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Archive for July, 2015

When they ask what you did this morning,

tell them, “Oh, nothing much.”

When they say, “What are you doing tomorrow,”

shrug and say, “Oh, I’m busy.

We have plans.” That is true.

Say goodbye today as if you mean it.

Do not mention the cake, the balloons, the gift.

I know. It’s hard to keep a secret.

And just when you think you would burst

if you could, remind yourself

it’s for their own good.

Tell yourself, it is better this way.

No. Sweetheart. Forget what I say.

If it’s not a surprise, that’s okay.

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Bottom Line

The first time I died it was sunny.

I could see the sunlight streaming in

through the waves as I drowned.

I was not frightened, more curious.

It was so new—the swirls of the current,

the bending of morning light. I was only scared

after I learned I was still breathing.

Then I fought for my breath.

The second time I died, it was lonely.

I stood at the top of the cliff

and the earth did not swallow me.

I fell for months without hitting bottom.

It was only much later I noticed

that I was alive again.

There were more.

Some of the deaths I do not remember.

Some of the deaths do not leave.

They are never and always the same.

I love it, this life, how it insists on itself.

I died again tonight,

watched as the mask of me struggled

to stay in place. It did not shatter nor melt.

It was just gone, though already I sense

it has found its way back on.

There is no need for tombstones, no need

to memorialize. It’s the living that matters,

and with each death, it’s easier to see

how life is so (oh, just say it), yes,

life is so beautiful.

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It’s not that the queen’s crown changed anything,

not really. All it was doing was growing there

in the field beside the spruce.

But there it was, succulent and pink.

And there I was, not even knowing

how desperately I wanted to find

something beautiful, until I stumbled

on the flower, hiding as it was in the tall, tall grass.

And though it changed nothing,

it changed everything, the day

suddenly marked by treasure,

by luck. There are, surely, thousands

of chances each day for such astonishment,

thousands of openings

I never see, thousands of opportunities

to say, “This, this is why I am here.”

Crazy that finding a flower in the tall, tall grass

could obscure a whole world of troubles.

At least for a moment.

I will tell you where to find it,

though it wouldn’t be the same

if you were looking for it.

No, better to walk wherever it is

you are walking, better to stumble

as often as you can.

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Those forlorn, sagging sunflowers,

all morning I watch the severe arcs

of their lifeless stems. Just yesterday,

they were so full of vigor before I pulled them up

and moved them across the garden.

I, too, have been ripped up. Is this why

I can’t stop staring at them all morning

at the slow, slow straightening,

the gradual unflagging of the leaves,

the marvelous resilience

I want to believe I might find inside me

no matter how brutal or well intentioned

the hand that tugs, tugs at my roots.

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Because we did not drown today in a violent flash flood

nor contract hanta virus nor botulism,

because we were not tracked down and dismembered

by a mountain lion nor bitten by mosquitoes with West Nile,

because there was no hurricane, no earthquake,

no mudslide, no irate employees in the post office,

because both your heart and my heart continued

to pump rich blood through our bodies,

well, that seems reason enough to sit here

on the porch tonight and marvel at the world—

all those diving and banking green backed swallows

and the way the light shines through crab apple leaves

and the scent of the river and even that strangled sound

that the geese make—wouldn’t you say we are lucky,

my god, blessed beyond blessed to sit here

and fall in love with life not out of any sense that our time is short

but just because the field is full of green and gold

and the garden is free of gophers for now, and

the lawn has been mowed and there are no killer bees

in the yard, and there’s no tsunami, nope, not even a tiny chance.

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Even though I know you don’t read poems,

I want to thank you for calling me last night

when your living room was too big for one,

when all the ex-lovers were somewhere else

and even the kids were gone. Thank you

for calling me to say how alone it is.

For half an hour, we were alone together,

weeping and laughing in our separate rooms.

Just tonight I realized I do not know how gravity works.

Something to do with mass. And distance.

How much of what rules us do we not understand?

The vase falls and it breaks. We know that and learn

to be more gentle with our hands. It’s more

out of habit than true understanding. Our loneliness,

too, is a kind of a rule that we spend our whole lives

trying to change, but it is always there.

Eventually we come to see that everything

will be taken from us. Our aloneness is all that is left.

It is only frightening until it is not. Then it frightens us again.

Thank God we are here to explore it together,

this alarming lack of anything to hold onto.

When we say goodbye, it is gentle. We both know

what it feels like to break. There is too much at stake

not to love each other, alone and distant as we are.

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Gooseberry Picking

They are not quite ripe, the gooseberries

growing behind Christie’s house,

but I pick them anyway and pop

the prickling pink globes

between my tongue

and the roof of my mouth,

oh sour round rush of surprise,

and I am a girl again, not quite ripe,

living in a country where I don’t speak the language

wandering the edge of the woods of the north

with a family that isn’t my own.

The mother, who later will shun me, shows me

how to pick and eat the gooseberries,

a fruit I have never seen before.

I learn to love them that instant,

something I can immediately translate with my tongue—

the marriage of sweet and terribly tart,

a flavor I know already by heart.

Greedy, greedy, my hands in a hurry,

I pull the gooseberries behind Christie’s house

into my mouth as if feeding the memory

of a longing to understand,

feeding it so I can better untangle its tethers

before the memory disappears again.

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One Morning

folding up the tent—

summer in a small package

wood smoke still in my hair

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All night we turn

into each other’s arms

between dreams,

readjusting our bellies,

our backs, our toes

so they touch each other

lightly. Not the fumbling

of the newly met,

but the tenderness

of the long married,

we who know the

other’s body—all

the angles and softnesses,

all the positions where we

gently fit if only we bend an elbow

just so, if only we move

our leg just here—

how easy it is

to bend together

through darkness, how

beautiful to find you,

to be found.

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After they save the world, the girls

know there will be ice cream cake.

But first, they decorate and don their sparkling masks.

They be-jeweled and glue flowers onto flowing white capes.

They are all seven now, and they know

a thing or two about the life of a superhero—

it’s hard and takes teamwork. As they prepare,

Bubbles suggests they plan to stick together—

none of them wants to go it alone.

Fire Girl, Superwoman and Lunta agree.

The mission is harder than they thought.

Superwoman, though she has powers

of super speed and super strength,

also learns she is afraid

of tall grass and snakes.

Lunta, though she has powers of snow and ice,

has to ditch her shiny black dress shoes

mid-mission. She opts for pink sneakers instead.

As they face the world’s foes,

they stop to pick daisies

and strew the white petals in a pond.

They chant and sing and cast spells

and find pretty rocks by the river.

They notice damselflies and orange butterflies

and look in the willows for nests.

In an hour the job is done.

All ten of the world’s greatest foes

have been found and chastised and glitter bombed.

And now the heroes are hungry.

While eating the cake, no one

boasts that she did more work than the others.

They talk about going back to the pond

to swim and canoe, which they do.

For hours they splash and paddle and negotiate

how to share the one float toy

that everyone wants. Who could

recognize them now without

their masks and capes, these girls

who are saving the world?

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Perhaps This is Faith

My fingers slip

as the hand holds crumble,

but I am so high

and I know there

are others below me

so I climb on strength

that is not mine,

though I cannot see

the destination nor

can I imagine how

I will keep going,

but I keep going,

I keep going,

one hand reaching

higher, then the other.

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How soon I forget

the reason I walked into this room.

It is not hard

to walk back to where I was

moments before

and usually I remember.

Sometimes I forget

the reason I am here,

and I do not know where

to go back to, wherever

we came from,

to retrieve the purpose,

though sometimes

when I sit very still

it arrives, not as an answer,

not as a word, more

as a sense that I am being breathed

and that I have not

travelled so far,

that whatever I have come here for

is right here.

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morning alone

my heart a yodeler

hoping to hear

your heart

yodeling back

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Nothing grows here in the courtyard, not anymore.

Once there were roses in every bed,

impossibly always in full, unguarded flower.

Once there was always perfume, always opening.

It is not hard to remember the peonies, the parsley,

the surprising upstarts of basil, the hanging baskets

with long sweeping tendrils of bloom.

Once there were minstrels who never stopped singing.

The air always wore a silken song.

And now it is gone.

I do not know why I have come here again,

I who once planted these gardens, I who once

played the lute. I thought I had left them for good.

I’m surprised there are not even weeds here. Nothing

in the cracks of the sandstone steps.

Nothing in the empty beds.

It was not exactly a wrong turn

that brought me here, more of a wandering.

It was not really curiosity, more coincidence.

But isn’t it strange? Not even bindweed? Not lamb’s quarters?

Not even a blade of cheat grass?

The fountain in the center has not crumbled,

though no water flows in it. All the bricks

in the archways are still intact.

There is a gate. It always used to be locked,

but now it swings open at the slightest push.

It is innocent. I was the one who had locked it.

I knew what it was for.

If I’d known I were coming, would I have brought

some kind of offering? A poem, perhaps, or

tea leaves? Some flowers to scatter? Some seeds?

My hands flutter empty. They are unembarrassed

by their lack. There are no sacrifices to be made.

Once there were birds making play out of sky.

There is no sadness in remembering this.

I walk the paths. The way is still worn.

My feet know where to go. There is nothing

to bring back, nothing hidden in the walls.

Perhaps this is what I came for.

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After the training wheels come off

she wobbles and crashes and jumps up

to cry again. She pushes her helmet back

into place and rubs her hands of the gravel.

I force myself not to offer advice. Some

things must come from the center.

Vivian picks up the bike and straightens

the wheels, finds her place on the seat.

The pedals are not too far for her to reach.

She is ripe for this skill, and mostly willing.

She jerks on the handlebars, over rights

herself and falls again. There is such a thing

as too much right. She once told me

that if you do not learn to cartwheel

before you are eight, then you never will.

Something in the vestibular system, I wonder.

I don’t know if it’s true, but I do know

there are certain windows that close.

An eye that is unused in the first few months

of life will never learn to see, though

its parts are all in working order. Perhaps

there are windows for the heart, too,

so that if by a certain age it does not learn how

to get up and try again after it has fallen,

it will stay down and never learn how

to love beyond itself. Come on, I say under

my breath, you can do it, I say to my daughter.

And then out loud I say, Yes, yes, dear girl,

you are doing it. You are doing it, I say

as she falls, falls again, and gets back up.

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In the Nest

Three open

beaks, oddly

pink, bony.

Their silent

hunger pre-

historic.

Some of us

learn it is

safer to

hunger in

silence. And

some of us

learn that with

so many

mouths and so

many hearts

to feed, it

feels safer

not to list-

en.

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So Thirsty

If you follow a bee,

my friend says, it will lead you

to water. Suddenly

I have never been

so thirsty. I have spent

too much time living

close to the water

without drinking.

I have spent too many hours

not following bees.

I have my excuses—

all the ways I like

to appear busy-ish—

but they all have the same

stale scent excuses always have.

In the tombs of Egypt,

they found honey,

perfectly preserved.

Some things keep.

I look at my dry hands.

Some things have only

so much time.

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at seven

she likes to sashay

for the mirror—

already her eyes see

her self as if they belong

to someone else

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the full glass, broken—

rushing for the broom

I break the vase, too

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Going Out, Going In: An evening of writing play for women
ROSEMERRY WAHTOLA TROMMER
July 16, 2015
Telluride, CO
Wilkinson Public Library, 6-8 p.m.

A teaser class for the upcoming four day poetry and painting retreat at Ah Haa, see below. Open to any woman, free.

Not with a Bang, but a Whimper: The Art of Ending Poems
ROSEMERRY WAHTOLA TROMMER
July 19,  2015
Ridgway, CO
Weehawken Arts, 10 a.m. – 4 p.m.

<span “font-size:10.5pt;mso-fareast-font-family:”times=”” roman”;=”” mso-fareast-theme-font:minor-fareast;mso-bidi-font-family:”times=”” color:black”=”” style=”color: rgb(98, 98, 98); font-family: Lato, sans-serif; line-height: 24px;”>In poetry, crafting a memorable, attention-grabbing first line is important. But a poem’s final lines are absolutely critical. Why do some poems seem unfinished? In this workshop, we’ll look at endings of some well-known (and not-so-well-known) poems and talk about what works and what doesn’t and why. And using writing prompts and exercises, we’ll write and rewrite and practice the art of ending it well. If they are interested, participants can bring a poem or two with unsatisfactory endings that they have previously written. https://apm.activecommunities.com/weehawkenarts/Activity_Search/1720

Putting the Polish on Your Poems
ROSEMERRY WAHTOLA TROMMER
July 28-August 25, 2015
Telluride, CO
Ah Haa School for the Arts, Tuesdays, 6-8 p.m.

Kill your darlings. Show don’t tell. These are a few classic bits of advice written in red pen on the poet’s page. But improving your writing goes way beyond such adages. In this five-week class, We will also discuss how and where to send out your poems for publication. For more info, visit http://www.ahhaa.org/calendarize/putting-the-polish-on-your-poems/

Going Out, Going In: A Four-Day Art & Writing Retreat for Women
ROSEMERRY WAHTOLA TROMMER
August 13-16, 2015
Telluride, CO
Ah Haa School, 9 a.m.-3 p.m.

Here. A chance to step out of the rush of your life and dedicate time to your creative, playful, wise and unfolding self. What memories, stories, images and patterns might appear? In this four-day intensive, poet Rosemerry Wahtola Trommer and painter Brucie Holler guide and encourage women as they explore in two genres, a practice that allows for surprising insights, clarity and vulnerability. A workshop for women who are ready to go deeper, take new risks, and move more wholly into their creative process. http://www.ahhaa.org/calendarize/going-out-going-in-a-four-day-art-writing-experience-for-women/

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