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Archive for September, 2016

 

 

 

they didn’t look

like a cage, those years,

until I was offered a key

and realized I knew not

how to use it

 

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On the Edge of Cold

 

 

They will say it is impossible,

but I want to give you things

they say no one can keep—

the scent on the trail

this morning, a golden smell,

and the amber light inside it.

Or the pause before the dance

commences. Or the moment

when falling becomes flying.

 

I want to give you elusive things—

the moon in the river, the way

the sunset turns the whole world

to rose, the feeling that love

not only is possible, it’s as

inevitable as blinking, as

unavoidable as noon.

 

It is not too late. In fact,

already we are here.

 

 

 

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There are still one or two spaces left for a retreat this weekend in La Sal, Utah

The Grand Embrace

The Grand Embrace: Writing and relaxing into not knowingness
sliding fee of $170 – $220 for room and board and a suggested teacher donation of $150 – $400 

La Sal, Utah
 

We live in a culture that wants to know—we chart and graph and test and outline. We codify and classify and name. But what do we really know? What is all this messiness and mystery that breeds underneath our longing for orderliness and certainty? What would happen if we could really rest in uncertainty? How deep might that relaxation go? How much more open might our lives be if we made friends with letting go?

Join retreat leaders Rosemerry Wahtola Trommer and dharma teacher Susie Harrington. We’ll read poems that don’t bring answers, poems that lead us deeper into paradox. We’ll sit in the midst of the not-knowing, sit with our joys, our challenges, the what is here of each moment.  We’ll write our own explorations of what if and what else and see what even a small bit of wonder might do … if you’re willing to risk a little, meditation and writing can open doors where before you didn’t even realize a door existed. Spiritual doors. Healing doors. Doors where there used to be walls.

No previous writing experience required. No previous meditation experience required. This poetry and meditation weekend is for anyone who is curious about weaving spiritual awakening and the creative poetic impulse.

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Letting the Small Ache Sing

 

 

 

Not yet dirt,

the outline

of squirrel is still visible

on the hard earth

of the back road—

I step over what remains,

wonder

how many other lives

I’m walking on.

There are infinite ways

to praise,

among them

these words:

I am sorry.

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One Simultaneous

 

 

 

admiring the gold

emerging in the field—

missing the green it was

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Dear Rachel

 

 

 

It’s so curious what we choose to frame.

You could, I am sure, with your art degree, explain

to me how aesthetics change. And why.

But I have too much dirt and dust in my home

to want an image of dirt and dust on my wall.

And I don’t relate to women in gowns

parting floral drifts with a white parasol.

 

I remember the first time I went to your home

and saw in your hall a painting—just one color, red,

you had painted it yourself—and I recall

how easy I found it to stare and stare and get lost

inside. So much of the world is black and white.

 

On my walls, it’s mostly nudes.

It never seemed strange until my children

asked why there were so many naked women

in our home. I didn’t know what to say

to make it okay. I said, “Because they are beautiful.”

 

If I could, I would frame the laughter

you left on my answering machine

and hang that on my wall. Or frame

how warm the sun was when we went for a walk.

Or frame the taste of peaches, the scent

of wood smoke and poems in our hair, the easy

silence we sometimes share.

 

But I would frame, too, the mornings

we speak of our children and weep.

And I’d frame our hurt and our fear

and the nights we’ve fallen apart.

So perhaps that’s not so different

from framing dust and dirt. And those

two women strolling in the sun,

on second thought, they look familiar.

 

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In a Low-Angled Light

 

 

 

Already shriveled, these marigolds

that line the fence. Something soothing

about the way the flowers keep their color,

though the leaves are brown and dried.

From a distance, they are vibrant.

From a distance, you might forget

that the garden will soon be filled with snow.

So much is ignored in the name of beauty.

Here, here is the season with your name on it,

your name the scent of gold. You find yourself

longing to be more like a lily, dropping everything,

not even pretending to survive the cold.

 

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rosmerrytrommerpostcard-01

Join me and Jill Sabella at our opening for In Three Lines, a two-year collaboration. We’ll have food and wine and live music by cellist Kyra Kopestonsky, and 5-minute readings on the 1/2 hour … plus we HOPE to have our new book, Even Now, by then. Join us at the 81435 Gallery.

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One Survival

 

 

 

going straight

in the turn only lane—

time to invent wings

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Positively

 

 

 

Saying yes to too many things at once

is like eating dark chocolate truffles one

after another after another. The first

 

is infused with wild raspberry, which leads

to a caramel truffle with fleur de sel, which leads

to two smooth champagne truffles, which leads

 

to a tummy ache, bittersweet. My calendar

has a tummy ache. Its numbered squares

are filled in with rows of rich invitations…

 

a book club infused with Louise Erdrich

and Sauvignon Blanc, a meditation retreat

handcrafted with extra silence, a trail run

 

through aspen groves filled with silky light.

How could I pass on any of these delights?

Saying yes to too many things at once

 

is like crossing a remote border at midnight,

and though your pulse races with the thrill,

you have no idea if you will ever know

 

what home means again. Saying yes

to too many things at once is in fact

a disguise for saying no. No to openness,

 

no to spontaneity, no to whatever surprise

might have found its way into the vacant

possibility of that deliciously empty square.

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One Inner Desert

 

 

thick with rain

this afternoon and still

the thirstiest parts of me

shriveled

longing to be drenched

 

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Crossing the Line

 

 

 

Mi casa es su casa.

My arms are your arms.

My lips are your lips.

My ripeness, yours. My triceps,

yours. My hunger, my nipples,

my skin, my swollen pinks

are yours, yours. And why stop there?

My dry elbows, your elbows.

My bunions, your bunions.

My cyst, your cyst. What part

of me would you rather not love?

Could you miss it? Tell me you will also take

my thinning skin, my widening hips,

my wrinkled cheek, my cracked heel.

If my fear is your fear; my ugly,

your ugly; my broken, your broken;

my shame, your shame, then kiss me

there. Again. Please? Kiss me there.

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When trouble comes like a black monkey

sitting on your shoulder, picking at things

you can’t see; when trouble comes

 

like a necklace made of thorns that twists

around your neck; when trouble comes

with its hummingbirds dead and dangling,

 

with its indifference to blue, do not try

to escape into the upper left corner,

though the dragonfly there could distract you.

 

Dare to meet it with a gaze unyielding,

meet it exactly where you are. Ask it

with your eyes, What do you have to teach me?

https://en.wikipedia.org/wiki/Self-Portrait_with_Thorn_Necklace_and_Hummingbird

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One Taboo

 

 

 

the book burning

turning the pages of char—

a blaze of orange butterflies

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Meeting Yeats

 

 

 

Meeting William Butler Yeats on the road

is like passing by a beggar on the street.

 

Surely, he says, surely the second coming

is at hand. People clear him, looking the other way.

 

He holds out his empty hat to you. He does

not want your spare change. Surely,
he says, looking into your eyes with a certainty

pitiless as the sun, surely the second coming

 

is at hand. What is it in his eyes?

Your own reflection, slouching.

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Quantum

 

on a line from Ocean Vuong

 

 

The most beautiful part of your body

is the place your lover has just kissed,

 

how his lips remind you that you are also

orchid and apple and arch.

 

How easy it is to forget our own holiness.

How sweet when another reminds us of the ocean

 

still in our blood, the sand in our hair.

Call it communion, the way he touches you

 

and the way your own tongue leaves

a wet trail on his skin not so different

 

from those first attempts to crawl onto shore.

The most beautiful part of your body

 

is your longing to open more, everywhere

he touches, you become door.

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Three Inadequacies

 

 

 

slumped on my chest

the body of the girl

not quite so limp

as the weight of her pet

still almost warm

 

*

 

no less permanent

this death of a body

so small

 

*

 

the dull weight of sorrow,

wishing it would come soon

to replace this burn

 

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Into the Poem I Tuck

 

 

 

a left turn,

a river stone,

straw,

the moon,

an empty frame,

the scent of books,

a wide-brimmed hat,

a question mark,

ripe peach juice, maps

to nowhere,

unfinished songs,

a trunk, blue mornings,

fields of gold,

uncertainty

of what comes next,

the promise

I will try

again.

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Nocturne

 

 

 

Even after everything is said

there is so much left unsaid.

I have measured the nights in stars

and lost track. I struggle to say

something true. When I stop

trying, I notice the how night

comes in and fills my throat.

Though no one can hear it,

it says everything I wish to say.

 

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Lesson

 

 

 

Not that anyone caught us,

but that was the day

when Marnie and I

 

cut school during sixth hour

and drove my old VW bug

to the undeveloped hills

 

just past the edge of town.

Nothing grew there but grass

and wide open emptiness.

 

She’d bought some No Doz,

and though we were already

wildly alive and awake,

 

taking them seemed a good idea.

I don’t remember what class

I ditched—perhaps French IV,

 

which could explain why to this day

I cannot remember the plusque

parfait—but I recall

 

how barren the hills were,

their syntax of winter dry grass,

still brown, and how we ran

 

as fast as we could chasing

nothing we could see

as the wind grabbed the laughter

 

from our mouths and flung it

past the barbed wire fences,

past the highway that circled our town

 

until we lay at last down

and stared at the sky

conjugating the clouds

 

until the sun was spent

and we were cold.

No one ever asked

 

where we’d gone. No one

noticed the grass still

stuck in our hair,

 

the sky still clinging

to our clothes, the absence

of bells in our blood.

 

 

 

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