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Archive for October, 2015

Some Never Learn

Don’t think I don’t see you

scampering across my kitchen floor

with that scrap of yarn you’ve stolen

from my old green scarf,

you with your jumpy eyes,

your cold twitchy nose.

Don’t think that I don’t hear you

scratching in my inner walls

with your ever-growing teeth

and your tiny piercing claws.

I still run my fingers

across the thin scars.

And don’t think that just because

I took the cheese out of the trap

that I meant for you to come around.

Don’t think it was on purpose

that I left that piece

of lemon cake beside the bed,

the kind with cream cheese frosting,

the kind you told me once that you like best—

that time when you so sweetly curled

into my hands, your fur as gray as morning light,

I remember, so silken, so soft.

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What She Really Wants

When she is drought,

be rain, and when

she is rain, be cup.

When she is lost,

let her be her own map,

and when she is wind

be wind. There are trees

in her, no, whole orchards.

Be soil and sunshine and bee.

When she is seed,

be time. When she

is moon, be sea.

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In the Midst of the Wreckage

Make in my heart a concert hall

where a single violin

plays on the vacant stage

reminding me in a minor key,

that one true song

touches every broken,

twisted, rotted thing

invites us to lean deeper into,

no, to fall completely

into the beauty

we stopped believing in.

Let me not just hear the song,

let me tear down the heart’s walls

so everyone can hear.

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Devourer

I was born with ten thousand mouths,

all of them hungry. Feed me,

I said to the lake, and it spilled into me

its deep green and its months of ice

and its forgotten bottom. Feed me,

I said to the hill, and it filled me

with shadows and stones

and the tunnels of mice. Feed me,

I said to the mountain, and it served me

glacier and couloir and avalanche paths.

And still I was hungry. Feed me, I said,

to the book, to the priest, to the tree,

to the moon, to the man, to the boy,

to the song, to the earth. And I ate

and I ate and I ate and still I was hungry.

Feed me, said the world. And I did.

I fed it my heart, my hours, my eyes.

And for the first time, I felt full.

I was born out of loss. Year after year,

I took the world into me. At last

I find myself in the world.

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It is perhaps, no miracle, this glass

of aromatic Chartreuse, but

it opens the mouth surprisingly.

Sweetly green. Intensely green.

A wildly vital explosion of green

that baptizes the inside of the cheeks,

a smile turned in on itself.

Here in the glass, the taste

of three hundred years of practice,

here the devotion of Carthusian monks

who live in the mountains of France.

If I were more discerning, perhaps

I could find in it notes of hyssop and thyme,

cinnamon, mace, lemon balm, angelica root.

But of the one hundred thirty ingredients,

I taste mostly peppermint. And green.

What I most wish to taste

in the glass is a hint of silence.

Some of the monks speak once a week.

Some speak once a year. The rest of the time

they spend in study. And prayer.

My friend Alan says he stole a bottle once.

I think I taste the why. Not the flavor,

though it’s alluring, but the way

it makes the mouth

so aware of itself, so utterly alive,

so willing to believe there’s

so much more to learn

about opening.

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learning to choose rain—

not because I want rain

but because it’s raining

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Translate my body into song, a song
that only you know how to sing. Transpose
my thoughts in E flat major—key of love
and deepening devotion. Score my lips
in F sharp major—triumph over pain.
My heart, compose in G—idyllic, filled
with tender gratitude. And for my breath,
E major—laughing pleasure, full delight.

And I will sing you, too, my dear, will sing
in tones that only you can hear, will learn
to sing outside the staves—for they’re too much
like cages for the wilderness of you.
And let us improvise together, let
us sing beyond the measures, let us learn
new signatures, new ways of listening.

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Two, If You Let Me

in the forest of you

I will find the empty branches,

become a song bird

*

don’t get me wrong—

I, too, love silence,

shall we speak it together?

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This Afternoon, I Walk East

How good the cold air

feels on the face

after a morning inside.

I try to tell myself

it could work this way

with the heart, too—

a little winter

when there’s been

so much heat—

but the heart does

not believe me

and zips up its coat.

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On a Rainy, Rainy Night

this heart a wilted flower

trying to pretend

it doesn’t need the rain

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there are blessings,

though they are wrapped

in sandpaper—

perhaps by now

your fingerprints

are nearly erased

perhaps you’ve noticed

how this

is the gift

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Two Unsuspectings

setting a trap

with honey, catching

myself

*

this song

of relentless yesses

a set up for grace

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I’ve Got $1.41

A penny for your dreams—

they’re as curious as thoughts.

A nickel for your laughter

if it comes out of the box.

A dime for your happiness

if you’ll share it with me.

A quarter for your apple

if it falls far from the tree.

A dollar for your love,

but only time will whisper

if it’s money down the drain

or a happy ever after.

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This is the year I learned to hate the moles,

the whole blind-tunneling, garden-raiding,

carrot-devouring, pea-sprout-munching,

rapidly reproducing, miserable movement of moles.

Not for a lifetime, but for an hour or two,

I would like to be an owl so I might

swoop down on their company in the dark

with my enormous silent wings and my sharp

and merciless beak. I would pluck their bodies

from the rows of beans with relentless precision

and I’d pull them apart, the young ones, too,

no, not for the joy of the massacre,

but because that is what I am born to do.

How free it must be to kill with no conscience,

to take their furry, soft-skinned lives

without tripping on compassion.

How much easier not to muse

about how a rodent’s got to eat something, too,

and why wouldn’t she want an organic carrot,

all crunchy and sweet, or a pea sprout or one hundred,

so tender, so green.

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one lumpy

unripe

quince

turns

to stirring

perfume

given

the chance

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a glimpse of bliss

knowing myself as starlit night

and wild expansiveness—

no coincidence my ego

wasn’t there to enjoy it

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He knows how to read the coming weather

from the direction of the wind.

He knows from the shape of the clouds

when the storm will start.

All I knew, when I met him,

was that I wanted our love to last forever.

I did not understand what forever meant.

Nor did I know much about love,

though I thought I did.

I am not so better at reading the heart,

but I do know, watching him watch the sky,

that twenty some years is not enough

and that love is what we are here to share

and that after seeing all those mare’s tails

this morning, there is a storm a-coming,

and that after some time

the wind will come from the north

and there will be calm after that.

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Some things do not easily
leave the sea.
In an instant they shift
from buoyant grace
to cumbersome weight.

Remember that night
we stood beside the surf
and the whole wet world
stretched shining before us?

We wrestled the wave runner
onto the trailer, and I
felt some kinship with
those first prehistoric fish
who dragged their lobe fins
onto the beach, those fish
who, driven by what?
struggled up and out
and learned a new way to move,
a new way to breathe,
grew a new kind of skin
and a new kind of spine.

For a moment, tugging
on the wet rope,
I knew it, some hint of the drive
bred into my body
over the past four hundred
million years. How I gasped
at the gift of it all—these
legs, these lungs, this upright head,
these biceps burning
against the burden
of emergence, the glitter
of light as it leaves, the scent
of honest sweat.

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One

looking at falling leaves

until I forget I am a woman

looking at falling leaves

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After a Difficult Day

Because my heart is aching,

I clean the stove. It’s covered

in dark brown stains, stains

so burned on they seem

to be part of the stainless steel.

Because I am practical, I wear

plastic gloves while I scour.

I know that the cleaner

would ripple my fingers and dry

my skin for days. And because

I would rather not cry right now,

I turn on my music and play

Joni Mitchell as loud as the speakers

will play. She always knows

just what to say. There are some

places now where the stovetop gleams

so silver it looks nearly new. There

are some stains I know, that no matter

how many hours I scrub,

they will never leave.

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