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Archive for March, 2018

Easter Eve

 

 

 

On the table, a letter to the Easter Bunny—

the girl has written it in blue pen

thanking him for the joy he brings.

 

Beside the letter, two baskets

filled with empty plastic eggs.

So much inside wants to be filled. Or so

 

we believe. Tomorrow morning,

the baskets will be for a moment empty,

the eggs, hidden, ridiculous with candy.

 

Oh the things we use to stave the void!

There is beauty in barrenness—

just outside the window, the world

 

is trying to prove it, the field no longer

steeped in snow, yet not yet verdant

and green. And still it’s lovely, a stark,

 

splendor. though perhaps we need

to recalibrate to see.

Every Easter, she writes, I wake up

 

soooooooooo excited to find the eggs.

I think of the field, how it takes

no belief for it to fill, for it to burgeon.

 

And still it is no less magic. I think

of the girl, her joy in giving the Easter Bunny

her most beautiful egg, how she’s learning

 

the art of emptying. I hope you like it, she writes.

I tell her, I think the Easter Bunny

will cry, tears leaving my eyes, not sure

 

if I feel more empty, more full.

 

 

 

 

 

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Hi friends,

 

Here’s a nice local write up about my new book from the Telluride Daily Planet … 

I hope you can make the book launch at Telluride Arts on April 3, 6 p.m.! If not, we’ll raise a cup of tea in your honor.

Rosemerry

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stubbing my toe

the whole foot, the whole world,

becomes toe

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my mother began my mornings

by singing to me “it’s going to be

such a lovely day”—

over thirty years later

I still believe her

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naked4tea-front

Heart-thawingly honest, deliriously sexy, and compassionate down to the fingertips.                  A book of kindness and bewilderment and delight from one of our best poets.                                           –Teddy Macker, “This World”

 

My new book, Naked for Tea, is just out! It was a finalist for the Able Muse Book Award, and deals with vulnerability, and how with our beautiful broken selves we can fall more deeply in love everyday with the beautiful broken world. And it features a fabulous foreword by Wayne Muller, author of A Life of Being, Having and Doing Enough.

I have three readings/signings set up for now:

April 3, Telluride Arts, Telluride, 6 p.m.
May 21, Cimarron Books, Ridgway, 6:30 p.m.
July 7, Book Bar, Denver, 5 p.m.

You can see the book and purchase it with Pay Pal on my website: https://wordwoman.com/books/naked.htm

If you prefer to pay with a credit card, you can buy it from the publisher’s website: https://www.ablemusepress.com/books/rosemerry-wahtola-trommer-naked-for-tea-poems

And you read about it and hear a podcast on it here: http://www.tellurideinside.com/2018/03/trommers-naked-for-tea-book-launch-at-telluride-arts-43.html

I totally believe in giving poems away—as you know—and I will continue to send you poems every day. AND, I would really appreciate it if you would support this poetry practice by purchasing a book. It would mean a lot to me.

If you want to set up a reading for your organization or a workshop near you, send me a note!

love, Rosemerry

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The sound of your breath is the quietest of songs.

—Mark Nepo, The Book of Awakening

 

 

Maybe on that day

when we think, I forgot

to sing, that’s when we

realize that all day long

we harmonized with the world

in the quietest of songs—

joined in without any effort,

no striving at all,

and maybe that is the day

when we stop trying

to be heard and start

to notice the song

inside every other song,

the song inside every other being,

how perfectly in tune we are,

how easily we join—no conductor,

no notes, no beat, just one perfect

air. Maybe that’s the day we hear

the metronome of our own

steady heart and say to it,

I will trust you, feel the truth

of the song as it slips

from our lips, then

rushes in to fill us again.

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they said snow—

in the yard, drifts of gray juncos

and heaps of all that isn’t

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Out the kitchen window, my daughter

scales the cottonwood tree, winds

her way up the inner branches.

 

Feeling my eyes, she turns to smile at me,

her gaze entered by light.

The tree is bare, the buds in gray hoods,

 

though soon there will be a riot of quivering green.

So much in us still waits to arrive,

though in moments such as this,

 

there are no other moments, only this one

fluttering wild in our breast, not even trying

to balance the emptiness, with our hearts so full.

 

 

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the rocks move

more than we think they do—

after the ice floes,

the mudslides, high water in spring

take note, you stone-like thoughts

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If you could come back, I say, as anyone else

in the world—say you just stepped out of time

for a moment and then came back in—would

you come back as yourself or as someone else?

 

We are driving in the dark, but I know from experience

that we have just crossed the Dallas Divide

and there are mountains just south of us, and

Leopard Creek to our left, already slightly swollen with spring.

 

Well, she says, after some consideration, could

I change parts of myself? And I say, No.

You get to come back exactly as yourself.

The car in the oncoming lane forgets to lower its brights.

 

Then I would come back as myself, she says,

and I feel a flood of fragrant joy in her answer,

a perfume that fills the car with the heady

scent of self-awareness. I think of the infinite

 

choices and events that conspired to make her

exactly this girl who in this exact moment

chooses to be exactly herself. Except, she says.

I wish I could be better organized.

 

All around us, the world unbraids itself,

melting and charged with mud and change.

All around us, a fine and untamable chaos.

Inside us, the exact person to meet it.

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the only pleasure as great

as nibbling the chocolates—

the delicious anticipation

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One Authority

 

 

 

even knowing what comes next

I choose to turn the page—

delight in being wrong

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Self-forgiveness is not the first impulse.

In fact, I curse. Run my hands through my hair,

 

tug at my scalp. Sigh. Again. My shoulders fall slack

in the place where my wings would be.

 

In my gut, the seed of apology starts to root.

Perhaps that is what changes things,

 

what allows me to let failure look me in the face,

let it trace my cheeks, the barest caress.

 

It never asks me to be beautiful. It never

expects nor wants perfection. It touches me so tenderly,

 

is it any wonder that soon the apology

spills from my lips like the clearest stream,

 

and I stand in the cold clear rush of it.

The whole world looks different from here.

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There are cliffs inside me.

Every day I run to  the edge

and hurl myself into the sea.

I love the fall, the salt.

 

“You shame us,” they said.

“Poems are nonsense,” they said.

“How badly,” they said,

“you’ve been brought up.”

 

But I am the one who makes baskets

of nettles. And I am the one

found by the lyre. I am the one

who walks rooftops in moonlight.

 

Let others wear a corset,

a bodice, two skirts and a cap to the beach

where they do nothing more than tiptoe on the shore,

I am the one who runs naked

 

beneath my thin dress to swim

in the Black Sea for hours.

And I am the blood of Ghengis Khan.

I am Russian to the core.

 

I am birch and green parks and pines,

and Russia’s endless steppes,

and I am the Russian people themselves

who ask questions of life and death.

 

They call me a decadent Madonna.

They call me half nun, half whore.

Yes. I was born to be an unmasker.

I was born not to be servant, but master.

 

But this is the hour before the dawn.

Can you smell it? Blood in the street.

The shadow of the future is thrown

long before it arrives. And in all of Russia,

 

there is nowhere to hide.

 

 

 

 

 

 

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Why I Move Slowly

 

 

 

Today the weight of love

is a basket of river rocks

I’ve chosen to carry.

 

Though it’s difficult

to walk with this weight,

there’s not one rock

 

I would throw aside,

each unique, treasured.

There are some who walk

 

with an empty basket.

Their burden is light.

They move quickly

 

along the path.

Me, I choose to carry

the weight of love.

 

 

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my daughter and I

recite all our favorite lines—

snapdragons no less beautiful

for blooming in the same place

every year

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“Not past the tip of the nose.”

            —Joi Sharp

 

 

Looking out the window at night

all you will see is yourself

and, perhaps, your longing

to look outside yourself.

Isn’t that the way it always is—

looking anywhere but in

for meaning, for purpose,

for entertainment, for love—

but here in the window,

the darkness there delivers you

to yourself. But don’t let

the inquiry end with the eyes.

Close them. And now, now,

what do you see?

 

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Catkins in March

 

 

But the Hebrew word, the word timshel—”Thou mayest”— that gives a choice. It might be the most important word in the world. That says the way is open.

            —John Steinbeck, East of Eden

 

 

Today it was the aspen buds

that ruined my heart.

 

One glimpse of them

through the window, and

 

for that moment,

the inner winter I’d constructed

 

out of should and shalt

fell down like bricks. Perhaps I could have

 

returned to work, but instead

stared at the soft gray

 

tufts of spring. How they defy

the stubborn chill. And almost

 

against my will, in me I felt

an opening I didn’t quite want,

 

and perhaps I didn’t want to hear

a small voice saying, you

 

have a choice, you

have a choice.

 

 

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walking barefoot on fishhooks

so as to not hurt anyone else—

the mind says

it’s a metaphor

but the soles know better

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One Stuck

 

 

 

unable to find

a door to escape, I close

my eyes and find

I am the door

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