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Archive for January, 2017

Paradox for Supper

 

 

 

Tonight,

slicing ginger,

I think about

not thinking

about the news,

how I would then

sit down

at dinner

and look

around the table

at my family

and enjoy

this peanut sauce

on brown rice,

 

and for a while

I am two women

in one skin—

one who stews

about the supreme court,

one who thrills

in the hot pepper oil,

the way it blazes

on the tongue.

 

 

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No way to pretend we’re not broken, no way not to see how dazzling we are.

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One minute you’re sitting on the porch

in the warm morning sun and ten minutes later

 

it’s been an hour or more and you have forgotten

your name, forgotten the year, forgotten

 

who’s president, all that you know is the sky

has never been so clear and your body

 

has never been this starved for blue—the way

it steeps so deeply into you that by the time

 

you enter yourself again, you forget to wonder

how to make this radiance last,

 

can’t imagine you could ever feel

any other way.

 

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Last year, I did an interview with poet and writer Eduardo Brummel, and today he’s posted it on his blog … more about practice, on how a poem might save your life, and the dance between inspiration and crafting … thanks, Eduardo! Here’s a link to the interview

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I imagined pearling a silk shawl of prayers generous enough to cover the whole cold world, the color of the moon.

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Self Talk

 

 

 

Even after I turn off the radio

there is a red voice below my gut

that repeats, “You should be very afraid.”

 

Out the passenger window

I see three elk bedded down

in the snow beneath a spruce,

 

and then I am past them,

looking up valley at the mountains

where the wind blows the snow

 

in long white curls off the peaks.

I want to return, I think,

to a different chapter—

 

but I don’t believe it.

There are no fewer opportunities

now to fall in love,

 

and there are a whole lot more

chances to be of service.

I tell myself I was born

 

for exactly this life—

born to see the frosted cottonwood trees

on the valley floor

 

flood with the low light of morning,

born to meet the fear in my gut

and carry it with me to do brave and beautiful things.

 

 

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In the bedroom of my heart, kicking out the stinking news, opening the window to hear the river song.

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I had so much fun doing this interview with my new friend Bill for his blog. If you read the interview, I hope you also take time to check out some of his work at https://pinklightsabre.com/

Here we talk about poetry as practice and how to move our practice forward. Enjoy!

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Koshti

In Persia, they used to wrestle

each other to ready themselves

for combat. They’d grapple in secret

meeting places, learning first

to sing, to juggle, to chant poems,

to whirl to the beat of a drum.

 

Let’s wrestle, love, it can only

help now. There are battles

aplenty to wage. Let us

cultivate strength on our own,

then bring our power to a hidden circle

where we’ll strengthen the other.

Imagine how our bodies will meet

each other then, moving

to a faithful, inner drum. With some practice,

imagine how strong we’ll become,

how when we emerge,

we’ll be ready to take on the world.

 

 

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Before I press send, I edit the last sentence so the adverb doesn’t split the infinitive—not that I care for grammar, just that it feels good today to have one small thing I know how to fix.

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Window

 

 

 

In dark times it is sometimes hard

to speak of joy—not because

 

it doesn’t exist but because

of the guilt in feeling it.

 

The dark clots our arteries,

it keens in our ears, floods the streets.

 

Still, my friend sends me a word—

wushdan. It’s pronounced like swush,

 

she says, not swoosh. Wushdan.

I say it aloud, and the syllables

 

hush my tongue. It means,

she says, “heart awareness,

 

conscience,” as in a practice

of inner discipline. Wushdan,

 

I say again, as if to speak a word

is to know the secrets harboring

 

inside it for centuries.

The root, says my friend, is wush,

 

which is Persian, means joy.

It feels as if someone

 

has slipped me a piece of chocolate

in math class during a test.

 

Or as if, while reading

the headlines of war I look out

 

the window and see the big brown eyes

of a doe looking unwaveringly

 

into mine. And I put the paper down

and watch out the window

 

until the light is gone.

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Western Slope Moms! Join me for a writing class this Saturday, 9-1, in Ridgway–no experience except mothering necessary. Read all about it and register here: Lost in Motherland: Writing to Discover Who We Are(n’t)

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throwing my small voice

into the big conversation,

part of me thrills

part of me shivers

to think it might really matter

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It hurts to be silent—

the unsaid words

sharp as frazil ice—

needle shaped and

able to slice what

inside is tender.

Still, we found ways

to be silent.

I give thanks

for the chill

that woke up

the millions of women

around the world,

got us moving

in one direction.

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I give thanks

for the diversity

of messages

that inspire us

to be not one voice

but millions

together.

 

As we march,

I think of the fish,

how they move as one,

sometimes daily,

sometimes annually.

They know

when to stay,

when to move,

when to give it

everything they’ve got.

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At the Candlelight Vigil

 

 

 

Mommy, she says,

her face still warm in candlelight,

why did you start to cry—

and I hear not just curiosity

but the itchy vest of embarrassment.

 

I don’t tell her

the math of the world

is just too sad,

perhaps I cry more

because for a moment I believe

the words I tell her—

it’s going to be okay.

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Yesterday, I spoke with KSJD radio in a 10-minute interview about how poems–both writing and reading them–might help us navigate uncertain times. You can listen to the interview here.

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In the Darkness

 

 

 

rubbing ideas

together like sticks—

lucky to get a spark

 

but sometimes,

just noticing

the world as it is,

 

our attention

builds entire bridges

made of light

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Wiping the spider mites

off the gardenia,

I am not proud of the work.

I know the nearly invisible pests

will not go away

if nothing is done.

The gardenia will die

if they thrive.

I reduce us all to protons

and electrons, gluons and quarks,

all of us more similar than not,

perhaps even exchanging

parts as I move the damp cloth

across the leaves

in an attempt

to keep something whole

even as the world

spins apart.

 

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All these days trying to turn a stone into a song, such relief, its splash in the river

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            —for Jude Janett

 

 

It was cold,

and so

when she said

 

I am not

a poet,

I mean

I write them,

but only

to survive—

I don’t think

I even

like poems

 

I watched

as her words

turned to mist

in the air,

swirling

transparent lines

that danced

before they

disappeared,

 

and

I knew

there was

never

a poet

more true.

 

 

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