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Posts Tagged ‘garden’

What Goes On


Knowing it will grow back tomorrow
does not stop me from pulling
the bindweed today. Once I pulled 
bindweed as if the goal was to clear it 
from the garden. Now, I pull bindweed 
as if the goal is to love this act of being 
alive, this ritual of pulling bindweed, my 
daughter beside me, soft easy chatter 
rising between us.        There is no blessing 
or disaster yet that has ended this 
communion of tugging on the long white 
roots. Somehow, in this season of 
endings, the bindweed seems to promise
tomorrow, tomorrow, tomorrow. 
 

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The way my grandmother tended 
to her daylilies, that is the way
I want to attune to your words—
knowing how each utterance blooms
only briefly, but when cared for,
the plant itself is hardy, long lasting,
abundant, able to survive both
heat and chill, both loam and clay. 
Come love, whisper to me. 
I cherish every petal. And when
there is no bloom, I have learned 
water and fertilize anyway, to honor
the place where the bloom will be.  

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When no one
is looking
she touches
the wound
that hides
beneath
her smile
where the scion
of acceptance
was grafted 
to her rootstock
of stubbornness.
Most people
don’t notice
the scar,
focused as they are
on the fruit,
but she 
remembers
the cut, 
the tissue exposed.
How tenderly
she traces
that place
where the union
was formed. 
Since the wounding,
her fruits 
have become 
vibrant, complex, 
so sharp, even tart, 
and so sweet.
 

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The Arrangement


 
 
Because touch is one way we offer praise, 
this morning I touch my ears 
to the see-sawing song of birds 
in the tree beside me. I still myself
to focus on their song, and they stop 
singing, as if to tease. I touch my ears 
to the silence where the song is not. 
Touch the warm tones of wind chimes 
stirred by a breeze I barely feel. 
Touch the hum of the cars
and the growl of a motorcycle I’d rather 
shut out. I think of how my grandmother 
used grass, even weeds in her flower arrangements. 
She taught me you could make anything beautiful.
I try to stop slandering the traffic noise
and gather it into an audible bouquet complete
with birds, chimes, silence, my breath. 
How to make the unwelcome welcome? 
How to hold tension in ways that compliment? 
All morning, all day, I practice opening 
to what isn’t easy to love. I make a vase
of the moment. Add all the sound that’s here. 
So much I’d rather not to listen to. 
I think of my grandmother. I try to find 
new ways to hear.  

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In Time


 
 
In soil not yet worked this spring,
two perfect rows of parsley emerge 
in a curly leafed celebration of green, 
vestiges from last year’s planting.
Where is not garden? 
Good hands, what will you do 
with this new trust rising
out of what looked like failure?

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One Garden


 
 
I am no longer surprised
when strange, exotic
blooms appear in my mind,
knowing now how seeds
arrive on the wind from everywhere.
Now, I am less likely to label
something weed simply because
I didn’t plant it myself.
At the same time, I want
to be discerning, knowing
whatever I choose to grow might
appear soon in the soil of you,
so I am cautious when sowing
bulbs of anger, saplings of judgment,
thorns of certainty.
I want us all to plant great beds
of unanswerable questions
and tend the mystery together.
How else might it change
what these hands do when I
trust every choice matters?

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They no longer bloom,
but the snapdragons bring
an extravagance of dark green
to the garden otherwise bare.
I almost missed this pleasure,
poised as I was to rip them
from the soil when frost took
all the flowers. But there
is something past bloom
in me that thrills now
to see them there, growing
for the sake of growing,
tall and fully leafed out. Grow
while you can, they seem to say.
Until it’s all over, don’t you
ever stop with your growing.

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Eyesight

 
I’ve never seen the world the bee sees,
a world of iridescence in which petals
change color depending on the angle,
a world in which a field of sunflowers appear
not as a smear of yellow but as individual
blooms. I’ve never seen the bullseye
pattern in the primrose or the pansy,
these human eyes unable to perceive
designs in UV light. Today I look out
at the empty garden where just last week
there were marigolds and calendula,
and I see the absence of flowers, but also,
I see mounds of golds, yellows, oranges, and
I see the boy who used to sit on the edge
of the wooden beds and I see the young
version of me, not yet gray, weeding
the rows, while the boy tells me stories
about school and the things he longs
for beyond what he has. They’re there,
I know, the flowers, the woman,
the boy, though somehow they’re so far
beyond the spectrum not even
the bees can see them.

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The Change

Overnight, the frost
took every pink zinnia
every creamy dahlia,
fading their colors to brown.
The nasturtiums have slumped
into dense wilted tangle.
The marigolds hold themselves tall
in a blackened and upright
surrender. For now,
the bright, fresh bouquets
I made yesterday are still
bright and fresh in their vases.
This beauty, we know, won’t stay.
The message is simple:
All that rises passes away.
I see it in these hands
that planted and watered
and weeded and picked—
my skin now wrinkled and thin
as frost-withered petals.
Here: the chance to witness
my own rising and passing.
How natural to age, to die.
The flowers in the vase will wilt.
With every day, so do I.
Such strange gift. First
the joy of putting the self
in service to making something
beautiful. Then, beyond joy,
the grace in learning to let it all go.

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