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Archive for June, 2017

 

 

 

Guilt finds the seeds and buries them in April,

hiding them darkly so no one will see.

He waters them secretly.

The sun does what the sun will do.

The seeds sprout and he thins them,

unwilling to pluck them all,

unwitting that the ones that remain

grow stronger.

 

Desire brings fertilizer, tends to the leaves.

Her ladybugs devour aphid filigrees.

She talks to the greens.

In September she builds waterwalls

to shelter the near-ripened fruit.

She offers to share her tomatoes with you.

Take a bite, she says, her voice like sun.

You can’t stop with just one.

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wind so strong

the only part of me unwhipped

is my wonder

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One Nearly

 

almost to the top—

like being almost happy

when you almost kiss

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It’s like keeping a weasel in the freezer,

this wishing things were different than they are.

What could possible change

when what is most playful, most wild

is put on ice? Let your prayer be living weasel,

running weasel, frolicking and tricky weasel,

slinking weasel, leaping weasel, wriggling

ferocious weasel. The more you wish,

the more the temperature

on your wishes drops.

Weasel, weasel, weasel,

weasel, weasel, weasel, pop.

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Pray the road is long.

—C.P Cavafy, “Ithaka”

 

 

Sometimes it’s like this—

the journey to yourself is not

creeping barefoot on sharp rocks

nor crawling through the desert,

nor being pummeled by hail in steep territory—

yes, sometimes, though you’re wind-whipped

and sun-flushed and sandy and wearing borrowed shoes,

a new friend will meet you

just as you are and say,

I have an idea—

and will pull the brown dust covers off

of a shapely heap in the corner of the garage

to reveal a neoclassic Excalibur Phaeton,

impossibly shiny and shamelessly black

with a silver sword ornament agleam on the hood,

a cream leather interior

and a 5.0-liter engine—

and even though you don’t know what that last part means,

you know that the only right answer

is yes, please.

Yes, sometimes, the journey

to yourself comes with a chauffeur and

a guide who tell you stories as you ride

and both insist you need ice cream,

you choose salt caramel,

then they buy you fine chocolates

for tomorrow’s road—

and the fireflies come out

like the small miracles they are

making the sparkles they’ve evolved to make,

and the rain doesn’t come

and the night smells like roses,

yes, sometimes the journey is just like that.

 

 

 

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            for Colette and Bob

 

 

these white-tipped waves—

they know when to break,

to arrive, to return

 

*

 

running to the beach—

how swift the feet

are ten again

 

*

 

the great lake—

every morning the gift

of not seeing how it ends

 

*

 

walking to the pier’s end

the strange urge to keep

on walking

 

 

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One Delectable

 

for Jack & Julie

 

 

ripe tomato soup—

even the bowl

licks its lips

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We are entering turbulence, says the captain.

This plane does not do well with turbulence.

 

His voice crackles over the loudspeaker

just after the plane has begun to jostle in the sky.

 

I am not particularly worried about the plane.

The young engineer next to me in 14E has already

 

assured me that when considering safety factors,

the designers will double what is actually needed.

 

I am more worried about the captain’s choice of words.

It matters what we say to each other and how.

 

The ride will be turbulent, that would have sufficed.

Or perhaps, The ride will be turbulent,

 

it’s nothing to be concerned about.

The toddler in row 11 is screaming.

 

She would not feel better, regardless what

the captain said. Perhaps it is the mother in me

 

that longs to disregard the safety belt sign and go comfort her—

not so much for the child’s sake, but for her mother’s,

 

she looks so careworn and tired. I want to tell her,

It’s okay. This is just a short chapter.

 

I settle for a nod and a smile.

The truth is the world is full of turbulence.

 

The truth is it’s hard to hear anyone cry.

The truth is our work in the world

 

begins with comforting the people next to us,

strangers only until we take the first step.

 

 

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Skimming around the radio dial

I catch John Cougar Mellencamp

growling about R O C K in the USA,

and I sing along out of habit,

not necessarily out of joy,

the words and the rhythm

still immediately available,

though I can’t recall

what my son and I said

to each other just yesterday.

Crazy what sticks with us.

 

And you, John Cougar, what

ever happened to you

and your too tight blue jeans

and your bad boy smile?

It is hard to picture you

with gray hair and baggy pants,

drinking vanilla Ensure.

Rather, perhaps, to hear

that you flamed out in glory

instead of slowly getting old

like the rest of us.

 

Don’t get me wrong,

I feel lucky to get old,

to recognize less every day

the woman in the mirror.

I feel lucky to drive past little pink houses

and sing to my kids the refrain

of a song I once knew.

I feel lucky to do the slow, inconvenient

work of healing and loving.

 

I guess, John, what I am saying

is that it’s hard to see a shining thing

diminished, though I know, of course,

that all things end.

 

Perhaps, if you were sitting here

beside me in the car right now

you would tell me the real story—

how the work of our heart changes,

how there are many ways to shine,

how even the loudest rockers know that sometimes

the best endings are quiet,

that way you can make the listener lean in

to hear the last tender lines.

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Hope always comes easier

when it’s morning.

When birds are already weaving

their music through the trees.

Easier when dew

glitters on the leaves.

Easier when the world is warming.

In these ripening moments

it’s hard to remember

was it only hours ago

how darkness poured over you

like oil in the ocean.

Nothing seemed possible then.

But here is the bright red neck

of morning, humming through

shadows on emerald wings,

and here you are,

rising to meet it, not

because you want to, but

because something in you rises

and carries you with it into the day.

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Push again the small dried peas

one inch into the earth. The gaps

in the rows where they did not grow,

do not take these personally.

Not everything comes to fruition,

but that is no reason to stop planting.

In fact there is every reason to believe

that not so long from now

the sweet green song of fresh sweet peas

will serenade your impatient tongue

if only your hands keep doing their work.

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It began as my father cheering for me,

he’d count it off, then chant low and bright,

One, Two, Three, Yay Rox!

 

He used it often—for curtain calls

and piano recitals and catching fish

and semester finals. And he’d use it,

too, when I’d come in blue

with rejection letters or a broken heart,

and he’d say it softer, with a squeeze and a hush,

One, Two, Three, Yay Rox.

His is a heart of sun.

All moments are moments worth honoring.

What does not makes us more wholly ourselves?

 

And then, I don’t remember when,

he changed the rules and made me join in.

Made me say the five words together with him,

whether I wanted to or not,

One, Two, Three, Yay Rox!

 

How my own tongue stumbled, still sometimes does,

but always, his voice is there beneath my own,

steady and confident, tender and clear.

After years decades of cheers, I daily

harvest the wealth.

How wise, the father, who gives

a girl herself.

 

 

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IMG_0268

 

blue flax beside the highway,

ten thousand bridal bouquets—

 

each moment of the journey

saying, “marry me”

 

*

 

said the mama heron,

no more crawling

when you were made to fly

 

 

*

 

IMG_0757

surprised by the mama grizzly—

one hand on the car door,

the other focuses the camera

 

*

IMG_0281

in a field of avalanche lilies

each one

the most exquisite

 

*

IMG_0382

clapping for Old Faithful—

thrilling at predictable

astonishment

 

*

 

sleeping in a puppy pile

between my grown children—

oddly glad for cold nights

 

*

 

morning alarm—

raindrops on the tent

each one pressing snooze

 

*

IMG_0426

june snowstorm—

the morning takes its bikini for a drive

and slips into a hot springs

 

*

IMG_0684

searching every meadow for moose—

missing it like that kiss

from the boy I never kissed

 

*

 

a whole week

with no blue—

relying on the places

I’ve tattooed sky

on my inner walls

 

*

IMG_0230

seventh day in Yellowstone—

just another glorious herd of bison

and their perfect golden calves

 

*

 

the sing-along of a thousand miles—

even Julie Andrews asks

are we there yet?

 

*

 

said the desert,

you can’t smell the sage

going sixty

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Dear Finn,

 

 

 

Full of seed, the bird feeder hangs

from the cottonwood tree

we planted years ago.

Even without the birds,

it is beautiful—

dangling midair

with its copper perches

and glass column.

 

This morning in the news,

we are going to war with each other—

either with words or with missiles.

It seems clear

that we are our own problem.

 

No wonder we try to bring beauty in close—

the garden with its open faced pansies,

the hummingbird feeder with its hold

of sugar water.

 

The battles are not

what will save us,

it’s beauty—not just

outside us, but in us.

 

All day, let us look

for ways be like this brown bird

at the feeder, see

how it gathers light

in its open wings.

 

 

 

 

 

 

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He sings in the corner,

the invisible cricket,

and each time I look for him,

he stops—

 

I don’t wish

to frighten the cricket,

I only want

to watch.

 

What is it in us

that wants to know details,

wants to analyze

how it is done?

 

And what is it in us

that says, close your eyes

and let the song

go on.

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In the Garden

 

 

 

I apologize

as I squish

the green worm

that’s been feasting

on the basil leaf.

It does not change

the fact that the worm

is dead. And the basil

now will live.

 

Yesterday, my friend Carl

stopped me on the street

and wondered aloud

how we die

to the moment,

then greet the next.

He did not,

of course mean

a literal death.

 

The basil leaf

has a hole in it now

where the green worm

is not. I pick it

and eat it myself,

not out of spite,

perhaps

to feel how the worm

and I are not

after all

so different.

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I snip off dead flowers

to trick the pansy

into blooming again

 

wonder which

of my past

blossoms

to cut

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thank you to gas gauge

for being so low

I had to turn around

from the mountain pass

and drive a half an hour back

to the last town—

no way to blame anyone

but myself,

to ask my own forgiveness

for an hour

through the narrows, the curves.

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Odd joy in the pink eraser rubbings,

joy in the silence just after the timer says start,

joy in the turning of the inner cogs

and the way that the numbers

sprint across the page,

joy in the scratch of the pencil, the stumble

of confidence, in the scrapping of the route

so that a new route can emerge,

joy in arriving at an answer,

an answer so certain you can label it

with units and circle it and know

that tomorrow it would turn out

the same way again, not like any

other part of your life.

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Before the Sun Returns

On this gray morning,

I want to give you

the yellow of the oriole,

the way it weaves through

the invisible weight of the air.

So much touches us

we cannot see,

and we wonder why

we feel heavy.

I would give you, too,

the gray whirr of the wings

of the hummingbird,

their improbable accuracy

as they negotiate the world

in search of what is sweet,

and I would give you joy

your own fine feet

still learning to master

this art of moving

across the world

one step at a time,

this art of living into the pause

between footsteps—

that moment when

the body lifts

as if we, too, could fly.

we feel heavy.

I would give you, too,

the gray whirr of the wings

of the hummingbird,

their improbable accuracy

as they negotiate the world

in search of what is sweet,

and I would give you

your own fine feet

still learning to master

one step at a time

and the long pause

in between.

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