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Posts Tagged ‘grace’


 
we discover that falling in the canyon is our initiation
—Mark Nepo, “The Life After Tears”
 
 
I didn’t land. I fell and I fell and I fell.
At first as I plummeted, I feared the landing,
imagining an imminent crash. Then,
I fell through nights and middays. Fell through
kitchen floors and highways. Fell through
birthdays and Saturdays. Fell until the sense
of groundlessness was so familiar it no longer
felt like peril. I don’t know when I stopped falling.
There was no splat. No splash. No crushing of bones.
No sense of arrival. In fact, I am not certain
I am done with my falling. But I do know now
the falling is not something to be feared.
Not that we grow wings. This is not about flying.
It’s about falling. About meeting the gravity
and feeling its force and letting it carry me
in ways I have never before let myself be carried.
Now I know that the canyon of grief is
just another name for living the fullest life.
The reward for the falling is to no longer
expect a reward. The reward of falling is to
learn to not resist the falling. The reward of falling
is to feel how grace falls with us as if holding
our hand, like a teacher, like a friend.

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A humble contentment.
Because blue green spruce
by the creek bed.
Because ancient red
of sandstone cliffs.
This almost forgettable moment
not forgotten.
This small seeing.
This ease in being, unearned.
Because the tips of the spruce
are more silver, softer.
Because afternoon mist
somehow mingles it all.
Because sometimes when I try,
I cannot feel the connection.
This moment when trust is.
This sinking of my foot
into slick, wet earth.
This small thing.
This everything.

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Present


 
 
I open the moment as if it were a box
and, shocked by the cruelty I find,
I want to close the lid.
Want to pretend I don’t see the tears,
don’t hear children screaming.
I want to not feel my own heart whacking
like a club inside my chest.
 
In the myth, Pandora closes the lid
on hope and keeps it locked in.
But more than I want to close the box,
I want to keep it open.
I want to stay with the ache.
I want to be with what is real.
What is real: I keep the box open.
 
What is real: There is no box.
What is real: Sometimes I fear
there is no hope left. And sometimes
when I am very still with what is,
hope flutters inside me. How?
I don’t know. But its small wings
open like prayer inside my breath.

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Close Encounters


 
 
It was a little mangy, to be honest,
the rabbit in the forest that came close to me—
close enough I could see the way sunlight
made his long ears glow pink. Close enough
for me to coo and praise his remarkably long rabbit feet,
praise the white socks of his fur,
praise the bright brown of his eyes.
Even his patchy, uneven molting couldn’t stop me
from falling in love with the way he leapt
from fallen trunks into patches of bluebells.
We were all staring at him, all six of us,
wondering why he would come so close,
but I took his appearance personally—
like when we read a fortune cookie fortune
and believe there was a bit of our destiny in it.
I cannot see a bunny without believing it’s my son.
I know. It isn’t my son. I also know it is.
Every bunny reminds me he was here.
Every bunny is a chance to push past
my rational mind and fling open the doors
of love. Every bunny, especially this one who
comes so close, seems to say, Sweetheart,
don’t you believe in grace? And as the bunny
leaps from log to duff, I think, I do, I do, I do.

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Hello friends, 

So seldom do I feel I need to preface a poem, but … this one. It was so not easy to write and I don’t know that I have said yet what most wishes to be said. I think that happens sometimes … when I have a feeling so big that I’ve felt for so long, I put too much pressure on the poem to tell the whole story when really, something much simpler wants to emerge. All this is to say I am wrestling with questions of love and forgiveness and humility and betrayal and grace … and will likely be wrestled by them as long as I live. You, too? 

Unlikely Gratefulness

I will not excuse what he did.
His words, cruel.
His actions, callous.
So deliberate,
the way he turned his back.
Did he not see another path?
Or did he, with spiteful intent,
choose the lowest road?
And after the fact, did it matter?
The dark seed he planted
could not be unsown.
 
Perhaps my brokenness was a gift,
because if I had been less broken,
I would have mustered the strength
to hate him.
Perhaps because I was so broken,
my eyes could not not remember the way
his face reddens and crumples when he cries.
My throat could not not remember
how often I sang him to sleep.
And my hands still remember
holding him when he was scared.
My ears still hear the raucous ways
we laughed while in the car.
 
But how it is I still let him in?
How is there room in my heart for his?
I don’t know. I don’t know how to name the gift.
What is this grace that holds me
so I can still hold him?

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The Gift


 
 
How does the amaryllis bulb do it,
store so much life inside its thin brown
wrapping? How, from such a small
round package, does such a large
stem continue to rise? I don’t know
how it offers such abundance
from such a small space, but
whatever grace it is that infuses
the amaryllis, I want to believe
it could happen anywhere—
so that a country or a woman
or even a minute could be
a gift wrapped in nothing more
than its own dry skin, a gift
that surprises the world as it
produces extravagant beauty
day after day, perhaps even
surprising itself as, seemingly
from nothing, it begins to bloom.

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Grace


                  while receiving Reiki, with thanks to T. V.
 
 
For a moment,
there appeared a circle
of golden light,
the way sunlight
sometimes streams
through a gap
in the forest canopy
to form a small shining pool
on the ground.
It wasn’t that I
stepped into this light.
More that the light found me,
and for a moment
I knew what it was like
to be found.
This is perhaps
what grace is like—
when we wander
in the dark, cold, lost,
and the light finds us,
not because we deserve it,
not even because
we have asked for it.
It simply arrives,
and it is ours to receive it,
to know gratefulness,
even astonishment,
and to let it inform
what we do next. 

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I’m sorry. I thought banishing you
was the way to become better,
more perfect, more good, more free.
The irony: I thought if I cut you off
and cast you out, if I built the walls
high enough, then the parts left would be
more whole. As if the sweet orange
doesn’t need the toughened rind,
the bitter seed. As if the forest
doesn’t need the blue fury of fire.
It didn’t work, did it, the exile?
You were always here, jangling
the hinges, banging at the door,
whispering through the cracks.
Left to myself, I wouldn’t have known
to take down the walls,
nor would I have had the strength to do so.
That act was grace disguised as disaster.
But now that the walls are rubble,
it is also grace that teaches me to want
to embrace you, grace that guides me
to be gentle, even with the part of me
that would still try to exile any other part.
It is grace that invites me
to name all parts beloved.
How honest it all is. How human.
I promise to keep learning how
to know you as my own, to practice
opening to what at first feels unwanted,
meet it with understanding,
trust all belongs, welcome you home.

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The autumn rain was not warm, but soft,
the kind that makes everything shine.
Even the sidewalk. Even a Tuesday.
 
Likely the air smelled of leaves and cut grass.
Likely the birds were a riotous chorus,
because that’s how it is here in fall.
 
What I remember so clear is how you
rushed out the front door
in your favorite hand-me-down dress
 
with brown velvet polka dots
and a pink satin sash—
mighty fancy for a day spent at home—
 
and began to dance on the driveway,
both arms lifting into the drizzle,
an elegant twist to both small wrists,
 
one leg stretched straight,
your bare toes pointed to the pavement,
your face raised up to the rain.
 
It’s your smile that startles me,
then and now, a look of deep contentment,
measureless pleasure in being.
 
Over ten years later, I still see it in you,
something utterly unfakeable, wildly true,
the capacity for joy beyond the frame.
 
It vibrates in me like the tone
of a gong struck gentle and long,
until I too am shining
 
with trembling reverence,
astonished by the grace that’s here.
Even when it’s gray. Grayer. Even when it’s cold.
 

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I do not understand the mystery of grace—only that it meets us where we are and does not leave us where it found us.
                  —Anne Lamott
 
 
With every cell, I listened
to her familiar voice,
her thoughtful silences,
her precision with verbs,
and though we spoke
of showerheads and
grocery shopping,
elections, underbellies and
standing beneath the moon,
we spoke only of grace, every
sentence somehow stitched
with the most stripped-down
kind of praise, the kind
that doesn’t sparkle,
doesn’t sing, doesn’t
shimmy, doesn’t offer
sweet perfume, the kind
of praise that is so naked,
so plain, so bare
there is nothing at all
between us and the
sheer magnificent truth
that we are here.
I long to name such aliveness,
at once composed
and uncontainable,
but it slips my attempts—
it’s like trying to fit a dress
on a sunbeam.
But I felt it, how
as we spoke I went
from being stone
to being sky. Oh glory,
with my everything,
I felt it.

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Amazing Grace

At what point in the avalanche
do we realize there’s nothing
to be done but be pummeled
and tumbled and broken
by the world?
At what point do we know
that no matter how hard we swim,
the current will carry
us over the falls and
to the rocks below?
At what point are we sure
we can’t save our beloveds,
not from the world and not
from themselves?
In that moment,
and perhaps only then,
grace comes in to do
what the will cannot,
and whatever it is
that is larger than us
makes a home in us.
If we survive it,
sometimes it stays.
 

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For no reason, this morning
I dance through the rooms,
my socks sliding on the wood floors
and I twirl and glide and chacha
as if the house is an empty stage.
I think of my daughter who chassés
and leaps—in toe shoes no less—
and I have none of her finesse,
and yet this morning something in me
says dance, though I woke
feeling broken, though I woke
wearing the great gray cloak of grief.
Who could say where it came from,
the impulse to shimmy, to raise
my arms above my head
and swirl my wrists and
fling back my neck till the grief
is light as gauze? I am grateful
for this mystery, how it saves me,
grateful for this inner beat that says,
dance, time to dance, dear woman,
you have everything to gain
in this moment if you dance.
 

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I don’t know why I did not see
my son’s choice to take his life as a failure.
Not as his failure. Not as mine.
Not the failure of the world.
Not the failure of his friends.
It’s not as if I’m a stranger to failure—
I who can endlessly beat myself up
just for failing to remember to return a call.
I don’t know why I did not need to blame.
Don’t know why I didn’t rail at God.
Why I didn’t contract
into a crumpled ball of shame.
I don’t know what grace stepped in
and turned my heart again and again
toward compassion, toward humanness.
Don’t know why it only occurred to me
to love him. To be gentle with myself.
I don’t know why the world
met my broken heart with such generosity,
obliterating any walls of failure
before I could even fashion the bricks.
I don’t know how it works,
this mystery of acceptance,
but it saved me,
never trying to rewrite the story,
asking nothing of me except
that I let myself be led through every moment
by what I cannot know.

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Evanescent

For a few minutes a day
for a few days of the year,
the sun shines low through the window
and casts a shadow high on the wall,
as this morning, when I see
the shape of six chrysanthemums
splayed in diffuse gray
just below the ceiling
and I put down my work to marvel.
It’s simple science, really,
how opaque objects
placed in the path of light rays
do not let the light pass through.
But there’s something so beautiful
and temporary
about the giant spectral blooms,
so I do what the heart asks me to do—
I watch as the ephemeral bouquet
intensifies, then fades away
until the wall is just a wall
and I am just a woman
beside six purple chrysanthemums
who was found by a moment of grace.

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Winter Evening

Though I sit alone

on my couch at home,

I’m somehow also sitting

with Rachel and Julie

and it’s summer and

we’re laughing, laughing

until we tumble

into each other’s laps,

laughing as we collapse

into a puppy pile of giggles,

laughing because it feels

so good to laugh—

even now I laugh aloud

with no memory of why

we were laughing then,

but many years later,

it’s still contagious.

Sometimes we tumble

so wholly into the grace

of a moment

that it opens in us forever,

continuously blooms

and spreads its perfume

like night-blooming jasmine,

christens everything

with its fragrance,

even this empty room,

even this tired woman

now so surprisingly awake.

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Surrender

 

IMG_0376_1

Some mornings I wake and the peace

that I tried to find yesterday finds me—

arrives in the open palms of the river scent,

in the erratic path of the warbler,

in the low golden angle of sun as it slants

through the gray knuckled branches of cottonwood trees.

Even the broken watering can seems to bring me

news of what’s been here all along—

the peace that holds up the turmoil, the mess.

And the dried grasses in the field

and the tiny new leaves on the currants

gather me into them. They’re like old friends who say,

It’s okay, make all the mistakes you want

around us. Some mornings, through no effort

of our own, we are gathered into the peace

of the patient lichen and the still pond.

It’s the difference between breathing

and being breathed, between asking for grace

and finding that grace has been asking for us.

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The Inner Cupboard

 

 

 

No one else knows, as they eat the bread,

what’s been slipped into it,

how in with the flour, the yeast, the salt,

 

a stubborn devotion has slipped in.

It hides in an inner cupboard. Even the baker

doesn’t have the key. But when

 

she would rather not be loving—

because she is tired, because

she feels wronged, because she’s distracted—

 

that’s when the cupboard opens itself

and mixes into her the kind of devotion

that cannot be manufactured, the kind

 

of devotion that rises up not out of duty

but from some mysterious, infinite source

that guides her hands as they knead

 

the soft dough. It infuses her with a longing

to be big-hearted, a longing to love, even when love

feels unreasonable. She can smell it

 

as it fills the whole house with its generous

scent. Even now, as they sit and eat the bread,

it astonishes her, how ferocious

 

this drive to nourish, to love.

They pass the butter, the jam. She smiles

as they eat it together, slice after slice.

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Grace

 

 

 

After all these years of falling, falling,

terrified of my own weight, terrified

of gravity, after all these years of dropping

through the sky, through all these fears

of not good enough, certain I will crash,

I will die, I find myself now wearing

a great white parachute that appeared

as if I were dreaming, to save me.

 

After all these years harnessed only to fear,

I land gently, as if on a flat green lawn.

And I’m not just safe, I’m smiling.

I try to reason it logically: Air resistance

with a chute is greater than gravity.

But there is no logic here. How

did the parachute appear? I

didn’t even ask to be saved. Here I am,

good enough, two feet on the ground.

After years and years of falling,

I’m okay. I’m wildly okay.

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And maybe

though there

is no floor

you find

the grace

in falling—

after all

those years

of baby

steps, with

one plunge

you’re

evolving

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listen as your days unfold
Challenge what your future holds

            —Patti Austin, “You Gotta Be”

 

 

And if I could

I’d scatter all the seeds

of grace, release

them from their old dry pods

and let them fall

in tired places—

like your heart,

my heart.

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