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Posts Tagged ‘uncertainty’


 
 
At last the river is covered in ice,
a vast white sheet from bank
to bank. A woman, or a rabbit,
could use to cross what usually
feels uncrossable. I think
of William Stafford standing beside
the frozen Methow river, asking a question.
The silent river was his answer.
Later today I will put on my old navy coat
and my big old rubber boots and walk
to the shore with my satchel of questions,
the ones that writhe and twist in me,
the ones that make me tremble.
Perhaps, you, too, will bring your questions
to a shore where winter has hidden the song.
If you have no river, any quiet space will do.
We can stand there together
at the edge of no separation
to see which questions spill out.
No matter where we stand,
we can listen to the silence
that crosses all boundaries, listen,
together, and wade into the current
beneath all listening.
 

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The Channeling


 
We might as well be divine.
                  —Kate Horowitz, “i tell the ghost of carrie fisher the world is ending”
 
 
We might as well be divine.
As masked agents arrive
with guns, curses
and brutal disrespect,
we might as well be divine.
We might as well sing at the edge
of collapse, bring forth the kind
of harmony that calls goosebumps
to arms and hot tears to eyes.
As we march, as we gather,
as we fight for each other,
we might as well be divine.
As rivers shrink and sinkholes
appear and we face water
bankruptcy worldwide,
we might as well share
what is not ours to own.  
And be kind to each other.
And praise what good we find.
This is it. It’s like this. Nothing
but now. What we bring,
who we are, this is all.
As tears fall fast and voices rise,
as fear grows thick and viscous,
we might as well be channels for grace,
we might as well be divine.

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Not Alone

Through the throng
and past the chatter
we slipped into a small
blue sitting room
and there at the edge
of the chaos, she told me
what the doctor said.
The world became
whirlpool, no shore
in sight, and
we met in a perfect
stillness, holding
to each other, our
friendship like driftwood,
no way to steer, but
for that moment, we
floated, floated!  
no small thing as
all around us
uncertainty crested
and surged and
crashed and swirled.

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What is it like to meet a blank page? Anything at all can happen. It’s part of why I love writing poems. Ars poetica is a Latin term referring to poems written about writing poems (I know, pretty meta), and in this particular expression of ars poetica, I explore what it’s like to meet uncertainty when you first sit down to create and the page is still blank. The poem was featured in Uncertain, a limited-run podcast for Scientific American, made by my beloved friend, science writer Christie Aschwanden. Then, the amazing Anaissa Ruiz ( @shethescientist  ) transformed it into this creative video … so sweet all the dimensions of creative wonderment that led up to these 51 seconds! You can hear what went into the making of Christie’s amazing podcast here on episode 109 of Emerging Form. As she says, “The magic really happens when you are open to things,” she says, and openness is only possible when we engage in, you guessed it, uncertainty.

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Never the Same


Sometimes a person wakes
believing they are a storm.
It’s hard to deny it, what,
with all the rain pouring out
of the gutters of the mind,
all the gusts blowing through,
all the squalls, all the gray.
But by afternoon, it seems obvious
they are a garden about to sprout.
By night, it is clear they are a moon—
luminous, radiant, faithful.
That’s the danger, I suppose,
of believing any frame.
Let me believe, then, in curiosity,
in wonder, in change.
Let me trust how essential it is
to stumble into the trough
of the unknown, marvel how
trough becomes wings becomes
faith becomes math. Let me trust
uncertainty is a sacred path.

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I step into the boat.
You offer me an oar.
Thank you, but sweetheart,
what I really want
is to be in the boat
with no oars
and you.

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Sometimes, too certain I know what love is,
I miss love.
It’s like thinking water is waves,
not seeing water is also the depths of ocean,
the muscle of river, the body, the air,
ice, snow, fog, clouds, mist.
Sometimes, longing to hear certain words,
I neglect to hear the words that are spoken.
Or craving a certain touch, I disregard
all other touch, and my skin believes it is starving.
There is beauty beyond beauty, love beyond love,
opening beyond opening, an apple inside apple.
Let my prayer be I don’t know.
Let me find the door inside the door,
the glimmer inside the glimmer,
the human inside this woman.
The god inside of god.

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after Knowing Now You’ll Never Be a Clown by Jack Ridl


I’ll never be a tight rope walker
balancing above the canyon—
no net beneath me, just angry rapids,
no strap tethering me to the tight rope
to catch me should I fall.
But could I be a tightrope walker,
I would know the art of one step at a time,
would know how to tune out everything
except the step that comes next.
Or is it that I would know
how to tune in to everything
so I might better meet the next step?
If I were a tightrope walker,
I would trust myself
know every muscle intimately,
would have faith in my reflexes,
faith in how I respond to wind,
to challenge, to fear.
Instead of all this wondering
about what should come next.
Instead of all this worry about
how to take a step.

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It’s like moving west around the earth
so I might stay in perpetual sunrise—
moving to stay in that moment when the day
is blushing with potential.
 
But sometimes when I am very still,
I notice the sunrise within.
And I wake and I wake, and I wake
and by doing nothing, begin again.

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Certainty is a frigatebird,
able to soar on the wind for weeks,
its nest a distant thing.
Is it wrong to say I admire it,
sleek and raven feathered,
how it dives from the sky
with exquisite precision,
how it steals what it wants
with no regard for what’s fair.
I have wanted to be that certain,
wanted to take, wanted to believe
my hunger is all that matters.
Is it wrong to notice these thoughts,
to give voice to their midnight wings?
I say I trust what I don’t know.
Meanwhile, I flirt with certainty.
It whispers to me,
I’m the other truest thing.

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Code

inspired by Wayne Muller

I do not love you in 0s and 1s,

some straightforward proposition—

our love, my dear, is gray, is .772,

refuses to be simplified, reduced.

There is maybe in us. And perhaps.

Wouldn’t it be easier if love were like math—

a logical answer we could arrive at,

with binary digits to map it all out.

Instead, a word, a tone, a should

makes what is certain slip off its string

and the bits and values keep changing.

Somewhere between the 0 and 1

is a meadow where we might watch the moon,

a garden where outlandish fruits still grow,

a mountain we will never stop climbing.

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Things that Bloom

 

 

I’m thinking of silence, how when it opens,

it changes the room with its fragrance.

 

How frost can make a garden

of a window overnight.

 

Old friendship—sometimes

even when we forget to water it,

persists like mint.

 

Fear, of course, is knapweed-ish,

tap-rooted, invasive. Almost impossible

to eradicate its petals of panic,

petals of dread.

 

Sometimes a name can bloom

on the tongue when the syllables

stem from someone we love.

 

And when we’re very still, the moment itself

seems to bloom, like a peony

revealing layer after tender layer,

charging the air with sweetness.

Now flower. Here flower.

 

The moon, that giant cream perennial,

reminds us nightly how we, too,

are called to grow our light

toward the dark.

 

And uncertainty, it comes to us

in giant bouquets, each bloom a question

that doesn’t want to be answered,

it wants only for us to hold it in our arms

like the gift it is.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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And tonight I think

of the seventeen Italian doctors,

dead. And the hundreds

of thousands of people

whose test results were positive.

And all the doctors, nurses,

health care workers—

some right here in our town.

I think of them eating breakfast,

reading the same discouraging news,

then kissing their loved ones,

putting on their shoes,

and walking out the door,

though resolution’s as elusive

as last month’s peace—

the peace we didn’t

even know we had.

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The Vendor

 

 

And if there were a map

for the path of my own becoming,

I wouldn’t buy it.

I tried. I marched up to the vendor

of maps, took out my coin,

and held it out for the exchange,

but was startled by an inner revolt—

not an angry crowd but a quiet, insistent no.

I put the coin back in my pocket

and walked away, wildly aware

I had no idea what step came next.

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IMG_2147

Placerville, CO, Sunday, October 28th  10 a.m. – 4:30 p.m., $100

How often do you wake up from a dream and wonder, “What was that?”  

What if you discovered that your subconscious has the answers you are seeking? Each night, through dreams we are offered pieces of ourselves that we might never come to know. For many of us, we have learned to not just dismiss our dreams but our deeper emotional and spiritual worlds as well.

In this workshop, we will explore the landscape of dreams and write poems that float between dream and reality, the irrational and the authentic, certainty and uncertainty. Through dreams and poetry, we will open up to the uncertainty in each of our lives—the continual, miraculous unfolding of not knowing.

No previous experience with dream work or poetry necessary. Led by Rosemerry Wahtola Trommer and Corinne Platt.

To register, contact Rosemerry, 970-729-1838 or wordwoman@rosemerry.com

or

Corinne, 970- 596-5221 or corinneplatt@earthlink.net

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Without A Map

 

 

Silly me, I thought the boat was empty.

Thought there was no one else here to paddle

or steer. Thought I was alone and too small

to reach the rudder, too weak to lift

the great oars, somehow not seeing

the sea itself as captain, the sea itself as crew,

its waves carrying me places I never knew I needed

to go until, on that strange new shore, I found

myself exactly where I needed to be,

shipwrecked and wildly alive.

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Tonight the path

is tired of being

a path, would rather

be a leaf. Enough

of trodding. Enough

of this one foot

in front of the other.

Rather to unfurl

and serve and let go

and get lost. Really,

how hard could it be?

Something about

“path” suggests

certainty. The path

feels like a fraud.

It’s exhausted

with arrivals. It wants

to fall off. It wants

to cartwheel across the field

like last year’s leaves

in spring wind.

It wants to have

no idea at all

where it is going.

 

 

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Hello friends,

I hope you can join me in a four-week poetry discussion class on living with uncertainty.

Week 1: Accepting Uncertainty as a Part of Life

Week 2: How Inviting the Unknown Helps us Live More Richly

Week 3: How we Find Ourselves by Getting Lost

Week 4: The Generative Power of Not Knowing

The class is offered through Weehawken Arts in Ridgway, Colorado, 12-2 p.m. on Wednesdays. To read more or sign up, please click https://www.weehawkenarts.org/classes/22-classes/creative-arts/153-living-with-uncertainty-a-poetry-discussion-series-with-rosemerry-wahtola-trommer

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Between us a silence

so fragile that half of me

fears it will shatter

 

and cut us, half of me fears

it will erupt and we’ll burn,

and half of me thinks

 

if I stay still enough,

something beautiful

might emerge.

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between the question

and the answer is the garden

where the rose is still open—

soft-petalled and fragrant—

regardless of what comes next

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