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Archive for August, 2012

The world breaks everyone and afterward many are strong in the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
—Ernest Hemingway, A Farewell to Arms

Dear World,

Thank you for breaking me.

The rabbit brush are in full bloom.
Yellow in the field. Yesterday
I mowed the edges of the drive
and as a matter of course
I mowed whatever rabbit brush
was in my path. The air
smelled so good then,
a clean, sharp scent,
almost like sage,
only softer.

I have not been very good.
I have not been very gentle.
I have not been very brave.
But I have been sincere.
And I have loved.

There was a time when
I wanted to weed all the rabbit brush
from the field. I wanted only field grass.
I would wait for it to rain for days,
then pull up as much rabbit brush as I could.

World, I have not been very good.
And you have broken me so perfectly—
always leading me to just the right place
for falling apart. World, how do you do that?

The rabbit brush always come back
and eventually I learned to leave them
wherever they leap up. And eventually I learned
to find them beautiful.

I have not been very gentle, world.
I have taken what I wanted, sometimes mercilessly.
And you take every opportunity to kill me,
sometimes with fear, sometimes
with great or small beauty.

Yellow. Yellow. Yellow.
Thousands of yellow hands
all waving each time I arrive.

World, I have not been very brave.
I am not like Hemingway. When the war comes
I try to hide. And still you come to kill me
like a warrior, like a soldier,
only much, much slower.

The rabbit brush does not mind drought.
It thrives in cracked, parched soil.
The rabbit brush does not mind the rain.
It thrives. It thrives.

I can’t say I like being broken, world.
I can’t say I like being killed.
But you do it so well and I do admire
your insuperable skill. Keep killing me,
world, keep breaking me. Keep finding
my flaws. Press until I crack.
I am broken, dying, thriving. I am waving
at you waving back.

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I know she is there hiding
inside the sandwich board,
and she knows I know she is there.

And I know she is the one
tickling my foot while I stand.
And she knows I know it is her.

But for an hour and some,
I hunt for her behind columns,
in windows, inside my sleeves.

I call her name and pout
when she doesn’t appear.
And for an hour and some,

she crouches inside
her small sandwich board tent,
and giggles at not being found.

All around us the people rush past
to work, to lunch, to coffee shops,
to all the places we see each other hide.

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So long I’ve lived
beneath the same brown birds
and still I do not know
which song belongs to which.
So long I’ve walked
through this meadow
and still I refer to all
the tall green stems as grass.
So long I’ve sat across from you
and still I wonder
who you are.
Oh, do you hear it?
One of those birds,
how it sings
so beautifully,
even in the dark.

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That Was the Day

I ran for it, her leg,
and clung to the green plaid
of her pants while she flipped

through boy’s shirts on a circular rack.
I’d been hiding beneath them.
Why did she not right away tell me

but let me, how much later,
look up to see the glasses,
the perfect blonde hair,

the whole Kmart kaleidoscoping
around the woman not at all
my mom. The shirts,

their sleeves hung so empty by.
I was found in the toothpaste aisle.
Perhaps I looked unchanged,

but that was the day I knew
I could lose her, my mother.
I followed her past the blue lights

to the checkout, still crying, no longer
the same girl who walked into the store,
not letting go of her hand.

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I knew myself a swirl of ash
swept grayly by the wind
like wings, only without the bird,
like kites without their strings.

And I, who have been dead, tonight
I know myself the moon
with rings around it in the dark.
And I the darkness, too.

But I am also not the dark,
not moon, not ash, not kite,
not anything that can be held,
something beyond the lines.

I know myself a spilling thing,
a raveling, a leak.
Call it blessing, call it luck
the vessel as it breaks.

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As In All Things

Rain in our hair and rain
in our hands, rain on our
cheeks and rain in our lashes,
our pockets, our plans.
The rain, how it rains, how
we forget how we longed
to be dry. How we tiptoed
around the puddle. How
we huddled beneath the tree.
How we tried so hard not
to be what now feels so wetly fine.
Rain harder, rain, there is still
too much of me that tries to hide.

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Weatherman

It touches everything,
the fog, each tree, each
home, each shoulder,
each street, and drapes
us with uncertainty. It
blurs our lines and softens
the boundary where one thing
ends and another begins—
the boat and the water, the peach
and the branch, the farmer and
the farmer’s wife. Why prefer
a clarity, an empty blue bell-ringing
sky when the fog, it holds
us all so unconditionally.
It will be clear
soon enough.

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Going In

The way the river meets our bodies,
meet me that way. Though I resist,

surround me. Rush to me. Lick me.
Drench me. Insist. Touch me

everywhere at once. Float me.
Don’t care about my name. Always

leaving me, always arriving.
Bring me news of the sky.

Shine me. Glisten me. Shiver me. Hush.
Bring me the moon. Bring hum.

Wet me. Wake me. The years go by.
We are more ourselves and less.

Meet me the way the river meets
our bodies, with infinite tongues,

none of them thirsty, all of them
curious. Surprise me with your

strength, your pull. Say nothing.
Meet me. My hands are stone.

Erode me. Soften me. Release me
in you. And when we are done,

kiss me anew.

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Walk in the dark
and slowly the eyes
adjust. There a tree.
There a roof. There
the hill across the street.
But tonight, too lost
in my own thoughts,
I looked a long time
into the dark and saw
what was not there—
the hulking back of bear,
the gimp of a stalker,
a badger nose.
A squirrel chirped
and I ran for the house.
Everything we fear,
it will find us, will fill
the night with its
empty suggestions.
I make fun of myself
once I reach the lit room,
but the fear doesn’t laugh,
it just walks to the bed
and sits behind the lamp
waiting for a dream.

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In the middle of the night
mom finds me still awake
and makes us tea. We stand

in her bright kitchen and cradle
our steaming cups. How
the hands like something to do,

even at this quiet hour.
We talk through the scent
of licorice root and chamomile,

we talk with no phones or children,
chores or appointments to interrupt.
She is older than I think she is.

When I’m not with her, I see her
as the mother of my childhood,
her hair not yet gray, her spine

not yet bent. She is lovelier
than I think she is. I don’t
think of my mother as beautiful,

only as my mom. But here,
in this wrinkle of early hours,
she radiates, even as her chin

begins to quiver, even as she bites
her lower lip to stay the tears,
even as her tears miss the steeping tea,

she is radiant. Even as she collapses
her shoulders and laments little things
she can no longer do, she glows,

and I see her not only as my mother,
more fragile than I like to think,
but as someone so full of light, someone

I so very much want to know.

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the thousandth peach
tasting it
as if it were the first

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Universal Haiku

so small this woman
reading of black holes, blue stars
feeling love that big

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I had a dream I could fly. –Priscilla Ahn

The Blue Angels leave five white tracks overhead.
They are going eight hundred miles per hour,
the announcer says. Below them, I am going

nowhere. They fly closer to each other than my knees
are to the pier. Eighteen inches apart. What to make
of these details. The announcer spills them

through the radio like my brother’s dog
spills the half empty beer beneath the lawn chair.
It seems important, noteworthy, but later,

these points will not touch me the way your hands would.
It is more something to nod at, to say back and forth
to each other, to marvel at aloud. As if it could

bring us closer together, this trading of numbers
and shaking of heads. But the day is warm
and the body can’t help but tremble when the jets push

through the blue above us, displacing sound
and rearranging the air. It is not the speed
that impresses me or even the nearness

of wingtip to nose, but the way that over two million
of us have gathered to watch them fly
in close triangles and peel apart again.

How we long for greatness, how we’re drawn
to the fastest, the loudest, the best. How we long
to come together, to connect. I am not

the best, love. I am tired, getting old. I am
wrinkled and sun-speckled, forgetful and soft.
I am no longer fast, was never the fastest.

I am not strong. I’m defeated. I’m less.
But I am open to love, to being still.
I am ready to drop the stream of facts

and touch (is it possible) what is left.

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Not that the day is special,
though they all are, of course,
in their ordinary ways—how we
wake, say Good morning and kiss—
but today the challenge to move beyond habit,
beyond rote into simple communion
by breaking not bread but ourselves,
our routines, looking up from the paper,
the counter, to say what we mean:
How’d you sleep? Pass the tea.
I am scared. There’s a chill.
More juice? I’m so tired.
Please, don’t leave.

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not right away
but at some point
it happened,
this barren, sterile field
began, so many shades, to bloom

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In the heart of the city
the boy runs,
he leaps and arrives
in every puddle
until he is drenched,
dazzlingly wet.
His laugh is the laugh
we forget is always here
waiting to be laughed
come sun, come rain.

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We ran from flower
to flower, thrusting
our noses into the rose bushes,
snagging our legs on the thorns
and calling to each other
to come, share this one,
yes, this one, so sweet.
It was a glorious searching,
though what was the point,
the perfume was everywhere.

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When you stand on the ledge
six stories above the street,

you are perhaps lost, but
there is not a lot a map can tell you.

There is back in the window,
and there is down.

What is it that keeps you
from jumping.

You wouldn’t even need to jump.
Just trip. Lean. Step. Or if you sneeze,

it could be considered an accident.
Somehow easier that way to imagine it,

but how to explain the fact that you
climbed through the pane

out onto the railingless edge.
Someone would have to clean up

the splatter. That thought
is enough to hold you here,

back against the brick.
It’s not that you want to die.

Below, the cars crisscross and merge.
But how to go on living.

Beneath you the ravens weave.

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angel trumpet haiku

amdist the weeds
waist-high datura
one scrap of bliss

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I try to tell him
it’s a story.
That Bloody Mary
is only imaginary.
That she cannot hurt him.
Still he insists that I
go with him to the bathroom.
“Cuz Mom, that’s where she kills you,”
he says. “That’s what they told me at camp.”
I hold his hand on the way there,
then stand guard at the door.
It is sweet, in its way,
his fear. So innocent.
So pure. I try to be
this compassionate
with myself, later,
thinking you no longer love me,
telling myself, that’s just
my imagination. Though
the prick of it, the
way I deflate, it feels
so real.

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