the bridge
toward understanding. And here
is you. And here is me.

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Present


 
 
I open the moment as if it were a box
and, shocked by the cruelty I find,
I want to close the lid.
Want to pretend I don’t see the tears,
don’t hear children screaming.
I want to not feel my own heart whacking
like a club inside my chest.
 
In the myth, Pandora closes the lid
on hope and keeps it locked in.
But more than I want to close the box,
I want to keep it open.
I want to stay with the ache.
I want to be with what is real.
What is real: I keep the box open.
 
What is real: There is no box.
What is real: Sometimes I fear
there is no hope left. And sometimes
when I am very still with what is,
hope flutters inside me. How?
I don’t know. But its small wings
open like prayer inside my breath.

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Sound Bath


 
 
Even now, imagine, we could step through
one of the infinite doors of the moment
and find ourselves in another life—
repairing a net on the banks of a vast river
or herding cattle down a two-lane highway.
Standing in line a block from a soup kitchen
or guarding the entrance to the Forbidden City.
Instead, we are here in the lives we inhabit
But press your ear to the other doors. Hear
the traffic. The sobbing. A swelling of symphony.
Gunshot. Thunder of feet. The whimper of an infant.
The world enters us in waves, waves that seep
through the doors and we wade in them.
Wading, we come to know there is no way
to not be touched by every other life,
no matter how distant. If you put your ear
to the moment, sometimes you can hear
every other ear listening for what you will do next.

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We color. I pull out the only coloring book
we have left, most of the pages already full
of half-finished attempts from years ago.
Blue and pink seals. A resting jaguar
with one purple eye, the other eye green.
We sit side by side the way we have
since she could first hold a crayon
and choose a fresh page to color.
She coughs. I sing with her playlist.
We chatter about nothing important
and fill in the green of the leaves,
make a monkey with orange and blue hair.
And it’s boring. We both agree.
Buy my god, I’m so grateful today
to be bored with her,
so grateful to fill in the lines
because right now, there is no room
but this one, this the gift:
her sniffling, the house filled with midday sun,
my life so tethered to her life,
the pink pencil growing shorter every minute.

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millions of small miracles
bring me to this morning
beside you

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This



Walking mid-summer
in the warm summer rain
there is summer in my
step and summer in my skin,
summer in the scent of soil
and summer in my blood
and there is nothing else
I’m searching for but to walk
in the rain in the summery world
with summer in each stride
and in each breath summer
and a summer breeze with its
warm summer touch and it’s
summer, mygod, I’m alive,
and it’s summer right now,
and I, no stranger to winter,
say yes, I say yes, yes to summer.

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Beside the flower bed, still unplanted,
we sit on the porch with coffee and toast
and watch the field where the swallows
swoop and dive in their own ritual of breakfast.
Hummingbirds chase each other across the grass,
small bodies like darts that pin us
to this moment. Would I, if I could, pin us
to this radiant now when the whole world
is greening and the morning sun paints
gold on every surface? Or is its value
partly based in how quickly it passes?
So while I can, I sink into this measure
of bliss, cup still warm in my hand,
and breathe in the sweet, sharp scent of grass.
Someday soon, there will be flowers.

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And here is the miracle—
to find in grief not only sorrow
but a ravenous gratefulness for life,
to find in loss not only emptiness
but an unimaginable abundance.
It doesn’t happen in a day,
no, not even in a year,
but who said miracles
need be instantaneous.

Today I skied through a veil of trees
and forgot for a moment
anything but trees, but skis, but lungs.
I want to tell you in that moment,
there was no one to remember,
there was no one to look ahead,
there was no one except the human
who knew to place the next ski in front
of the other, knew to trust
the ragged saw of her breath,
knew that life is only as beautiful
as death.

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Another part of me turns left,
and it is fifteen years ago
and I am driving to my parents’ new home
and my son and I will spend the night with them
because they live there and we can.
By the time I turn onto the highway toward home
it is fifteen years ago
and my father is sitting in his favorite chair
and my son curls into his lap
and dad tells him his ears are his mouth
and they laugh
and my mother and I make tea and chat.
And I am almost to the stoplight in Ridgway
when it is fifteen years ago,
and we go outside and make a fire in the pit
and sit in a half circle and sing camp songs
and snuggle because we are there.
And when I get home, an hour later,
it is fifteen years ago
and I am so full of their presence
and roasted marshmallows and
joy and loss that I lift my son
into his crib and kiss my father
on the cheek that is now ashes
and hug my mother now far away
then walk into the house
where my son no longer lives
and I have never been
so here.

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Late Summer

            for Vivian and Christie


This lyric afternoon with its fruit trees
and friendship and barest kiss of rain,
is it so wrong to want to save it, the way
I will process the dark plums into jam?
Is it so wrong to want to preserve
the honeyed song of summer, the warmth
of sun, the pleasure of an afternoon
with my daughter and a friend?
An ovation of thunder.
Scent of basil. Purr of cat.
The creamy fuzz of the growing quince.
The joy as we try for the first time
black apricots, their skin so surprising,
their flesh so nectar-ish. I will freeze
most of the ripe blackberries we gathered,
will savor them come snow, come cold.
A day such as this is like yeast in wheat dough—
it’s not there just for taste, it’s the difference
between bread and a brick.
It invites a trust there will be other days
filled with elation. Dig in, it seems to say.
Don’t save for later what can only be lived today.
Even the disbelief that a day could be so good—
that too, tastes so nourishing, so sweet.

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Off the Clock




I want to wake with no sense of what a minute is—
no watch on my hand, no dial on the wall,
no method to measure this life into units of should.
I want to lean into the spell of sunlight like orchids on the sill.
I want to be a question only the moment can answer,
want bergamot to tell me it’s time for tea.
And if there is a pressing yes, then let it find me.
Let me feel into the field of my upper back—
how spacious it becomes when I act with integrity.
Let me be rhythm of shadow and birdsong
let me be rising wind. Let me be time itself,
not the arrow of time, but the infinite sea
and the sand that slips and the silence that swells
in the absence of tick tick tick. I want to wake
to no hands but yours and mine. To be born into the day.
No was. No will. No once. No when.
No deadline. No finish line. No wrong date. No too late.
No too late. Not even a little too late. It would never be too late.

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Like Tonight

After wrapping the present,

mom would pull ribbon from a roll

and wrap it around the gift.

She’d tie a knot at the top,

then ask for my finger

to hold the ribbon in place

while she fashioned the double knot.

Eventually I learned what Mom knew—

it’s not hard to tie a ribbon alone.

Still, the loan of a finger is lovely.

Lovelier still, partnership.

This is what you do for me.

Though you’re far away,

sometimes when I find myself trying

to, oh, wrap things up,

I feel, perhaps, an invisible hand

reaching in to help where I most need it.

How much easier the work is then,

such a gift, to meet the present together.

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playing tug of war—

my future

my past

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Temple

It’s not because anything special happened.

Though I’ve sat in silence in desert canyons

and climbed iron rungs on overhanging cliffs

and sung in cathedrals and sung in snow caves

and hiked naked through juniper and

washed dishes in inner city shelters

and wandered the cobblestones of ancient villages,

today, sitting on the couch in my own house,

I finally understood with my whole body

how life puts us in the places we need to grow.

And so I made tea. And sat a while longer

with the windows open, listening to my longing

as it wove with the sound of the sprinklers and the oven fan

and I said to the moment, what do you ask of me?

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I’m now going to dazzle myself with the pluperfect.

            —Jack Ridl

 

 

And isn’t it dazzling, the notion

that an action not only began in the past,

 

but was finished in the past, or,

as they say in Latin, it was perfect.

 

Not like these leaves, that began

in the past as green flags, but now

 

transform into gold flame. And we all know

what happens next. No, not like

 

the boy who once fit in my lap

and now looks me in the eye.

 

Not like the dream I had for my life

that changed before it could

 

be achieved. What really ends?

What do our cells not remember?

 

Even the dead are here in this room,

on the streets, in cafes. We carry

 

our history with us everywhere

we go, and it wriggles out of its

 

perfect cage and dances through the ending,

though we thought we’d shut the curtain,

 

though the director has long since yelled “cut,”

though the audience has already left,

 

see, here it is, even now, progressive

and as present as these cut sunflowers,

 

spilling their pollen all over the table,

hardening their seeds into future gold.

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Sometimes in spring

I forget it is ever

not spring, forget

that there will be a time

without hummingbirds

and the raucous call

of the geese. These lilacs

and their purple scent

are forever. Forever

is this deep green field.

I almost resent

the voice that writes this poem,

the part that notices how already

the apples have gone

from ecstatic white bloom

to small hard fruit.

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Radical Abundance

 

 

 

Every branch

of the raspberry bush bows

with the weight of sweetness

and our busy hands

pull the ripe berries

to our mouths.

It is a long time

before we remember

we have bowls,

we have tomorrow.

 

 

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Spontaneous

 

 

 

hulling strawberries

for the freezer I think of

how many sweetnesses

are put off till later—

 

that ripest berry,

it is delicious, red stain

on my hands, my lips

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One Saturation

 

 

soused with joy—

unable to remember any myth

that didn’t end happily

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This Very Here

And then came the day
when I knew to stop asking
to be anywhere else,
when somehow I no longer
believed any other garden
was better than this one,
when I wanted only
these weeds and this field.
There will come a day,
I am sure, when I forget.
But today, oh the freedom
of being utterly tethered
to this very here with no
other dream, no plan
for other plots, just
a song on my lips
that I sometimes know how
to sing and sometimes
have to hush to hear
how it goes.

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