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Archive for October, 2020

Why I Garden

Digging in the garden,

hands deep in the dirt,

I have no beliefs.

I have soil for a pulse

and soil for lungs, soil

for hands and heart.

I don’t have thoughts

about who should do what

or how, instead

I have dirt thoughts—

loamy, rich, crumbling thoughts

that sometimes, if I’m lucky,

have a potato in them.

I speak the language

of mineral and listen

for organic matter,

but the only word

they seem to say

is listen, listen.

And then, they say

nothing at all.

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Whatever It Means

Certain I can’t carry

another sadness,

I step outside

and let the shine

of the mid-morning sun

stroke my cheek

like a lover.

And the air has a strange

bright citrus tang,

and I inhale it

again and again.

Whatever it means

to be alive,

it has something

to do with this—

the scent of leaf

and soil and shadow.

The astonishing warmth

of a late October day.

The weight

of loving another,

that weight

without which

I would be nothing.

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One Expansion

swallowing the sky tonight—

all those enormous worries in me

now like grains of sand

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Learner

Just because I don’t see the edge

doesn’t mean the edge isn’t there.

Walking with Amy through the scrub oak woods,

I had no idea that just to my right

was a deep canyon. I could have walked on for miles

believing the world was flat

if she hadn’t suggested we walk off the trail

to see the gaping chasm.

It wasn’t that she was trying to teach me,

she was just doing what she does—

straying from the path to see what else is there.

Now I am looking everywhere for edges—

in every conversation, in every thought.

Now, I am looking at everyone as a teacher.

I have no idea what they see that I don’t.

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Advice to Self: Get Lost

To move forward, move forward.

But first, get lost.

Really lost. If you have a map,

burn it. Not that there’s

anything wrong with a map.

But you must recalibrate

the one using it. Let her not know

where she is. And if she does know,

perhaps through rote,

perhaps through muscle memory,

then spin her around

with a blindfold on,

the way kids do when pinning

a paper tail on a donkey.

Spin her until she has no idea

which direction to walk with that tail.

Spin her until she falls.

And then let her do as St. Francis taught—

let step in whatever direction

her head is pointing.

Let her trust that any direction she steps

can be the right way forward,

every path can be a path toward love.

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            on seeing The Lovers by Pablo Picasso when I was sixteen

Perhaps because I was in love

I fell in love with The Lovers—

fell in love with the way

the man held the woman from behind.

Fell in love with his red,

with her yellow and green.

Fell in love with his gaze,

with the tilt of her head.

I knew what it was like

to be that woman.

Even now, looking

at the painting in pixels,

not in oil on linen,

I feel it—the harmony

of the blue sky behind them,

a sky somehow boundless

inside of them, too.

Thirty years later,

I’m still charged with that blue.

And whatever it is

that forces the woman

to look beyond the frame,

I remember that, too.

It’s as if she can’t quite see

what’s about to happen,

so with one hand,

she holds on to her lover.

With the other, she reaches,

or is she holding herself?

And here’s what I grasp

that she doesn’t yet know—

how hard it will be, how hard

it will be to let go.

The Lovers by Pablo Picasso

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Clear Instruction

Tonight my daughter

closes her fist

around the first snow

squeezes to make it

into a small cold ball

the shape of her hand,

and then offers it to me.

It tastes like sky,

like electric charge,

like winter, like childhood,

like curiosity.

And once again

I’m a girl who walks

to the neighbor’s yard

for a drink at the well—

I pump the heavy lever

and it draws clean, clear water

from the ground.

There’s a red metal ladle

hanging from a nail

on a nearby tree,

and the water tastes of moss

and rust and freedom.

There is a thirst

that’s been bequeathed us—

a thirst for what is

untreated and pure,

a thirst I somehow

manage to forget.

If it could speak,

the thirst might say,

Remember, remember,

remember.

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Making Applesauce

To buy three boxes of apples

is to believe the world

will go on long enough

that we should preserve

the goodness of autumn.

Perhaps it is practical

to cook the fruit,

to store it in jars,

but I prefer to think of it

as hope filling the house

with its sweet red perfume,

hope filling the shelves

with the memory

of sunshine, of bloom.

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When I think of encouragement,

I think of Jack Pera,

who stood every year

at the top of Imogene Pass—

in snow, in sun, in sleet, in fog.

On race day, a thousand plus runners

would reach the top,

weary, having climbed

over five thousand feet in ten miles,

and Jack, he would hold out his hand

and pull each of us up the last foot,

launching us toward the long downhill finish.

I remember how surprised I was

the first time, and grateful,

grateful to feel him reaching for me,

grateful to feel his powerful grip

yanking me up through the scree.

“Good job,” he’d say to each one of us,

cheering us though we were sweaty

and drooling and panting and spent.

After that first race, I knew to look for him

as I climbed the last pitch,

trying to make out his form

at the top of the ridge.

And there was. Every time.

“Good job,” he’d say

as he made that last steep step

feel like flight.

There are people who do this,

who hold out their hand,

year after year,

to help those who need it.

There are people who carry us

when we most need it,

if only for a moment.

When I heard today Jack had died,

I couldn’t help but imagine

an angel waiting there above him

as he took his last breath,

an angel with a firm grip and a big smile

holding out a hand, pulling him through that last effort,

telling him, “Good Job, Jack. Good job.”

And may he have felt in that moment

the blessing of that encouragement,

totally ready to be launched into whatever came next.

Good job, Jack Pera. Good job.

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What will you do with your one wild and precious life? For five decades, Mary Oliver wrote poetry that invited us to live more wholly, more attentively, more wildly in the world. In this five-week discussion class, we’ll discuss poems from her new selected poems, Devotions, which Oliver herself curated and arranged. We’ll do as she invites us: to pause with her and see and feel the world, to fall in love with life and to explore more deeply what it means to be human. As we read her poems, we’ll try to following her instructions: Pay attention. Be astonished. Tell about it.

Hardcover books provided by SHYFT at Mile High. Hosted by SHYFT at Mile High. $140. Scholarships available.

Choose either Mondays (beginning Nov. 9) 

or 

Wednesdays (beginning Nov. 11).

This event is hosted by SHYFT at Mile High, whose mission is to provide all people, regardless of ability to pay, with classes and programs proven to reduce stress, heal trauma, and create connection.

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playing tug of war—

my future

my past

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Too sharp to be candy,

and yet you manage

to trick the tongue

into willingness.

Other’s may have

better medicine,

may get to the heart

of what’s wrong.

But you, you bring ease,

you relieve.

Your whole purpose:

To soothe until

healing can happen.

To insert a little sweetness

into misery.

To relax what wants to erupt.

To make the moment bearable.

To keep peace.

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Things to Do While Not Asleep

Check the time. Reach for scraps of the dream you just woke from.

Close your eyes again. Remind yourself of studies that say

you’re still getting rest even if you feel awake. Curse the studies.

Curse the awakeness. Notice how cursing wakes you even more.

Toss. Count breaths of the person sleeping next to you.

Tell yourself not to be resentful of them, though you are.

Touch your hand to the sleep heavy weight of their leg. Breathe.

Try not to remember something terrible you did long ago.

Perseverate on the details. Wish you could apologize,

though you’ve long since forgotten the names.

Determine that starting tomorrow morning you will be a better person

in a belated attempt to atone for past mistakes.

Tell yourself not to look at the clock again. Look at the clock again.

Calculate to the minute how long you’ve been awake. Worry

about tomorrow. Worry about your kids. Worry about the country.

Worry that you worry too much. Refuse to look at the clock.

There is a lake in the night, dark and deep. Feel yourself held by it,

as if you are floating. As if the night buoys you, cradles you like a mother.

Miss your mother. Take a few strokes in the night lake. Notice

how quiet it is. Feel yourself slip beneath its surface.

When the light comes, swim toward the light.

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Biometric

And if they tried

to match the whirl

of my fingerprint,

they’d learn my true

identity is galaxy,

close cousin to the fern,

and sister to the nautilus.

They’d learn I’m most definitely

guilty of Fibonacci.

I leave evidence

everywhere—tiny

invisible swirls,

reminders that I,

too, am hurricane,

eddy, whirlpool,

and sunflower head.

I have been marked

like the pinecone,

spiraling out from the center,

and there’s nothing

I won’t touch.

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… by and by, nor spare a sigh, though worlds of wanwood leafmeal lie, and yet you will weep, and know why

            —Gerard Manley Hopkins, “Spring and Fall, To a Young Child”

The whole time I ran the lawnmower

through brown cottonwood leaves,

I recited Gerard Manley Hopkins

and waded in intricate cross tied rhymes

that defied the straight green paths

I was making. I hope Gerard doesn’t think it rude

I call him by his first name when I talk to him,

as I often do when walking alone.

He never speaks back, but I’d like to think

I’m better at listening for him.

As today when I repeated again his words

about worlds of wanwood leafmeal,

I swear he rose up

in the dry-honey scent of leaf dust

as if to say, this, this, this.

And while I pushed the red Toro

across the leaf-spangled lawn,

I thrilled to know the world as poem,

to know the ambush of tears as tiny wet poems

to know myself as a tired and ecstatic poem

while all around me the leaves continued to fall.

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Conspiracy

Sometimes when walking

or driving or sitting in a chair,

I thrill to see some words of yours

float through the air—as if

a cartoon thought bubble

cut loose from your thoughts

filled with calibri sweetnesses

and times-new-roman puns—

and I pluck the words

from the sky and wrap them

around my wrist. They bob

above me like a helium balloon—

sometimes I almost believe

could carry me away.

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Join Me?

all day I spike my tea

with sky—

is it any wonder

by night I’m singing

love songs

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Student

The river in autumn

is clear enough

to see the trout

who swim

in the deeper pools.

There are many ways

to speak.

This is one.

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After

After the anger dries up
and falls away like an old dried husk,
it might be you feel
like laughing—
at yourself it turns out—
and all that is now possible
whispers to you
like wind in the meadow,

and where before you saw
a single path
you now see thousands,
and you wonder
how you never noticed it before
the way every step
receives you.

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The Renegade Page: Finding the Poetry for the Moment

Tuesdays, 2-4 p.m. Mountain Time, October 20-Nov. 17

Need a pick me up? An infusion of beauty? A reminder of what’s going right? A chance to write about what is most challenging? Every moment—even mid-pandemic and mid-election season—contains an invitation to lean into the world as it is. Join poet and performer Rosemerry Wahtola Trommer for a playful, provocative exploration of how to find poetry in everything—from spatulas to depression, from cleaning the kitchen to catalog shopping. This isn’t your textbook poetry—it’s the poetry of your life. Every class we’ll read, write and share poems. $85

Hosted by Weehawken Arts. To register, visit https://weehawkenarts.org/class/the-renegade-page-finding-the-poetry-for-the-moment/2020-10-20/

*

As If Life Depends on It: A Poetry Playshop on Birth and Death

November 1, 10 a.m. – 4 p.m. mountain time

When the veil is most thin, come read & write poems about birth & death & how these two miracles charge all the life in between

Now in the season when the veil between the worlds is most thin, come read and write poems about birth and death and how these two miracles charge all the life in between. We’ll consider the Stoic mandate—memento mori—remember your death, and how, paradoxically, it is an invitation to live, humbly and ecstatically. We’ll dance in the playgrounds of metaphor and explore what it is to be alive. What wild or timid ideas are waiting for you to write them? What mysteries are hiding in your heart? Bring your curiosity and your wonder, your fear and your awe. Come surprise yourself. $60

Hosted by SHYFT at Mile High. To register: https://www.eventbrite.com/e/as-if-life-depends-on-it-a-poetry-playshop-on-birth-and-death-tickets-122320831901?aff=erelpanelorg

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