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Posts Tagged ‘dance’


 
 
Cool rain is falling through sunshine today
and the canyon’s red walls are radiant
with the contradiction. The world
smells of dry earth mixing with sky,
a rich and generative perfume
that weaves into all that grows.
Witnessing the beauty of this day,
equal parts clear and stormy, 
this is how a person might come to trust
the acute aliveness we feel  
when we dance with both sorrow 
and gladness at the same time, 
one partner asking us to crawl, to bow, 
the other bidding us raise our arms 
to twirl in joyful abandon. In the distance,
thunder. In the foreground, the swallows 
are ceaseless in their swirling.
They do not try to avoid the raindrops
nor do they shun the sun.
On the inside, a feeling loops and dives, 
swoops and circles back. It says, 
This life is not easy. What a gift to be alive. 

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After fourteen years of pink leotards
and bobby pins, sewing ribbons
on pointe shoes and driving home late
from rehearsals, she dances tonight
with feline ease, confidence in the curl
of her fingers, grace in her glance
as she follows the gentle lift of her arm, 
and instead of trying to capture
this final recital in pixels, I bid myself
to be completely here, following her
leaps and feeling the fierce inner deluge 
of joy and pride and love and thrill
as for one last time she smiles 
from the stage and I see her as
the small white-winged angel who could 
barely plié, and I see her now as she soars,
almost flies, before, with a wave of her arm,
she bows, turns toward the wings, disappears.

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And It Is

 
When you were small
I watched you dance
on the sidewalk, your arms
raised high as if inviting
the world to meet you,
rain and sun and all.
I watched you dance
in the living room draped
in hand-me-down dresses
and colorful scarves,
watched you dance
in small windowless rooms.  
Now you dance on the big stage,
floating in on pointe shoes,
your hair in a perfect bun
you pin up by yourself.
I wonder if every other mother
sitting in the dark also forgets
every second of her life save this one,
this second when you raise
your arm with such grace,
this second when your effortless smile
sweeps across the crowd,
this second when you are so shiningly
yourself, a radiant being dancing
for the love of it, as if this is
the only moment that matters.

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One at The Nutcracker


 
 
so bright the light you carry—
watching you dance
I, too, am glowing

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Inner Dance

Dancing inside me is the one
who has spent her whole life dancing,
the one who leaps up
the moment the music begins
and starts to twirl and leap
and give herself over to moving
in any way her feet
and arms and shoulders and spine
want to move. Sometimes
she needs no music at all,
just moves for the wild joy of moving.
She is just starting to notice
the other woman inside,
the one who looks more
as if she’s standing still.
The one who whose movements rhyme
with limestone, whose eyes are clear
as deep mountain lakes.
Only recently has she
begun to see
this, too, is
dancing.

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In the dream I discover


 
 
I’ve left all the bunnies
in a cupboard for two days.
Why would I put them
in a cupboard?
How is it I forgot them
after rescuing them?
They tumble out, every
shape, size and shade of bunny
and I fall in love with them all
as they explore the room.
They seem no worse for my lapse,
but I am so distraught,
my husband wakes me from
sleep as I whimper.
Hours later, I still wonder
what precious and vital thing
have I locked away?
I don’t want to wake up
to my life tomorrow or next year
or ever to discover I have
not cared for the treasure
entrusted to me. All day,
there are no rabbits, no cupboards,
no locks. Only this life
with its tendernesses,
its vulnerabilities. All day,
I open every door
of the mind, of the heart.
No doubt there are more I can’t find.
I feel for the doors with the fingers
of my heart. Whatever’s inside,
I want it to breathe.
Everything seems
to depend on this:
not only that I care
for the treasure,
but that I let it free.

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In the photo he is dancing,
his arms a strong diagonal,
his tie flying forward
even as he comes to a still point
balanced for a moment
on the toes of his tap shoes,
his body a lightning bolt
in a crisp white shirt.
I focus on his face,
see the will it takes
to make his body stop in time,
see his easy smile,
the invitation in his eyes,
a blend of pride and play.
I lean in until his face is a blur,
as if by coming closer,
I might feel the breath
that isn’t there, breathe in
the warmth of his being.
I love entering
this photo sometimes,
or more rightly,
love the way this photo
enters me until
I ring with the truth
of how it is to love
this boy who did not
become a man,
this boy who chose
to make his body
stop in time,
this lightning bolt
captured on film,
unpredictable, powerful,
something no one
could hold forever,
this love that strikes me
every time I think of him,
I still feel it, the charge.

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After thirty years, she knows
he will speak with his mouth full.
 
He knows her stomach will gurgle
in the silence before they sleep.
 
He will set the table.
She will water the plants.
 
He will wash the windows.
She will dust the piano.
 
After thirty years, she still thrills
when he sits close on the couch
 
and rests his head on her shoulder,
then sighs aloud and closes his eyes.
 
She loves when the moment lasts.
In the mornings, he will look at the clouds
 
and tell her the direction of the wind,
what it means about the storm.
 
She will walk up to him with open arms
and hold him there, in the middle
 
of the kitchen. There will be no music.
It may look as if they are standing still,
 
but it’s part of a long and intricate dance,
a dance they are still learning,
 
a dance no one else can teach them.
See how they step back, how they spin,
 
how they step in toward each other again.

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For no reason, this morning
I dance through the rooms,
my socks sliding on the wood floors
and I twirl and glide and chacha
as if the house is an empty stage.
I think of my daughter who chassés
and leaps—in toe shoes no less—
and I have none of her finesse,
and yet this morning something in me
says dance, though I woke
feeling broken, though I woke
wearing the great gray cloak of grief.
Who could say where it came from,
the impulse to shimmy, to raise
my arms above my head
and swirl my wrists and
fling back my neck till the grief
is light as gauze? I am grateful
for this mystery, how it saves me,
grateful for this inner beat that says,
dance, time to dance, dear woman,
you have everything to gain
in this moment if you dance.
 

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One Maleficent


            for my daughter
 
 
cheering the villain
in black pointe shoes—
her evil so magnificent

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Once Upon a Night


 
 
In the living room after dinner, my daughter
plays Tchaikovsky on Alexa
and dances every character in Sleeping Beauty
Aurora, the prince, the evil fairy,
the lilac fairy, the bluebird, the jewels—
she leaps and lifts, she jumps
and twirls and raises her arms
with a delicate twist of each wrist.
She is more wing than limb,
more song than blood,
more frolic than bone.
To watch her is holy business
 as she learns to make each step beautiful.

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after the painting “The Bedroom” by Vincent van Gogh and the piano composition “Yellow Bed” by Kayleen Asbo

In the tilted room with the yellow bed,
hope waltzes on the wooden floor—
one, two, three, one, two, three—
 
not that you see it there,
it’s not obvious like the windows,
the paintings, the mirror, the pitcher, the chairs.
 
Hope is what you don’t see.
But it is there, beside the water glasses,
beside the long towel.
 
Hope sways so keenly
to snatches of melody
the whole room seems to sway.
 
And it’s one, two, three,
one, two, three; Who, hope says,
will dance with me? It promises
 
friendship. It promises rest.
Will you dance? it asks, a dizzy mess.
It promises community. It promises fame.
 
Will you dance? it asks, but it smells
of paint and faraway dreams.
It smells of madness and longing to be seen.
 
Will you dance? it says, its arms flung out.
Here is where Vincent said yes.
Some see a still life, but others see
 
the whirling, the twirling, the beautiful
spinning of hope, reeling hope,
fragile hope.

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No Regret




Some moments are flame.
There was a time
I wanted a promise
we would not burn.
Now I give myself to the blaze
knowing the burn
is part of the path,
knowing that matter
dances best
once it’s ash.

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I am still learning how to dance with grief—
it leads me through strange sequences,
intricate steps I have yet to master.
Just as I think I have learned
what comes next, I stumble, I step
on my own feet, I trip, I fall. I never
ask myself if this is a dance I want to learn.
It’s the dance I’ve been invited to dance.
If asked, I might have said no. But
today, grief holds me tightly, as if
to keep me from falling. Then loosens
its grasp as I let myself be led.
I am a student in trust. And we glide,
and I’m spun, and sometimes
we just stand, this stillness
its own kind of dance
I am slow to learn.

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All that Dances Through




Though grief prefers a solemn shuffle
and mirth prefers to shimmy and skip,
they often come together
on the dance floor of the heart.
They’re not picky about the music.
Really, all they want from me
is a dance hall spacious enough
where there’s room for them both
at the same time—
a place where mirth can whirl
and grief can shamble.
When I’m small,
they push against the inner walls
and kick me in the ribs,
and they dance, and they dance.
I feel every step.
Is it true I can hold it all?
And I am what is still
as grief lumbers and mirth leaps.
And I am what is still here
long after the dancers leave.

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Tonight I fall in love with the mirliton
in the blue and white tutu—the way
she leaps, the way she angles her arm.
Not that I didn’t love her before
when she was a soldier, when she
was a snowflake, when she was a bon bon
or an angel in frothy white fluff. But tonight,
more than anything, it is her smile
that makes me weep in row H.
Because it is real, her joy in the chassé,
the grande jeté, the pas de bourrée.
Because her joy is my joy. Because
I know what she’s danced through
to get to this stage where that smile
spreads across her face like the sunrise
the first morning after winter solstice—
an essential, growing light aware of the dark,
just learning what it can do.

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Family Woman

Such awkward dance partners,

this longing to follow my own pursuits,

this longing to be ever available to you.

Both want to lead.

They step on each other’s feet.

One waltzes, though the other

has put on rock and roll.

One loves eye contact, the other

loves closed eyes to better feel the music.

And yet they whirl and two step every day,

taking turns swinging and dipping and bowing.

I used to think they were rivals.

Now I know neither wants to dance alone.

Even now, they’re pushing back the furniture,

rolling up the rug. There’s gonna be a real

fine hoedown tonight.

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Beat. Blending. Bolero. Breakaway.

Before bed, my daughter and I

do a word search. The theme:

“Social Dancing.” At the same time

we notice how closely related

Dancing is to Distancing.

 

The hidden words all snuggle

in their thirteen by thirteen square.

Brush. Cha-cha. Foxtrot. Polka.

They cross each other, touch each other,

overlap, congregate, connect.

Rumba. Samba. Slow Dance. Spin.

 

How I miss doing what these letters

are doing—getting lost in a crowd,

then emerging less as a self and

more as a spiral turn, upside down

and backwards, or heck,

showing up as a straightforward sway.

 

Oh I miss that glorious not knowing

where I begin and end, surrounded

by others as we swing, swivel, tango, waltz.

 

 

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I no longer have the shiny black shoes

with metal taps on the bottoms—

 

though if I did, they would perhaps sit

in the back of the closet along with the wigs,

the boas, the long black gloves.

 

How I used to love the sounds they made—

fa-lap, fa-lap, fa-lap ball change—

such a shiny, happy silver sound

that used my own heart as a metronome.

 

I was never much good, but I didn’t care,

I held out my arms with wrists upturned just so

 

and shuffled and clicked and smiled

for no one but myself. I think of that

today as I dance in the office alone,

 

it’s a quiet affair without the right shoes,

and I am clumsy with lack of practice,

but laughter makes a fine music

for everything inside me dancing.

 

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Only the Dance

 

 

At the still point of the turning world; neither flesh nor fleshless

—T. S. Eliot, from The Four Quartets

 

 

Waltzing in the kitchen,

I ask the sauté pan to dance.

It is an awkward affair,

neither of us is really sure

of the steps, neither of us

knows if the other is leading.

In the end, I curtsey. The sauté pan

retires to the stove top

and says nothing. There

is no applause. The music

that was not playing

continues not to play.

 

The deer in the grass

who did not turn to watch

the strange dance in the house

continue to eat the lawn,

which I know by tomorrow

will seem taller, though

I have never seen it grow.

 

In me, something so still.

I struggle to name it,

say “nothing,” and I bow

to the nothing, know it as true,

then it changes its name

to “everything.”

 

There is so much

I don’t understand.

On the stove, the butter

skitters across the pan.

It smells salty, sweet.

The pan and I are partners again.

I lift it by the handle

and swirl it slowly,

then return it to the grate.

 

I don’t dare be still now,

lest the butter burn.

Whatever is still in me

remains very, very still

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