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Archive for November, 2011

the sun will go down anyway
will go down soon
regardless, I move
across the street
one last stroke of warmth

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Losing the Self

The boy tugs
on the tooth,
it hangs
by the root,
I hang
on his joy
oh gaping
beamish budding
boy.

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You will remember how two weeks ago
I skied into you, right through the tall center
of your many red stems. How I fell.

I was transfixed by you at the base of the hill.
I forgot everything but willow. But
today I remember to train my eye

to corduroy snow, to follow its parallel
grooves through the gulley.
See how I slide up the other side with no effort.

It is not that I did not notice you,
your whispers, your slight bend
in the almost breeze, your tips waving

like sirens, your long slendernesses,
how easily you rise from snow toward sky.
I noticed and then curled my body into the curve,

looked ahead, became drift, became wind, became
current and passed you, slipping myself into
the next moment which is always, always passing.

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Be still.
—Lama Surya Das

It would be easier
to walk ten hundred miles
through swamps
than to do what you ask of me:
nothing.

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Love is Like That Tanka

all night
the train hurls
itself forward
inside, I don’t even
hang on

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Vast though it is tanka

our fire may be small
but even
a small flame
holds back
the night

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Because

Running south beside Mission Bay,
one comes to the place where the city
has stenciled, Courtesy Please,

only it looks to me as if it says
Curtsy Please, and so I do, to the whole
majestic world, and to the joy of mistakes,

and find myself overwhelmed by the wish
to bless everything in sight, and so
with the power in me—inherent

and equal to the power in everything else—
I bless the short man with one good eye
and the pelican as it keels then dives,

and I bless the fish it catches. I bless
the sky above me and the worn concrete
below me, the old men walking slowly

and the beautiful beautiful women.
I bless the ones who built the pavilion,
utilitarian and new. And I bless the short grass,

the playgound equipment, the water,
the mallard ducks, too. I bless each thing
for the pleasure of blessing, imagining

everyone else doing the same,
all of us blessing each other, ourselves,
one elation, indivisible, slivers of god,

with hilarity and just us for all.

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Note to Self



Even night is not night enough.
—Franz Kafka, in a letter to Felice, his fiancé, 1913.

When even the night
is not night enough
nor does salt seem
salt enough, and the hole
in the looming who am I
is enormous,
but not enormous enough
to gulp down the damn ego whole,
perhaps that is the time
to sit very still
and forget about writing.
There is nothing,
nothing the words
can do then except
not enough because
nothing is enough,
which is to say
only nothing
is enough, and perhaps
in that inadequate night
we are sufficiently vulnerable
to really know nothing.

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go ahead tanka

draw a line
in the sand
with your toe—
just see if the ocean
cares.

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chicka chicka chicka tanka

and the train
trundles through
the darkness
leaving in its wake
the most amazing silence

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So she runs into the closet
and hides behind the long
clothes in the corner—bathrobes,

black dresses, a velvet skirt worn only once.
She squats there, pink sock feet
and chubby legs the only parts

of her that I can see.
I pretend that I am searching
for her, rummaging

in bathroom drawers, “Vivian,”
I call toward the toothbrush,
“Vivian, where are you?” And Vivian

pumps her knees and giggles,
thrilled to be concealed.
Until she’s done. And then

she wants, right now, to be discovered.
This old heart is quite the same—
after years of crouching in the corner,

it’s tired of the game and
it’s ready, please, to come out
of hiding, ready to be found.

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Winter Song

The seasons always change. And life will find a way.
—Sara Bareilles,

Cracked, the sidewalk,
and snapped, the branches,
and bent the dead weeds

with their shriveled leaves
weary like prayer flags spent.
Even the rocks are chipped

and the smell of decay
weaves into the breeze.
There is nothing on this

late autumn walk
that seems whole, which is to say
everything is broken together—

me, the weeds, the sad concrete—
even so this odd heart,
ripening out of season,

chooses to fall deeper in love
with the world, though the forecast
is for cold and getting colder.

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Dear Death,

I know you’ve been coming around a lot lately.
Must be so much to do. I’m sorry I didn’t say hi
when I passed you on Columbia Avenue last week.
I felt busy, too. Actually, when I saw you,
I crossed the street, afraid you’d want to talk—
I had so much to do that day—and I didn’t
want to be late to pick up the kids. You understand?
Nothing personal. Oh, yeah. I know I didn’t invite you
to the birthday party. Sorry. There were so many folks
coming already. Um, yeah, I saw you behind me
in the car today, so close on my bumper. What
was the deal? But it did make me realize,
looking out the windows at the willows beside the highway,
how very beautiful the frost—all glitter
and shine—and how seeing you there in the rearview
mirror my whole world seemed so very,
well, not mine.

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Let’s say the skier
is out of control
as she careens down the hill
and let’s say that she sees
the tall red willows
from a distance
and thinks to herself
I am not going to hit
those willows.

Tilted and lurching
she is too loudly laughing,
afraid of the speed
and equally thrilled with it,
gripped with conviction
that she is not is not
is not going to hit
those willows, those red willows,
those tall red willows
those willows the only
thing that she sees
as she skis right into
the tallest of the tall red willows
at the base of the hill
those willows
she gave
all her attention.

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Not a Destination, a Verb

We imagine a stasis that can never exist.
–Barry Spacks

and she named
the stasis
Open

dreamed it
a place she might arrive
one day

meanwhile
she forgot
the path

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No Hurry to Find Out

Joan asks me what happens after we die,
and I don’t know, but I do know
how to stand beside the river
and see a shrine in every rock I find,

which is how I spent the day yesterday.
And I know that walking today
in the snow, every step felt like
a prayer, which is to say

I feel so very lucky to be alive,
even though I don’t know who
the prayer is to—nor what the point
of praying is—except that on days like today

I overspill with gratitude
and it feels so good to say thank you
for this life that happens before we know
what happens after we die.

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Continue

Not one leaf left,
not one green thing.
Even the algal pools
beside the river
hinge toward brown.

The grass, brown.
The empty tomato vines,
brown. Even the bindweed
on the fence. Dead
and brittle and brown.

There is still a moon,
though, and it shines
when it isn’t in hiding.
Like tonight. The moon hasn’t yet risen
but I can look east

where it’s just as black
as the west, as the north and south,
and I know for certain
it’s not about prayer or hope,
it’s just a question of time.

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Gilgamesh, too, found rocks
in his path. They were like crumbs
for Hansel and Gretel, like
Ariadne’s red fleece thread.
It’s so hard, sometimes,
to see how we are being led.
We think we know the path.
We think we know something.

*

In a dream, I say,
It’s the rocks
that I just can’t let go of.

*

By the river, all the rocks
are softened, tumbled and smooth.
They are nearly impossible
to balance, to stack—
but possible it is.

*

So on the path
Gilgamesh, in his urgency,
smashed the rocks.

*

The ice
is thin.
The rocks,
flung underhand,
make such
satisfying holes.
Why is it satisfying?
The sound of shattering.
The sksksksksksk of pond ice resettling.
The hole.

*
Inside the stone,
it is dark.
Not like a shadow.
Like dark.

*

He broke everything
he needed
to find his way.

*

I do not know
why I break
what I need,
why I repel
what I love,
why I hold on
to rocks in a dream.

*

It’s not a path,
says my teacher,
it’s a beckoning.

*

By the continual
creeping of ants
a stone
will wear
away.

*
A stone
thrown into the pond
will not move
for many, many, many years.
A stone
thrown into the pond
is not lost.

*

There is no permanence.

*

My son says, Mom,
they’re all so beautiful,
every one of these rocks.
We toss them,
rock by rock,
into the river.

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When you are older
I wish you the same tug
you felt tonight—how when
we left the concert
you whimpered to go back

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The Process

Soul, you are the empty space
honored by the maker of lace,
you the holes that are always there,
and we the threads that frame the air.
You the gap, the empty, the naught,
and we the ones cutting away the cloth
to arrive at the nothing that links us all,
unweaving, unbraiding, elated, enthralled.

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