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Archive for March, 2016

 

 

 

The sun and I made a promise—

to shine with no apology,

to bring warmth,

to give until we have nothing left to give.

In the night, the sun

entered my sleep

and tattooed my body

with golden words.

Now all my limbs

glitter with this vow—

there is so much beauty

for us to make.

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One Surprise

 

 

 

at the edge of the branch—

this old heart a baby bird

still learning to fly

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I love the way you ruled. I love how you rode

into battle in your white velvet dress,

knowing exactly the effect it would have.

I love that you rode into battle. I love

that you wept while you spoke. I love

that you knew that in order to win, your troops

must feel part of a whole.

Elizabeth, you were the best Elizabeth

you knew how to be. That

is what I aspire to, also—though I have no

desire to rule a country. Nor a city.

Nor a business. Not even a man.

But I still have much to learn

about ruling this woman I am.

And I love how no one could anticipate you—

you who surprised every prince, every king.

Elizabeth, I have no horse to ride,

and I will never have a castle to rent,

but you teach me the weight of armor,

and when to take it off. You teach me when

to employ all my weapons

and when to let story reign.

And when to let others do the work.

And when to give my own blood.

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After Reading the Rules

 

 

 

It wasn’t that hard to figure out,

Mrs. White with the revolver in the conservatory.

It took less than half an hour—

 

the right questions asked, the right rolls

of the dice, the luck of being in the right

room at the right time.

 

Some mysteries persist—you know,

the ones that keep you awake. No cards

neatly dealt to the players. No brown paper envelope

 

containing the answers. No score sheet

with a finite grid of possibilities. I walk out

and look up at the stars. A voice from nowhere

 

says the words I do not really want to hear,

but it says them with such tenderness:

some mysteries are not meant to be solved.

 

I feel some part of me relax, though the mind, well,

it loves a good game. It reaches for a pencil, sharpens

the lead, creates a grid, looks for clues in every room.

 

 

 

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Easter Magic

 

 

 

There were years

when the Easter Bunny

set out a wrench and a flashlight

beside the baskets—remember,

brother, the pleasure we took

in the hiding and finding

long after the years of believing

in magic were over?

Eggs we floated in plastic bags

in the backs of the toilet.

Eggs duct taped to the inside

of the chimney flue. Eggs

in the vents, inside the piano,

we delighted in what a bit of invention

could do. Tonight I walked out

of the house after dinner

to take the recycling up to the road,

and there, to the west, an outpouring

of light made me stop and stare

and inwardly, sweetly erode.

In a world so bent, I sometimes forget

that the magic is always

inside us. We have all the tools

that we need. All we need to do

is keep trying to find it.

 

 

 

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from another room

white scent of lilies—

like that, says the heart, like that

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It is slow and soft, the first movement—

the right hand sweeping in smooth triple meter,

the left hand singing against it.

Minor, the key, and mysterious

the melody, slow, it is slow and soft,

a walk through moonlight.

What is it that sometimes rises in us,

this urge toward crescendo, toward swell?

I feel it in my hands as they move

across the stoic keys, an urgency,

a reaching toward climax, a pressing

insistence, as if to sing louder is to sing

more true. But over and over again,

Beethoven reminds us, piano, piano,

his markings all through the music.

Oh beauty in restraint. It is soft,

the moonlight, a delicate fragrance,

it is heart opening, the tune,

it is growing in me, this lesson in just

how profoundly the quiet

can move us. And the hands,

as they learn to trust in softness,

how beautifully they bloom.

 

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One Casting

 

I must be a fool missing this life, if I don’t cast my mind in the fire of love.

            —Rumi

 

 

the flames, they wink,

though there’s no need to seduce—

this body ablaze throws my mind in

 

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A Devastation

 

 

In the dark before we are fully awake

I hold my son on the couch.

 

He curls his long thin limbs

into my familiar lap, his body

 

startlingly warm and soft

and surprisingly light, though

 

he gives me all his weight.

No, I do not want to let go of this,

 

and I hold him here, though there

are lunches to make, hold him

 

though there is snow to shovel,

hold him though my arm falls asleep,

 

though the clock ticks toward school

and work and dawn. I am well aware

 

there are other things I long to hold,

impossible things, like his happiness,

 

his security, his certainty that he is beloved,

long even to hold onto my idea that I

 

am a good mother, that I will never

let him down. Though I know I do.

 

Oh love, is that you,

shaking my body?

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One Sincerity

 

 

 

with no voice left to sing

still mouthing the words—

alleluia, alleluia

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Unceremoniously

 

 

 

Slipping off a rock

mid-river, the ouzel

dips into the current

and I can’t decide

if the immersion was

an accident

or intentional,

but aren’t so many

baptisms just

like that, where

we enter the water

unsure of whether

we meant to be there

or not, but wet

we are, and

before we know it

we’re flying away,

the same old wings

oddly new.

 

 

 

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But Oh In the Meantime

 

 

 

I don’t remember the name

of the small purple flowers

that rise through the golden dirt.

On this first day of spring

they play hide and I seek

and they slip me a glimpse

of what might come,

like a man who holds a woman’s

gaze for just a moment

(and another moment)

too long.

Oh, the sweet tease of spring,

the keen inexplicable yes

of it, ahh, how sweetly

(how sharply)

it torments me,

though there

is no uncertainty

it will follow through

with its promises,

mmm hmmm,

eventually.

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Dear Scarecrow

 

 

 

I, too, wish to confer with the flowers.

I, too, wish to consult with the rain,

but I have spent so many years

learning that I’ve lost the ability

to speak and listen in these natural tongues.

Today I sat beside an old spruce tree

for an hour and never understood

what it had to tell me. I tried.

Perhaps that is the problem, the trying.

I don’t know how to do it any other way.

Oh Scarecrow, I know too much.

Me and all my certainties. I’ve made walls

out of what I took as wisdom, and now

I cannot see around them. I made

stories out of facts and histories, and now

I cannot hear the spruce. I can barely

hear my own wild heart as it shouts

in some strange language I have

filed away or perhaps I never knew?

Oh this brain, how it costumes

everything else into terms of risks,

probabilities and rules.

How I long to listen clearly

to the flowers, to the rain,

to my heart, to the spruce.

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One dandelion

in full gold beside the road—

of course we know

there will be millions more,

but oh, to celebrate one—

to offer it all our attention—

the closer we look

the more obvious

its radiance.

 

There are,

in each of us,

millions of such

small magnificences

just waiting to be seen.

Now, more than ever,

a longing in me

to notice.

 

 

 

 

 

 

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Could be you feel

like a tiny bird

flapping hard, hard

as you can

into the wind.

Though there

is no sign that says

Dead End,

you are not going

anywhere and can’t

imagine you ever will.

Could be

all that fluttering

exhausts you

until

you stop all that trying

and turn away

from whatever it is

you think

you are flying toward.

And then

perhaps

you understand—

not with your head,

with your whole being—

that wherever the wind

is going to go

it will go. Could be

you find yourself

saying yes to the wind,

the same wind,

you know this, that fills

your lungs.

Could be that it

is so beautiful,

this new kind of flying,

that you forget

to be frightened

that you do not know

what will happen next.

Could be you’ve never

been quite so aware

how infinite

the sky.

 

 

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Three Slow Dances

 

 

 

slow dancing with the sun—

humming when I forget the right words

always I forget the right words

 

*

 

trying every key

only to find this garden gate

opening from the inside

 

*

 

the questions

unanswerable—

asking anyway

 

 

 

 

 

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calligraphy in the sand—

every time the wind blows

the chance to write more beautifully

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Hi Poetry Friends,

What might happen to your creative life if you treated yourself to an inspirational, intimate and well, fun four days?

I will be co-leading a painting and poetry retreat, Going Out, Going In, in Telluride with the fabulous artist Brucie Holler, and if you register before March 31, you can get a 15% discount … I am putting a link here for more information and to register. Going Out Going In Retreat

*

Also just for women is a 4-hour session of Lost in Motherland: Writing to Discover Who We Are(n’t) on March 23 at Wilkinson Public Library, and it is FREE!

This will be a new version of this popular workshop, always based on the same theme: Motherhood changes things. Amidst the blessings and the challenges, we transform. As one mother put it, “With my first child, I lost my interests. With my second child, I lost my identity.” How do we lean into motherhood’s paradoxical blend of miracle and loss? Writing can help. As James Pennebroke writes in Opening Up, writing “clears the mind” and helps us “understand and reorient our complicated lives” and “helps keep our psychological compass oriented.” What happens when we ask, “Who am I?” As Ramana Maharshi says, “The purpose of that question is not to find an answer but to dissolve the questioner.” What’s that supposed to mean? Come play. For more information, contact Paula Ciberay at 970-728-4519

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Start with a lime, a lemon, a blood orange,

she says, then slice the flesh into a cup.

Smash it. Add whiskey. A shot. Or two.

Top it off with hot water. Add honey.

 

I do everything she says. I sip it

from my favorite cup, the one

with no handle. The persistent cough

does not stop, but with every sip

 

I hear her laughter, I think of how her eyes

flash when she’s feeling mischievous.

The red drink flares in my throat.

It tastes like friendship, like love.

 

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Beauty overcomes every other consideration, or rather obliterates all consideration.

—John Keats, letter to George and Thomas Keats on December 21, 1817

 

 

For an hour we gathered rocks

and laid them in patterns in the sand

and named our collection

“The Museum of Beautiful and Useless Rocks.”

What did we know of the rocks?

Only the pleasure of choosing them,

of finding just the right rhythm

of reds and blues and grays –

we chose them by shape, by

the way they fell apart, by how smooth

or lumpy they were, we chose them

for no reason at all except that

there was joy in the finding

and joy in the rearranging of the bank.

There was no real end to the task,

it was only that the wind turned chill,

so we left the collection unfinished,

as beauty always is, and returned

to the house for lunch—none of us

feeling the hand that had chosen us,

that hand even then rearranging

us into new stanzas of shifting dust.

 

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