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Archive for September, 2018

Black Out

 

 

A blazing fire makes flame and brightness out of everything that is thrown into it.

            —Marcus Aurelius

 

 

Let me be fire.

Let everything

ignite me.

Let the whole world

be kindling.

I’ll take all fuel.

Let me flash.

Let me flare.

Let me make brightness.

Give me the dark.

Let me blaze there.

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Once I knew it by heart,

that song about leaving

the earth and traveling on,

but tonight, I just hum

through the verse I’ve forgotten,

grateful the tune still knows

how to find me, grateful

to still have lips, breath.

Grateful to be a traveler

here, my feet still finding

the road.

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Invitation

 

 

 

When my shoulders feel too slight

to carry injustice and my arms

reach too short to hold the world

 

and my bones are too weak

to carry even a single aching heart,

I walk amongst the aspen and the spruce

 

and notice how the light shines through

the changing leaves—such radiance,

such golden shine—and slowly

 

the rational part of me that believes

in doom is forced to fade.

It’s not so simple, of course,

 

as walking out into the forest.

But there is something there

that grows the soul and breeds

 

a sense of possibility and tells

the aching heart to rise up, rise up

and do the work that must be done,

 

rise up and carry with it the light.

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Amor Fati

 

 

 

And the next day,

the flowers are dead.

It always happens this way—

the zinnias go from orange

and gold and pink to fragile gray.

And the cosmos are slender

skeletons of bloom

that blazed only yesterday.

The nasturtiums resemble

drooping weeds from the sea.

The marigold leaves have blackened.

It always happens this way.

And the world goes on.

And the world goes on

with its cyclical necessities.

I pull roots from the ground

and breathe the rich and sour scent

of summer spent and autumn

chill triumphant, and fall

in love with the empty rows,

this is the way, the way it goes.

And it’s beautiful, this absence.

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IMG_2147

Placerville, CO, Sunday, October 28th  10 a.m. – 4:30 p.m., $100

How often do you wake up from a dream and wonder, “What was that?”  

What if you discovered that your subconscious has the answers you are seeking? Each night, through dreams we are offered pieces of ourselves that we might never come to know. For many of us, we have learned to not just dismiss our dreams but our deeper emotional and spiritual worlds as well.

In this workshop, we will explore the landscape of dreams and write poems that float between dream and reality, the irrational and the authentic, certainty and uncertainty. Through dreams and poetry, we will open up to the uncertainty in each of our lives—the continual, miraculous unfolding of not knowing.

No previous experience with dream work or poetry necessary. Led by Rosemerry Wahtola Trommer and Corinne Platt.

To register, contact Rosemerry, 970-729-1838 or wordwoman@rosemerry.com

or

Corinne, 970- 596-5221 or corinneplatt@earthlink.net

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I imagine writing a one-line poem

long enough to reach you—

imagine how the words might quiver

in the wind, how I might climb

their serifs like a thin-runged ladder

and follow the words

to you like breadcrumbs,

like footprints, like hope.

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Though I have hours of work to do

I lie beside him until I feel

the quiet do what quiet does,

the fight and fuss leave his muscles,

and the growl and gruff leave my sighs

until we are at last two breaths

beside each other, soft and tender,

two hearts in the dark

with their walls down.

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Direction

 

 

lost in this meadow

deep in the grass

so easy to think

there is no path—

 

ask the mice

ask the stars

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Suddenly everything is bell.

The bright clang of the spoon

stirring in the metal pot.

The scraping black note of crow.

Creak in the porch board

as I step into shadow.

Horn of a passing car.

What isn’t a call to attention?

Horse whinny. Airplane hum.

Dishwasher whirr. What

isn’t a bell to wake us up,

remind us to bring our attention

here. Whisper of leaves.

Squeak of the door hinge.

The small sigh escaping our lips.

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The Worrier Goes for a Ride

 

 

 

And then, as I was walking the dirt road,

it hit me like a school bus: people

might not like me. I felt the rush of air before

the bumper connected with my butt, and knew

in that moment I could choose to be flattened or

choose to somehow crawl into that bus

and ride along with the jeers and snarls and sneers.

Okay, I said, as I clawed my way around the yellow fender

to the open door, a stowaway on my fear.

I climbed the green stairs and felt their stares:

icy, cruel, fierce. Others indifferent, bored.

I stared back, prepared to feel small.

Hello, I said, waiting for shame. But

that’s not what I felt at all. Instead,

some seed of awareness that I was not splattered

by fear but alive, and now moving in one direction

with this busload of what frightened me so,

And I was not flattened nor crushed nor bruised.

I took my seat. Felt their eyes on my back.

And the bus kept driving along. When it stopped,

I stepped off, surprisingly whole.

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It is not so bad to be lost.

Being lost only rankles when you’re sure

you are heading somewhere.

But once you’ve been lost long enough,

you stop believing in arrivals.

When you are lost, you can walk

in any direction, toward that mountain,

for instance, without worrying

you should be walking toward work.

You can smell the frying of peppers and onions

in oil and be led by your nose.

When you’re lost and don’t feel any need

to find a way, every path leads you

exactly where you need to go.

 

You think it’s so important to have direction,

to follow the steps to a goal.

I can tell you feel a bit sorry for me,

poor lost soul, And then with a look

at your watch, off you go to your next place

to be. You gaze lands down the road,

your foot urging the gas. But if you went slower,

what would you see? And if you didn’t know

how the path goes, where else, where else

might you go? Who else might you be?

And I, I will wander, perhaps, among

the chamisa and sage. Who knows

what might happen next?

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I don’t remember inviting her along today,

that Prickly Rose, but everywhere I go,

she goes. I watch her pout around the kitchen

as she makes breakfast, her prickers falling

into the cereal, spines in the eggs. And she bristles

her way into the bedroom closet to

put on her clothes, daring to wear the same

outfit as I. She fusses her way to the car,

leaves a trail of bleary discontent,

then drives off in a huff, harrumphing

at beauty, at bliss. All morning, I watch her

from a distance, as far away as I can.

I tell her, “You know, you can choose

at any time to lose those thorns.”

She glares at me, like, “whatever,”

and goes back to her muttering.

“I see,” I say, giving her space.

She smells as if she burnt her eggs.

So I tease her, and make up new lyrics to.

“Miss Prickle regrets

she’s unable to smile today, Madam.”

and “The gripes are high but I’m holding on.”

I marvel at her insistence on holding

on to aggravation, frustration, annoyance,

stress. I mean, look at her now,

snarling there in the seat I’m in,

intent on her own misery. Oh Prickly Rose.

I want to hold her, but she will not

be held. So I watch her, let myself

get curious. Smile as she chooses to frown.

She’ll come around eventually, I tell myself.

Until then, I wonder at how she manages

to hold that scowl on her forehead

so furrowed, so deep, how she glowers

so impressively long.

 

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In April, the Harvard

Department of Physics

issued a study suggesting

the universe will end the way

it began, with a bang. in fact,

they say, there’s likely a bubble

of true vacuum “barreling

toward us at the speed of light.”

The moment we see the bubble

will barely precede the moment

it destroys us.

 

And still, despite their findings,

I rise every morning in the dark

and make my children lunches.

Evenly spreading the butter

onto my daughter’s bread.

Slicing the cheese thin as hope,

just the way my son likes it.

As if making their lunches

really matters in these moments

before our demise.

Yes, I select the firmest apples.

Toast the walnuts

with maple syrup and salt

so they sing in the mouth,

both savory and sweet.

As if they will eat the food

and taste love. As if

they’re important, these

things that we do.

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One Less Hifalutin’

 

 

 

adding dandelions

to the bouquet of red roses—

the whole room oddly brighter

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after Saint Francis and the Sow by Galway Kinnell

 

 

And when my daughter

runs to greet me, charges

me with joy, I am like

the great thick sow Saint Francis blessed

with his touch. For though

I look in the mirror

and see only what I wish to change,

my daughter sees differently

and bulldozes me with love,

a ferocious blessing,

reteaching me in a vigorous rush

that there is something

beautiful here, though

she wouldn’t name it as such—

and a small remembering

takes root in me and

vines throughout my thoughts,

and I flower there in blue surprise,

my own soil, again, enough.

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One Long Walk

 

 

 

trying to see me

the way that cloud sees me—

disappearing as it does

 

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In Mid-September

 

 

Summer travels beyond itself and

warms the stones and gives

the flowers more of what they love.

 

it is like a lover who, though he

has told you he is leaving, returns

and kisses you until you are panting,

 

makes you believe he will always

hold you. But then, even as your lips part

and you lean in, he is gone again,

 

taking his warmth with him,

leaving your skin somehow more fragile

in the thin autumn air.

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Trickster Ridge

 

 

At the edge of the cliff

the wind tousles the snakeweed

into a riot of waving fronds.

 

They dance and still, and dance

and still, resettling into their natural state

before being danced again.

 

All morning I have been thinking

about resilience, or more rightly,

resilience has visited me,

 

not as a thought, more as

a mandate. And here, the snakeweed,

golden flowers lit by sun,

 

leads me to the edge of the cliff

where the wind whips everything

that dares show up,

 

and the snakeweed—

stirred, disturbed and rearranged—

has never been more itself.

 

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staring at numbers

hoping to find, hidden in percentages,

a trap door

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pulling on my mask

as my nom de plume

unbuttons her blouse again

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