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Archive for October, 2016

 

 

Loneliness is still time spent with the world.

—Ocean Vuong

 

 

It would be easier if loneliness would come to me

like the angel that wrestled with Jacob,

 

if it would slip by night into my tent

and rip me out of slumber,

 

force me to be awake and alone, but

there is no room in my tent.

 

I have already invited the circus.

We stay up all night and dance,

 

me and the tigers and fire breathers.

We practice swallowing swords

 

and how to best stitch

new feather headdresses

 

and red-sequined capes. All night

the ringmaster announces

 

the next act and the next, and

though my eyes would droop

 

and my body would sleep

and my heart would have time

 

for mourning, I force my dimming self

to clap as the clowns yet again

 

climb out of their tiny car

with their garish grins—

 

how could there be so many of them?

with their horns and their tricks

 

and umbrellas and balls—

so many clowns that loneliness

 

has no chance to slip into this place

where I entertain endless acts that prevent

 

me from wrestling, from asking,

please, to be blessed.

 

 

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Sometimes when I feel my heart

harden, become quartzite, a stone

hard enough to cut my tooth, hard

enough to cut the blade of a knife,

I let myself be led

into the narrow and moss-soft gorges

of the Appalachians.

The creek here has rendered the sandstone

edges into rounded walls

where hemlock and dark green lichen grow.

 

It’s no revelation that this church

of curves is the work of water.

Still, when my friend Paul mentions

that only because the water is moving

is it able to erode the stone, the knowledge

washes me new. How long have I been settled

in a quiet pool?

 

I have tried not to move, tried not

to be tumbled. For a moment,

I envy the rounded bit of quartzite

Paul holds in his palm.

 

No, I tell myself. That would only change

the surface of things. What is smoothed

is no less hard. I turn to the ferns

growing out of the rock. Time

for a new metaphor.

 

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I could tell you it doesn’t hurt, but

that’s a lie. Still, I choose

to dive into what’s frozen,

 

entering the cold with no armor.

Naked and alone. I could tell you

I want you to join me,

 

and that is partially true.

After the shock, the shudder,

the clench, we can stretch

 

our limbs on a warm flat rock

and let the sun write its blushing graffiti

across our skin.

 

It is not our toughness

that will save us here, but

our curiosity.

 

Let us not come for answers,

and if we find some, let’s not

fill our pockets. Let’s toss them

 

like stones into the lake,

and let’s not dive in after them

no matter how strong we are,

 

no matter how deep

the water, no matter

how clear.

 

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What if

we spoke

about how

we can’t

speak to

each other,

and by

other, I

mean other

versions of

our selves,

and what

if, as

the words

crashed on

our lips

like ocean

tides that

won’t be

held back,

what if

we realized

that our

speaking about

not speaking

is a

starting shore,

sea water

collecting on

our cheeks.

 

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Some apologies we think we’ll never hear. Some we think we might never say.

This poem was published today on New Verse News–How to Eat the Moon

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Sometimes After a Drought

 

 

 

the way the rain

soaked the earth last night—

not because the earth deserved it

but because it could not help but rain—

that’s how love arrives

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may there always be

more why in us than because—

a storm from a cloudless sky

a rose garden flowering midwinter

a blind and ravenous wonder

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walking through the corn maze

wishing I could be the kind of person

who allows herself to be lost

meanwhile never

putting down the map

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scraps of rusted metal,

tumbled mine buildings,

splinters of fallen trees—

 

running clear and cold, the creek

makes music of everything

 

 

 

 

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Hurry, Hurry

 

 

 

So when we get to the measure

in the Hungarian folksong

where a man begs a boatman

to carry him across the sea

where his lover is waiting,

we decide as a group to sing it hushed,

hushed but urgent, says Jenny,

and we all agree, though when we get

to the phrase, we all forget the hush

and collectively belt out his longing

like a celebration, urgent and vital,

of all the longing that rings the world,

all the ways we yearn to connect, to love,

to stand beneath the window

of the one we adore and say

here, I am here.

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One Curiosity

 

 

eavesdropping on my own heart

wishing I could understand the whispers—

rustle of golden leaves

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“We must move forward together to build a shared understanding. We must forge a path that allows us to move beyond our history and identify common solutions to better protect our communities.”

—Terrence Cunningham, president of the International Assn. of Chiefs of Police

 

 

With salt, of course,

though there’s the matter of how

to get the salt to stick

without the assist of gravity.

 

And paired with a slightly chilled sauvignon blank,

preferably from Marlborough, of course,

with its hints of green pepper and grass.

 

It doesn’t taste like cheese after all,

but then the experts never seem to be right.

It tastes more like, well, hard to say.

Try another bite.

 

You never thought you’d be here, did you,

sampling these bits of reflected light.

Almost as unexpected as the apology

earlier tonight from the man in the suit

so blue it looked black.

 

Maybe not a white. A red.

A cab. Dark fruit. Full body.

One that’s needed time to evolve.

Its complex woody tones compliment

the moon’s impressive density.

 

What was it he said? “While

we obviously cannot change

the past, it is clear that we

must change the future.”

 

Toast to the future

and raise your glass

and take another nibble of moon.

Notice how dark it is, really,

about the color of asphalt, worn down.

It’s only because space itself is so dark

that the moon seems comparatively light.

 

All along you thought it was white.

Where else have you been wrong?

Perhaps between sips

and forkfuls you’ll find an apology

ripening there on your own startled tongue.

At the moment, anything seems possible.

The night makes its rounds.

 

 

 

 

 

 

 

 

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One Unsequencing

 

 

 

the question

hasn’t even been asked yet—

still, seeking the answer

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One Rattling

 

 

 

at the gates of wonder,

begging to be let in, not knowing

we are already there

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Over the Edge

 

 

hic sunt dracones

it says on the Hunt-Lennox globe,

its copper halves wired together.

The words mark

the eastern coat of Asia.

Here are dragons.

 

Half a century later,

we wonder still

did the maker mean

Komodo dragons?

Sea monsters?

The Dagroian people

whom Marco Polo reported

would eat the dead

and lick their bones?

Or was it simply a nod

to how frightening

it feels at the edge

of the known?

 

Tonight my son calls me

with an unbearable ache,

his map of the world

torn.

 

Though I am far away,

or perhaps because of that,

we are close.

Our voices say the words

we least want to say.

Our hearts are porous

and soft.

 

I want to tell him

that the dragons are not

at the edge of the map.

They are inside us.

And sometimes

they are more evil

than the most evil

we could imagine.

And sometimes,

though we’d rather

hate them, they are beautiful.

 

Instead I tell him

these are difficult times.

 

The globe, the third oldest

terrestrial globe in the world,

about the size of a grapefruit,

was bought by an architect

named Hunt. He told his friend

he had bought the object

in Paris for a song.

He let his children toy with it.

The friend begged

Hunt to keep the globe safe.

 

None of us are safe.

I fear I have let my dragons

escape, that they have flown

into my son.

 

Let him toy with them then,

the old ways of thinking

about the world—

let the unknown

become a place for play.

 

Here are dragons,

I think, as I redraw

the map, and write

the words on my face.

They sprout wings

and pick me up

with their terrible claws

and fly me to the cliffs

of my life

and drop me

over the edge.

 

 

 

 

 

 

 

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One Stumble

 

 

walking in the backyard

of the same old heart

this new trail, wondrous

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then you can enjoy the show right here on your screen. Last week was the opening of In Three Lines, a collaboration in art and poetry, at Gallery 81435 in Telluride.

I recommend listening to cello while you look through these images … that is what we had playing in the gallery, and the rich and resonant tone of the instrument seemed the perfect partner to these intimate and provocative pieces.

Here is a link to the pieces that are still available for sale, and if you look around the site, you will find that you can see the whole show. Thanks to the gallery for putting together this virtual tour.

The show is done in partnership with Snowmass artist Jill Sabella. For two years, we have been corresponding to create this comprehensive body of work. We took turns sending each other three-line inspirations. The pieces in white came first, and the pieces in beige were responses.

You can purchase books at wordwoman.com. And for more information about the artist, visit her website here. the-house-on-fire1

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One Altar

 

 

 

that splinter in my finger,

touching it again

to feel the small ache sing—

 

she is made of splinters

still learning not to walk too close

 

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Phylogenetic

 

 

 

Just today my son asked

if birds were mammals.

No, I said, without looking up.

Then are they reptiles, he said,

and I thought no, but then

I thought maybe, and then I said,

I don’t know. Turns out some

classify yes and others say no.

There are so many ways

to see the world.

I think of scaly feet and believe

the crocodile and heron

could be cousins.

I think of intersections.

It’s not a surprise

humans arrive at different answers,

what surprises me is how

there are questions I no longer ask.

Like the nature of a bird.

Like the nature of love.

How many other questions

are gathering dust or are waiting

to be found?

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Framed

 

 

 

Here is the future,

a line to be crossed.

 

Someone has tied it

into a noose

with a loop wide enough

it will fit over all of our heads.

 

Sometimes at night

do you feel its heat

against your neck,

a burning you can’t explain?

 

Tell yourself the only

difference between a noose

and a lifeline is the way

you tie the knot.

 

Here, here are your hands,

persistent and willing,

able to loosen, refashion,

forgive. And here is tomorrow,

 

a line with your name

written on it.

 

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