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Archive for June, 2016

Malfunction

 

 

 

It didn’t snap,

the trap, when the vole

ran across it—I watched

from my kitchen window

as the fat gray body

emerged from the grass

and traipsed across the waiting trap

before it looped through the pansies

and returned to the lawn.

And I, who set the trap

with Adam’s Smooth Peanut Butter,

laughed with strange delight

in my failure to kill

that damn little kale eating vole.

What is it in us that learns to relax?

The tips of lawn grass trembled

as the vole ran its path back to the field,

oblivious to my scheming.

It knew only that the mint overtaking

the pansies was delicious,

so green, so fresh.

 

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radio off

I turn up the dial on the heart—

what’s this song I’ve never heard?

 

 

 

 

 

 

 

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with every step

losing the need to struggle to say

what can’t be said

 

*

 

carving away

the women I’ve been until the only one left

is the one walking

 

 

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And if you are lucky, you might stand

in the place where the horses were loaded

before they were led to look for gold, for silver.

There are journeys you, too, wish to take,

though you know now that the journeys

you long for the most are often made

by pledging yourself to a place.

The old stone walls were built with flow in mind.

Even now, they keep nothing out—not the sunlight,

not the wind, not the curve of your imagination.

And every window is an invitation

to see the same beauty framed a new way.

What might be possible here? No way to pretend

to predict the infinite. Still, this chance

to show up, to serve our own passion

in a toast to potential, and to be humbled

by our own hearts so eager to be opened.

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One Beside the Trap

 

 

 

so shiny and bright

this beetle feasting on death

black jewels, its wings

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Midsummer

 

 

 

I pour the hot water

into the sugar that waits

inside the mason jar.

 

Here I am in the kitchen

longing to be

of use in the world.

 

Outside the window,

the broad tailed hummingbirds

swarm the near-empty feeder.

 

They will find, I know,

some other sweetness

if I do not make the nectar.

 

I long to believe

one small act of devotion

might ripple out

 

and affect the world

as profoundly as an act

of hate, but I do not believe it.

 

Still, I stir. The contents

of the jar change

from solid to cloudy to clear.

 

Outside, the blur

of hunger, the whirring

of dark green wings.

 

 

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Big Escape

 

 

I thought if I made myself small enough

I could fit inside the box labeled happiness,

and I folded my dreams into neat little squares

and kept them on a shelf labeled later.

But life leaks.

Happiness knows no box.

And who is this woman unfolding the dreams,

wrapping them into blue turbans, green capes,

and magic carpets of every hue flying out of the box.

Where is she going?

Dang, she looks familiar.

 

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At the Edge of July

 

 

 

Summer, what could you say to this body,

this body nearing its autumn?

What could your flowers teach this heart

about blooming despite heat, despite drought?

What could your shortening days tell this woman

about opening to light?

Summer, I think I know too much.

Teach me warm. Teach me thunderstorm.

Teach me how to be green, and then greener.

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and brings the big world in with her—

contagious and boisterous laughter

deep enough to splash in, the scent

of lilac trees and fresh cut grass

and brandy with ginger ale and lemon.

Whole fields of wild iris. Left turns.

She unpacks her suitcase and rapturous dances

leap out and whirl around the room.

Miles of highway unribbon around the kitchen—

there is plenty of room in her home

for the skyscrapers, the great divides,

her own enormous beating heart.

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That bed looks so great.

There is nothing right now

she needs to do but slip

between those soft blue sheets

and close her eyes.

She has no words that must be written,

no lessons to plan, no bills to pay,

no conversations to have.

She is tired, and she deserves to sleep

right now. She doesn’t worry for an instant

that there will be consequences.

She looks out the window

at the light across the street,

sees the silhouette of the woman

who lives there as she

fusses and rushes and hunches over her desk.

What could be more important

than dreams. Whatever needs be done,

tomorrow is soon enough.

 

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Here is the heart

asking the bells to be quiet

so that it might hear

its own beating.

 

Here is the blind man

who climbs the mountain

by listening to the song of bells

worn by the guide in front of him.

The path is getting steeper.

Oh heart, there’s no reason

to pretend you’re alone.

We’re all wearing bells

for each other. We all

need a song to follow.

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Preparation

 

 

 

Pulling tall grass

from amidst the peonies

it’s hard not to admire

the tenaciousness

of grass, admire it

as I rip it out, every

last blade.

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The days lasted for years back then.

Summer was a lifetime.

 

He took me out on the lake in our boat

and when we had reached the deeper waters

he’d cut the motor and we’d set the anchor.

 

The waves made blue conversation with the hull.

There were weeds, I am sure. There always were,

in green profusion floating along the surface.

 

We would have dug for earthworms that morning

beneath a weed pile in the shade

of the weeping willow.

Now he pulled them out of the can

and guided my hands to string their thick,

pink bodies along the hooks.

 

We cast and sat. Perhaps we talked.

The red and white bobbers translated

what might be happening below.

 

We pulled up bluegills, crappies, sunfish,

and perch and threw the larger ones into the bucket

of lake water we used to keep them alive until supper.

 

Then I caught a drum, and my father’s eyes

glittered like sun on the swells. He pulled

out his knife and carved into the fish

just above the gills.

 

From the flesh, from the blood, from the death

he withdrew two flat white stone-like things—

otoliths, he said. They were strangely polished,

smooth and shiny, like pearls, like ivory.

 

He dropped them into my hand. I received them

as treasure, pronouncing the strange word

over and over. Otoliths. Otoliths.

I did not yet know that beautiful things

don’t last.

 

I held them in my hand the whole ride home.

They are gone, decades ago. What remains

is what I choose to remember—

the scent of the lake rising up. The

slapping of the waves. The diamonds

in my father’s eyes when he realized

he could share with me a secret

about beauty and its hiding places.

 

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Step out of your everyday life and into yourself.

Join me and painter Brucie Holler for four days in Telluride, Colorado in a creative retreat for women at the Ah Haa School for the Arts, July 25-28.

Here. A chance to step out of the rush of your life and dedicate time to your creative, playful, wise and unfolding self. What memories, stories, images and patterns might appear?

For more information, click here

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I make a right turn

toward a life twenty five years ago—

where did this field

of wild iris come from?

On the radio, someone

is singing, “I am the one

who’s not anymore.”

I begin to notice

I don’t know where I am.

There are no signs

for where I want to go.

I am as much the road

as the one driving it,

the field of wild iris,

the voice on the radio,

the right turn itself.

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Hi Poetry Friends,

 

This Sunday at noon Eastern Time, if you get a chance, listen in on a conversation I had in Taos a couple weeks ago with poet and provocateur James Navé … it will be playing on Interview with Rosemerry at WPVMFM … we talk about poetry, poets, writing, love, light, dark, process … 

 

 

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With Any Luck

 

 

 

Meet me in summer

when the mountains

are softened by fields

of blue lupine

and the creeks run clear

with the memory of snow.

With any luck,

we’ll get lost until

we, too, begin to bloom,

until whatever is cold in us

melts and races away

with a bright and bubbling laugh.

There are days we forget

how to make a fist,

how to speak any language

but praise. Meet me

in summer when the old

high trails are open—

what else might we find

behind the crumbling

mines—some share

of ourselves we’ve yet

to have met—something

so spacious we never

dreamt it would fit

inside our skin.

With any luck,

it will follow us home.

 

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In All Cases

 

 

 

all the more reason

to hug one another—

this great news, that terrible news

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Thank you for the Gnossienne No.2,

and for the directions

you wrote above the staves.

“With amazement,” you wrote,

at the start of the piece.

That is what I told my hands

as they bumbled tonight

through the melody.

Thank you for the melody.

Just today I saw

with amazement the four plover eggs

still intact in the nest,

though I could tell

by the wet silt around them

that the high water

had covered them.

My friend said she thought

they might not hatch.

I watched as the mother plover

ran at the river’s edge,

pretending she had a broken wing,

attempting to distract us.

“I think they will hatch,”

I said, though the words were said more

out of longing than belief.

Sometimes longing

is all we have.

“Don’t leave,”

you wrote in the score.

That’s what I thought

later today when

I saw the lonesome

duckling in the pond—

no mother, no father,

no other baby ducks.

I longed to be a mother duck,

to know what a baby duck

might need.

As it is, I gave it space,

knowing sometimes

giving space

is the most generous thing

we can do.

I do not want space.

Tonight I saw a picture

of my friend with her newborn girl,

both of them naked,

skin to skin. That

is what I want.

“With great kindness,”

you say, and that

is the way I want to live

this song of life—

in amazement and with

great kindness—to know

myself as the kind of melody

that might be played

poorly and still sound

beautiful because

the hands that played me

did it “lightly, with intimacy,”

though the keys keep changing

though the timing is unmarked,

though the song doesn’t end

anywhere near where it begins.

 

 

 

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We’ll Never Know

 

 

 

a naked bougainvillea

surrounded by pink petals

on the ground—

this fear that we could have

tried harder

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