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Posts Tagged ‘bird’


 
And then one day, while I read
the news aloud to my husband
and felt the widening hole in my heart,
he raised his hand to quiet me.
I followed his gaze out the window
to see in the yard a small fluffy thing
with black and white eyespots on its head.
A northern pygmy owl beside our door,
stout body slightly smaller than my fist.
It turned its neck a full half circle
to look at me with bright yellow eyes.
In an instant,
I shifted from disgust with the world
to awe. Awe for this fierce, bespeckled
miracle, this wonder of feather, beak and claw,
this small being in the grass looking back
at me as if to say, Here is also the news.
How surprising the world can be.
How quickly, when I let it, amazement
overwrites my fear and makes
of the hole in my heart a home.

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For so long he lingers on the edge
of the feeder, as if he knows
I am willing to stand here for hours
to marvel at his bright yellow forehead,
the white patch on his wings—
such an ecstatic thing to watch
this first evening grosbeak
to ever find a way to our yard.
Aren’t you beautiful, I tell him.
He raises his head. I swoon
with raw joy, with full-bodied
love for this bird, for this day,
for this world with its wings.
Was it really just this morning
I was weeping?
 

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One Clearing


 
 
every day I dismantle its nest,
that fear that wings darkly
into my thoughts

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Return


 
 
There was a time I wondered
if I would ever want
to open my eyes again—
today, I can’t stop falling in love
with the glossy black back
of the blackbird, the bright
crimson hues on its wing,
the light song that tumbles
like praise from its beak
as if to say, we are made
to return, we are made to sing.

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Though a cold
wind is howling,
we’re not birds
without wings—
and as long as we
have voices
let us sing together,
sing of freedom,
sing what’s true,
let us sing.

  • “birds without wings” is from John Lewis’s speech, January 9, 2005, at the Kennedy Center, at a choral tribute honoring Dr. Martin Luther King

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And Then, All at Once, Song




in the barren cottonwood tree
dozens of birds, all of them still,
as if, like me, they are enthralled
doubtful they could ever improve
on all this glorious silence

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One New Teacher


 
 
while I sit and stew about the world,
the bird across the river
never ceases in its singing

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So I Spend It Again




Before sleep, I touch it again,
that moment this morning
when I slipped out before sunrise
and sat in the pale blue light
and watched a lone heron
trace the curve of the river
before disappearing behind
golden cottonwoods.
It lasted, what, three seconds?
But those instants of awe
have returned to me again
and again like a coin I spent
on something beautiful
only to find, by what miracle?
it returns to burn a hole
in my pocket again.


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I forgot, today, to be sad.
Perhaps, more truly,
the song of the hermit thrush
ringing through the alpine meadow
gathered me into its echoing
and lifted me out of myself
and landed me fully in the field
where the green corn lilies
reached up to my waist.
While listening to the thrush,
I forgot how things fall apart,
held as I was by the long
whistled song, haunting and rich,
flute-like and clear as it pealed
through the spruce, honest
as any church bell, urgent
as a gong, holy as a woman
set free by a song.

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Rapture

 
Beside the river we stop mid-step, stilled
by sharp, shrill notes that hammer the air,
pip-pip-pip-pip-pip-pip.
And though we don’t see the whimbrel,
we train our eyes toward the leaves
from which the sound came, and we listen.
Listen longer. Our bodies still, until,
once again, we hear the call.
It’s not beautiful, no, but insistent.
Like a teacher who smacks a ruler to her palm
to call the class to attention.
Only now do I look back and wonder
if this is a kind of heaven—not the call itself,
but the listening that comes after,
the way we stop, enthralled together,
our senses stripped of self, our bodies
tuning with wonder, thrill lacing
our spellbound silence as we slip
through the narrow gate of amazement
and more wholly into the world.

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Awkward, But

 
It can be so clumsy,
this loving you.
I wish, sometimes
to love you like a song,
something that soars
and fills you with awe.
Instead, like today,
I seem to love you
like a bird that walks
and hops and bobs
instead of flying
and wheeling high above—
it’s seemingly graceless,
but oh love,
what I want most
is to be close.

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When I was sure I couldn’t be happy,
not in that moment, anyway, that was when,
at the edge of my vision, I saw the dark wing
and looked up in time to see a bald eagle
with its white head and white tail
as it soared toward me,
low enough I could see the bright yellow
of its beak, and I swear I, too, took flight
in that moment as my eyes lifted and my heart
wheeled and my senses stretched out—
and I couldn’t stay clenched. I couldn’t.
Not that some part of me didn’t try.
It felt too good to be angry, betrayed.
There are ways the world brings us
back into its arms, saves us when we
pretend we are small, invites us back
into greatness through wonder.
Oh the miracle of wing, the marvel
of bird as it weaves through air,
the thrill of the heart as it remembers
what it is to be free.

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Love Song

We think only of the one-note racket,
the sharp, harsh caw of crow that claws at silence
in warning or begging or a rallying cry.

But the crow, too, sings—
not like the Romeo warblers,
so that all can hear, no—

it blends soft cooing and rattles and growls
to woo as it nuzzles and ruffles and bows,
as if the crow knows that some songs

are better when shared so close
that the only one who can hear them
is the one for whom they are sung.

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The Call


 
 
Dawn, and the geese announce
their landing on the pond—
and though the reluctant body says sleep,
the heart rouses to attend their arrival.
So many awakenings seem to happen like this:
when I feel least ready, least willing, most averse,
something demands I rise—
something strident, insistent, wildly alive,
saying, Now! It’s time! You’re here.

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Without knowing it this morning,
I woke to the day
the bluebirds returned.
 
Every morning it is like this—
the chance to rise into a day
of unexpected blessings.
 
All afternoon the bluebirds weave
through the field, perch on the roof,
bob in the grass.
 
I marvel at how easily
beauty slips in to help me
fall in love with not knowing.
 
All day I feel lucky,
like a woman given
a truth so precious
 
not because she deserved it
but because she woke up
and met the day.
 

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Scavengers


 
 
A wake of vultures circled above us
as we sat on the porch, conversing,
their dark wings unflapping as they spiraled.
How did they know there would be carrion to devour
when my friends and I did not yet know?
 
The conversation began, perhaps, like most others.
Weather. Politics. Health. But as it deepened,
we spoke naked. We spoke wound. We bled fear.
We cast off ideas that no longer served us
and left them for dead.
 
God, they were beautiful,
the vultures as they circled,
their black wings backlit by the light.
They feasted on the scraps we left on the ground.
We emerged so light, so wildly alive.

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Essential


            —for Art Goodtimes


When I was clay,
was mud, was
slurry, was sludge,
he said, Fly,
beautiful bird,
high and low.
When I was
nothing, he said,
I am honored
to be your friend.
When there was
nothing to be said,
he sat with me.
We breathed in
deep sadness.
We breathed out love.
All around us,
the grass grew.
Inside, I felt it,
as if his words
were prophecy,
I knew it,
the possibility
of wings.

*

Hi friends, 

I realized tonight that it was a year ago yesterday that I resumed writing poems after a 7-week break after my son’s death. That break was so important–to give myself utterly over to meeting each moment and living into whatever showed up. And returning to writing was also so important–to give in to the practice of showing up with language, being very curious about what is here, and then doing my very best to tell the truth of it. 

Tonight’s poem was inspired by an email I just reread from that time in which my beautiful, soul-growing, long-time mentor, Art Goodtimes said to me, among other things, Fly beautiful bird, high and low. It meant the world to me. 

And so, considering tonight’s poem, it feels appropriate to share with you tonight an article that came out today in Shoutout Colorado!, in which at the end I honor Art’s influence in my life (though there is, as you will see, a misplaced paragraph in the middle of the article that should go at the end?? you’ll figure it out, because it makes no sense otherwise). 
https://shoutoutcolorado.com/meet-rosemerry-wahtola-trommer-poet-presenter/
The article also talks about collaboration, the importance of practice, of “giving it away,” learning when to not give it away, and the joys of taking the slow track.

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These warm summer evenings
I take in the nighthawks
looping above the field.
I take in their fast and agile flight,
take in their long and pointed wings.
Come winter, I will be grateful
to have stored such things.
When the nighthawks are gone
and the world is dim,
I will want to remember them—
their aerialist displays, the way
they make of the dusk a playground,
the way the whole night
seems to hang on an angling wing—
Oh summer is such a generous thing.
Even the dark is charged with the thrill
of living. Even this heart, wounded
and bruised, can’t help but open
to the wheeling of nighthawks,
how they arc and sweep
as the sun disappears
and then continue their swooping
long after the light is gone.

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We gather at my brother’s home
and his wife has ordered 57 duck calls.
They were not in time for the party,
but when we arrive to find them
on the front stoop, immediately
we open the box and almost a dozen adults
begin blowing on the duck calls—
not just once or twice,
but for twenty minutes
we make rising calls, falling calls,
sharp quick staccato calls,
calls to the beat of Bridge Over the River Kwai.
It is loud and raucous and somewhere
in heaven, my father I am sure
was blowing, too, and giggling
until tears ran down his cheeks
and he rubbed his wet eyes with his fists.
There were tears today, sobs, even,
but my god tonight how we laughed
as we made the sound my father loved—
the sound to call in the birds.
How it called in his memory, startling
and alive—how I felt him wing in—
not sure if the tears on my cheeks
were his or mine.

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Beyond Words


for Daisy


And though I expect the bride
to say I do, I don’t expect her
to say it with such sweet candor,
both syllables thrumming as if
they each have a heartbeat of their own.
I do, she trills, thrilling in the promise
to have, to hold,
to love from this day forward.
Her voice is a meadowlark,
a bright flush of wing and song,
and what can I do but laugh
and weep into that golden moment
when I and the others gathered
know ourselves not just as witnesses
but as the lucky wind
that touches such beauty
then lifts it up for the world to see.  

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