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Archive for April, 2018

Let’s play, said the wind.
Go away, I said.
Let’s play, said the wind.
Not today, I said.
Right now, said the wind.
But how? I said.
And the wind made a kite
of my auburn hair
and my words of dissent
skipped away on the air.
Play more? said the wind.
Um, sure? I said.
The wind played me like chimes,
played both fierce and tender,
and it whipped me and kissed me
into surrender.
You’ve changed, said the wind.
Rearranged, I said.
Play again? said the wind.
Yes, friend, I said.

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Kindness

Consider the tulip,
how it rises every spring
out of the same soil,
which is, of course,
not at all the same soil,
but new. How long ago
someone’s hands planted a bulb
and gave to this place
a living scrap of beauty.

Consider the six red petals,
the yellow at the center,
the soft green rubber of the stem,
how it bows to the world. How,
the longer we sit beside it,
the more we bow to it.

It is something like kindness,
is it not? The way someone plants
in you a bit of beauty—a kind word,
perhaps, or a touch, the gift
of their time or their smile.
And years later, in the soil that is you,
it emerges again, pushing aside
the dead leaves, insisting on beauty,
a celebration of the one who planted it,
the one who perceives it, and
the fertile place where it has grown.

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            in response to The Good News by Thich Nhat Hanh

Good news. The ant on your toe does not want to bite you.
He is a traveler on the country of your foot, and he is teaching you
about the borders you have drawn around your kingdom.

Yes, the young sapling beside you has died, but there,
beside it, a new sapling is carrying on what it means to be tree.

The good news is that the daffodils, planted by some unknown hand,
have returned, and they bob their yellow fringe in the wind,
their cups filled with unspillable light.

The goldfinches find food beneath the old spruce.
And the meadowlark has turned the fencepost
into a concert hall.

And more good news. You noticed that there was a line drawn
between us and them, and you, with your ardent mind,
you picked up that line and refashioned it into a spiral.

And in this moment, the good news is that the sun is warm
on your shoulders and your eyes feel like closing and you
let them close.

The good news is that despite the passing hours, the passing years,
there is no end to good news waiting to be found
and you are just beginning to understand how infinite this special edition.

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We dreamed of revolution.

What came to Russia was terror,

terror that left us voiceless,

faceless, betrayed.

Blood in the streets.

Blood splattered on boots.

Blood that stank like blood.

 

I stood seventeen months

in prison lines three hundred women long,

waited to plead with the hangman

for my son. Seventeen months

I listened to the scrape

of the iron key that never

opened the lock.

 

Leave, said my friends

as they fled our land,

Leave Russia forever, they said.

 

But I could no more leave

the birches and pines,

the high mountains and endless steppes,

no, I could no more leave

the Russian people

than I could leave my own skin.

 

The government called me

an anachronism. They snarled,

“half nun, half whore.” They claimed

I contributed nothing to communism.

Burned my books. Forbid me

to publish more.

 

They killed my ex-husband.

My next husband, too.

They claimed intelligence

was a sin.

 

But when we’re silenced,

that’s the summons for our voice to grow,

and I went from the voice

of one woman wanting

to the voice of over

a hundred million mouths screaming,

screaming for freedom, for justice, for life.

 

They thought that by corseting my words

they could contain them. But they thought wrong.

Now, I whisper poems into the ears of my friends

and my words travel on, become living poems,

poems that throng in the streets.

Poems that stand in line and speak

to the women with blue lips who wail.

Poems that turn into ribbons

that flutter beyond the butcher’s reach.

Poems that slip beneath locked doors

that speak of suffering, futile war.

 

Now I know what art is for.

 

 

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scent of sweet clover—

wishing I could send it to you

send you, too,

this woman

alone in a field

surrounded

by sweet clover,

her head tipping back

in ecstasy

where the cup your hand

could be.

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When I met Amadeo Modigliani,

I knew of hunger

what did I know of love?

I was in Paris. On my honeymoon.

As my new husband met with other women

i met with Amadeo, an impoverished Italian Jew.

His paintings not yet famous.

We would walk Parisian streets

in the warm summer rain

and snuggle under his black umbrella

and recite by heart poems from Verlaine together.

He begged me, don’t go back to Russia.

Russia? I said, where is that? It’s Russiya.

Don’t go back to Russiya, Anna.

I did.

 

That winter he wrote me in Petrograd:

Vous êtes en moi comme une hantise;

You are obsessively part of me.

I knew it was true,

that he was more myself

than my own familiar hands.

Back in Petrograd,

I would touch my lips in the mirror

and say my own name

and believe my voice was his.

 

I think of Lot’s wife.

How they told her not to turn,

to not look at Sodom, her home

even as it was being destroyed

but how could she not

turn to the green fields where she had sung,

turn to the bed where her children

were made, turn to the place

of her blood?

 

When I turned back to Paris

because his love felt like home

even though i knew it would be destroyed,

I was not transformed into salt

but into chalk, black chalk, his chalk on paper.

 

I did not know then

how that I would come

to treasure his vision,

how I would tape his drawing

on the wall in every house

i ever lived in so I could live again

between those lines in a time

of wild honey, scent of beeswax candles,

his amber eyes.

 

Amedeo always drew me naked

in long spare lines—

Always from memory when he was alone.

With me, his hands

were too busy for chalk.

 

He’d slip off my dress,

and in my breast,

he’d visit my beloved Russian steppes,

in my waist, he buried himself

in Siberian snow,

and between my thighs,

he was baptized again and again

in the floodwaters of the Neva River.

 

They’d not yet made

a corset that will fit me—

how could it when I

am all of Russia?

 

Oh I loved him. Wrote him poems.

Left red roses strewn on his studio floor.

How airy the light was then.

How I loved being what they would later call me,

 

 

polovina monakhini, half nun,

polovina shlyukha, half whore.

 

 

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April 23

 

 

How do they do it,

the broad-tailed hummingbirds,

arriving at my window

the same day every year,

welcome as spring,

reliable as moon.

 

And what part of me

thrills in their predictability?

And what part says,

a tad too triumphantly,

See, here’s proof,

things come back.

 

I hear the small birds

before I see them,

their wingtips trilling,

I’ve read how the feathers

that make the sound wear down

from use. By midwinter,

 

you can barely hear

their bright hum at all until,

preparing to breed,

they grow new feathers again.

How do they do it,

grow feathers at just the right time?

 

I want to linger in the small

miracle of it, these ears still learning

how to hear and this heart still

astonished at the timing

of the world, how life just knows

when to return, when to grow.

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path through the jungle—

so much has to change

to stay the same

 

*

 

zipline so fast

even my shadow can’t find

a place to land

 

*

 

hanging bridges

above the deep chasms—

panic disguised as hope

 

*

 

a fourth star

in Orion’s belt—

in fact, a firefly

 

*

 

love starved—

instead of catching the bigger fish

eating the bait

 

*

 

dismantling the gate

at the chambers of the heart—

using the wood for a bridge

 

*

 

pouring out from the tree’s thorns

and army of fire ants—

nearby the ylang ylang spreads perfume

 

 

*

 

diving into the waves—

if only all chaos

had a trapdoor

 

*

 

beneath the waterfall

riding the rope swing, wondering—

does our joy release into the world?

 

*

 

meanwhile, in the rainforest,

the purple orchid peels back its petals,

reinvents opening

 

*

 

questions that start with why

are the hardest to answer—

the lizard walks on water

 

*

 

smaller than a thimble

this frog beside the river—

universe size, my wonder

 

*

 

this old oyster shell

worn by waves into a heart—

love this world, love this world

 

*

 

after two days,

the purple orchids are spent—

giving myself to the waves

 

*

 

the gray and brown wren—

its bright song a mailbox

red flag up

 

*

 

ten thousand times ten thousand

waves on the beach—

letting each one rename me

 

*

 

beside the great strangler fig

enjoying feeling small

in the big, big world

 

 

 

 

 

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By Chance

 

 

 

Beside the highway

two moose graze in a meadow

rung with new snow—

While the body goes sixty

the mind slows to stay

in that meadow with two moose

grazing, and all around them,

snow.

*

 

Dear Poetry Friends,

I will be taking a technology break for a while, and when I return, I’ll bring you a big bouquet of poems all at once!

-r

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while the bells of the heart

clamor and clang,

catching a ride on the clapper

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