Feeds:
Posts
Comments

Posts Tagged ‘meditation’

Right Here


 
 
These autumn afternoons
I find myself in the garden
standing amongst the flowers.
Not deadheading. Not weeding.
Not harvesting. Not scanning
for aphids. Just standing there
a few moments, hands hanging
empty at my sides. It lasts only
a minute or two before I return
to work with a clarity, an attunement,
that felt impossible before.
I want to plant an inner garden.
One I visit without a step.
One that asks nothing of me
except that I find myself there.

Read Full Post »


 
 
When I am most still,
there is something that holds me—
not a being, but a voice,
no, not a voice, but a transmission.
Not really a transmission, no, but a place
with gradations of color, almost like sky at dawn.
Well, no, not a place. More a placelessness.
A placelessness that holds me.
Yes. A placelessness. That holds me.
Or rather, a placelessness that is me.
And is also all that I’m not.
Oh, these words that try so hard to say something true.
They feel so small as they leave my mouth.
Like I’m tossing out tiny pebbles
into the pool of the infinite.
I stare at the tiny ripples they make,
in awe of their insufficiency.
Which is to say I’m in awe
of all that does not ripple.
With awe comes stillness.
The kind of stillness that invites me.
Invites me to notice how utterly I am held.

Read Full Post »


                  for Philip Carr-Gomm


Sometimes entering the sacred grove
is easy as closing the eyes while you sit
in a chair at home and let someone
lead you there, their voice a path you follow
to a ring of trees with roots entwined.
A sun-bright meadow in the middle.
A group of other willing hearts
who form a circle with you. How did it
ever feel far away when the sacred grove
is as close as breath, close as imagination,
real as an openness to wonder. I was there,
just this morning, my hands flat on the earth,
sky reaching in through my crown. I was there,
even as I sat in my office chair, I was there.
My hands held the hands of strangers
beside me. Alone in my room, I was there.
And after knowing the sacred grove breath-close,
all day I find it everywhere.

Read Full Post »


 
each breath
a sanctuary
I carry with me

Read Full Post »

Meditation

On clear moonless nights
in the darkest places,
light from the milky way
casts shadows here on earth.
I think of how light itself
is the obstacle for seeing
other breathtaking kinds of light,
much as I, too,
am my own obstacle,
my longing to shine
sometimes interfering
with that humble, soul-stirring light
I need to close my eyes to see.

Read Full Post »

For a Moment


 
So keep this refuge in mind: the back roads of your self.
            —Marcus Aurelius, Meditations, trans. Gregory Hays
 
 
And so tonight I travel
the back roads of self
to a place with no shovel,
no spoon, no pen,
no wheel, no stick,
and find there
the peace that arrives
when the idea of traveler
dissolves. And then the
road. And then the self.

Read Full Post »

The Grand Embrace: Resistance & Willingness
September 13 10 a.m. – 4:30 p.m. MDT
$40-$100 sliding scale, no one will be refused for lack of funds


We are learning to stretch in so many ways, many of them very uncomfortable. Living right now can feel like being in a story with an unbearable amount of tension. If it were a book, we might be tempted to read ahead to find out what happens to relieve the tension. Well, we don’t get to skip ahead. And we don’t get to stick our heads in the sand. But we do have the chance to meet our resistance to the moment— our sticky, unadulterated top-to-bottom resistance. And we have a chance to practice being available to the moment. Join dharma teacher Susie Harrington and poet Rosemerry Wahtola Trommer for a day of exploring resistance and willingness through meditation and writing.

There will be meditation practice instructions, guided meditations and silent sitting. Poetry practice will include periods of instruction, time to write, and time to share what we have written and discovered. This combination of silence and discovery can be a magical process that leads us deep into ourselves and into the world. No previous experience in meditation or poetry is required to participate. We expect many will be more familiar with one of these modes of exploration than the other and this will be an opportunity to build on the experiences you bring.

If you have any questions please contact Lisa Allee at 970-570-7936 or lisaalleecnm@hotmail.com (call or text preferred). 
To register, visit https://desertdharma.org/retreats.html

*

Playing with Mindfulness & Poetry
October 2, 5-8 p.m. and October 3, 8-11 a.m. 
$95

It’s like recess for grownups—a chance to let your body and your mind have fun in a virtual playground. Poet Rosemerry Wahtola Trommer will offer playful word games and mischievous prompts for writing. Psychotherapist, yoga and meditation teacher Augusta Kantra will lead light-hearted creative movement and joyful experimentation. Play is for everyone! Leave feeling more deeply connected to the part of you who knows how to enjoy being alive. To register, visit https://calmlivingstudio.com/events/playing-with-mindfulness-poetry/
 

Rosemerry Wahtola Trommer co-hosts Emerging Form, a podcast on the creative process. She also co-hosts Telluride’s Talking Gourds Poetry Club and is co-founder of Secret Agents of Change. She teaches poetry for mindfulness retreats, women’s retreats, scientists, hospice and more. Her poetry has appeared in O Magazine, on A Prairie Home Companion and in Rattle.com. Her most recent collection, Hush, won the Halcyon Prize. She is often found in the kitchen baking with her teenage children. One-word mantra: Adjust.

Augusta Kantra is a psychotherapist, a mindfulness and meditation teacher, and a yoga teacher. She and her husband, David, own and operate the Center for CALM Living and CALM Living Studio in Fairhope, Alabama. As a psychotherapist, she helps her clients understand and unravel the dynamics that trip them up. As a mindfulness teacher, she facilitates on-going Yoga Assisted Self-Discovery groups incorporating meditation, movement, and insight practices. As a teacher of yoga, she leads trainings at the foundational (200hr) and advanced (500hr) levels. And each week, she live-streams her fun, inspiring, and awareness-increasing yoga classes.

Read Full Post »

The Empty Dark

Answers don’t arrive if you’re afraid of sitting in the empty dark room of not knowing by yourself long enough for them to arrive on their own schedule. 

—Michael Thelen

Oh let me, too, be willing to sit in the empty dark

and let the darkness enter me.

Let me not pretend to know how it will be.

Let me lose my plans, though it terrifies me.

Let me not imagine any better time

to practice than now.

Let me be the bowl that sings when touched,

the bowl that is content with its own stillness.

If I want answers, let me sit with my longing.

If I want lessons, let me find them right here.

And if it is dark, let me not run from the dark,

but lean into it. And if it is light,

let me long for the light. Let it enter me.

Let me not pretend to know how it will be.

Read Full Post »

IMG_6088

 

I try to see myself

the way I see the trees

far off beyond the field—

something not at all singular

but a tiny part of a whole

that extends beyond sight,

beyond knowing.

 

It is a long time

before my thoughts

are airy as the silences

between their dark trunks,

quiet as the leaves

that are not yet there.

 

 

 

 

 

Read Full Post »

 

 

Let yourself be danced.

            —Augusta Kantra

 

 

The poem sits down to be written.

Instead, it stares at the bay.

There’s a highway in the distance

that could take it all the way to California.

The poem doesn’t want to go to California.

It wants to be present, just here,

on the sandy bank beside the driftwood.

It wants to find its inner poem.

It wants to get out of its own way,

to obey its emerging form.

Instead, it watches the tall grass

getting danced by the wind.

It sighs. The poem wants to know

what it doesn’t know yet.

And the poem wants to be good.

Dammit. It tries to lower its standards,

then judges, compares and tries to fix itself.

It lists. It sits cross legged till its legs

fall asleep. It is a book of sorrows,

a tree of anxiety, a wave of failure.

It’s a cage of empty lines. How

did it get into this straight jacket?

The poem gives up. It stares at the bay.

Watches the grasses sway. Notices

how the wind blows its hair,

lifts its hands. The poem doesn’t know

why it’s weeping. In that moment,

the poem is danced.

Read Full Post »

Older Posts »