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Posts Tagged ‘perspective’


 
 
Sometimes the worst doesn’t happen. 
  The flash flood doesn’t flow through the first floor 
    of your home. The bear doesn’t tear into your tent.
      But sometimes the train comes around a bend,
    hits a rockfall and comes off the track. Sometimes
  the rocket explodes in roiling orange fireball of methane fuel.
Sometimes the car launches from the highway into the air 
  and crashes, skids, takes out a tree, a bush, 
    then launches again, only to roll and roll. 
      When the worst happens, it doesn’t take long
    before the inner narrator spins tale after tale  
  of how much worse it could be. It can always
be worse. Knowing this, what a gift today 
  to drive up to the front door, the house still intact, 
    to walk into the home and greet both cats, 
      to water the succulents on the kitchen shelf, 
    reheat the soup from the night before, pour 
  hot water over the mint tea, hold hands 
with beloveds, say I love you, say grace.

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What I wanted was to snuggle. 
What I wanted was to greet 
the morning wrapped in warmth. 
What was here was coolness.
I spooled myself in a gloomy story wondering
what I’d done wrong to find myself alone.
Two days before, when I was radiant
with joy in a circle of friends, 
I pulled an otter card from a deck
and felt wildly attuned with the otter’s spirit
of contentment and “unobstructed joy.” 
The wisdom of otter says stop making
“silly excuses.” The wisdom of otter
says “celebrate.”  It was only after
I rose from the bed and walked into
the damp chill of a misty spring morning—
the air alive with the song of chickadees,
the harsh calls of the jays, the rapid twittering
of the violet green swallows—
it was only then I felt the possibility of reverence
and celebration. And then, how silly I felt, somehow
seeing through the layer of story I added
to the morning, as if waking alone 
was some kind of problem. How easy
it was then to celebrate walking alone
in the soft green of spring, my feet wet
in the grass, chill bumps on my arms.
Sweet woman, it’s okay you forgot
the chance for reverence was always here.
It is always the time for waking.
See now what was truly here this morning:
the room so quiet, the sheets so cool,
the soft gray light streaming in.

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If anger is a scarecrow
then let me be a field
that sprawls across the roads
and beyond the hills.
Sure, the scarecrow
is frightening. But it belongs.
And the field, look, it goes
on and on and on.

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kneeling in front of the wild rose
nose buried in pink petals,
the whole world fitsinto one wild rose

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Perception: A Sonnet


 
 
I take a walk with my whirling thoughts
and the near-full moon and the dark,
and for a time, all that seemed large
in me is no less large, but it’s also a dot,
 
a blip when compared to the whole
of the night, as if the entirety of my life
and the life of my country and the life
of the earth could all fit in a fourteen-line poem
 
with two lines left blank. Because nothing I write
seems to touch how vast, how sublime it is—
the snow moon rising above red cliffs—
only space can convey how humbling it is, the night.
 
 
                                                                                              .

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Almost by accident
I saw through the blaze
of my anger and fear
to the bunny in the yard,
his sweet brown body
so still and attentive
in the short brown grass,
and it’s not that I
became any less angry,
but when I let myself be held
by his steady brown eye,
I was touched by gentleness
and remembered what else
I am capable of. Oh self, this
is how you stay whole hearted—
by keeping your eyes wide open.

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Immensity


 
 
Just past Circus Circus,
I see it down a side street,
the half moon low on the horizon,
nowhere near as bright or big
as the giant clown smiling above me.
I thrill in my certainty the moon
has grown no smaller.
But how real it seems in this moment,
this moment when the moon looks
littler than a soup bowl
for a giant neon clown
on the Las Vegas strip.
It’s enough to make me think
that other things that seem
so large are not. Enough
to make me long to be a student
of perspective. How quickly
the world changes when
we change the way we see it.
How powerful the invitation
to want to see what is true.

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New Eyes


 
If the body is a temple,
then I want to remind myself
the grotto, too, is a temple,
a holy chamber carved
by nature and time,
a sanctuary
where song echoes and rises
in a place that’s been scoured,
ravaged, worn.
The meadow, too, is a temple,
with a giant blue dome of sky
made more holy by its expansiveness.
Let my prayer be not to change my body
but to change the way I see it.
Let me look in the mirror and see there
a grotto, a meadow, a temple,
a being who is learning new prayers
as she’s shaped and reshaped
by the world.

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One Big Perspective

a day so blue
even my greatest fears
are dissolved into sky

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New Eyes

But I’m sad, I said.
And the world
was unrelentingly
filled with good.
Weaving into the ache
and loss and dread
was the moon as it rose
in fuzzy white gauze,
luminous behind thin clouds.
Was the woman
who made of her body a circle
to embrace with her love my pain.
Was the laugh of my girl
in the other room.
Was the paperwhite
blooming on the kitchen counter
like an intimate constellation.
But I’m sad, I said,
and the world did not try
to convince me my sadness
was not also true.
And I felt myself open
like a daffodil in spring,
grateful to be touched
by sun, by chill. And
I felt myself open,
naked as a winter tree,
tender as a woman
just learning to see
how everything invites us
to meet what is holy.

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An Opening

Mourning settles in like a midwinter storm,
clouds low, snow thick in the trees,
snow thick on the rooftops, thick
in the road where you’re forced to go slow
if you go anywhere at all—
squall after squall of thick fat flakes falling
till they break the boughs and thickly cover
the whole visible world
and then,
a parting, a lifting,
a clearing so startling, so blue you swear
you will never see the same way again,
not the snow, not the sky, not even yourself,
having as you do now, some small hint
of the weight of this life.

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Perspective

And the mountains rose
and eroded completely
and the great sea flooded all
and the great sea left and
the great sea flooded and left again
and the land was forced up,
and then pulled from both sides
until the center broke
and slid down to create a great rift
and the volcanoes spewed lava
and the ash covered all
and the glaciers scrubbed
and the rocks avalanched
and the earth slumped
and today I sit in the valley
and stare at the mountain
with a dusting of white
on its wide shoulders
light gathering in its clefts
and think, my god,
isn’t it peaceful?

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I can’t unnotice this fist
that has grabbed my chest
and squeezes it hard, this prickly balloon
that seems to have blown itself up
in my belly. To be still today
is to notice that so much inside me
is writhing, squirming, thrashing.
Hello discomfort. Hello agitation.
Hello wishing that stillness
could be more still.
Eyes closed, I watch myself
as I sit in the middle of the empty room,
sunlight stretching across the floor
in bright and angled shapes.
I zoom out and see the whole house.
Zoom out farther and see the yard, the trees.
Zoom out until I see our small town,
then a blur of green and brown,
then the familiar blue and green curve of the earth.
As it spins and orbits, the earth is anything but still,
and yet such spaciousness surrounds it.
Oh, sweet woman sitting still in your room
with your hand on your heart
and a world of thrust and upheaval
spinning inside you,
right now, it’s like this.
You’re being moved. You’re still.
It’s like this.

*

Um, yeah … so if you read yesterday’s poem, I have to laugh… yesterday being still felt so easy, so simple, so open, so, well yummy. And then today??? Oh friends. This is one of the great gifts of poetry–every day the chance to notice what is here. And every day, the same thing feels so new. 

On my daily program “The Poetic Path,” I use the tag “Seeing the same world in a new way … with poems.” If you haven’t checked out this other daily offering, perhaps consider it. It’s an app for your phone, found on the Ritual Wellbeing app. Unlike the daily poems, i curate them … and it’s a chance to hear the poems aloud. I always talk a little about where they came from and how they were written, then read the poem again, and then offer an optional writing/thinking prompt for you. There is a monthly or annual fee for Ritual–and there are MANY other programs available on it. You can try it out for free. If you’re interested, from your phone visit HERE

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There was that year
when my mother
turned used ribbons,
thin paper plates
and gold-painted plastic grapes
into a celebration.
Our small family sat
around an old oak table
and made hats
from the strange collection.
How festive it was,
so much more than enough.
Fifty years later
I remember the joy
when we tied those plates
onto our heads.
They were scraps, trash—
the miraculous kind
that needs only love
to make it shine—
scraps like this day, like words,
like ribbons of memory.
 

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Change in Perspective


 
 
Everything is made of simple forms,
said the art teacher—
a car, the body, everything.
And for the first time in my life,
I saw myself as an assemblage
of cylinders, spheres, cubes and cones.
It was thrilling, after fifty-three years,
to break down the body this way—
to see my fingers as stems,
my cheekbones as grapes,
my calves as long pinecones.
And for a moment, it all seemed so simple.
I am a constellation of forms that moves
through a larger constellation of forms.
For a moment, I didn’t think of the shapelessness
of ashes that conform to the cube of a box.
For a moment, I knew that wetness
falling from my eyes as just another sphere.
 

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Grand Scale




Today I am grateful to remember I’m small—
a woman who lives in a deep river canyon
surrounded by fourteen-thousand foot peaks
in state the size of New Zealand
in the fourth largest country on Earth
on the fifth largest planet in our solar system
which has a radius of three billion miles
in a galaxy one hundred thousand light years in diameter
in an observable universe of ninety-three billion light years.
I sit at the end of the deep river canyon
and look at my two cupped hands.
What I can carry is so small.
What carries me is so great.
I offer it my grief.
For a moment, I am weightless.

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inspired by “The Starry Night” by Vincent van Gogh and the piano composition by Kayleen Asbo by the same name

Anything will give up its secrets if you love it enough.
―George Washington Carver


You teach us how to meet the night,
the quiet shadowed pools of night,
the night outside the glow of home,
the night beyond the sleep-warm bed.

You teach us how to fall in love with night,
the violet night, deep fields of night,
the swirling, churning curves of night,
the whirling, sweeping waves of night—

and oh the stars in their spiraling
you share their gold and pink and green,
a twinkling, a burst of shine,
a firmament in which to dream—

but there’s no way to see stars
if you don’t first befriend the dark.
You teach us how to love the dark,
the verdant, fertile wholesome dark.

Oh, to love what frightens us—
to meet dark with curiousness,
Though it’s mighty, tumultuous,
you teach us the dark is generous.

Vincent, you didn’t paint your asylum’s window bars.
You showed us only night. And stars.

*

My dear friend composer/pianist/historian Kayleen Asbo and I want to offer you the video recording of our hour-long conversation about Vincent Van Gogh, loss and The Art of Creative Collaboration– click here.This project has been such an important part for each of us in holding on to hope and beauty during a dark and challenging time. If it speaks to a part of your own aching soul and you want to share it, you have our blessing to forward it to whomever you wish.

If you want to offer a donation in support of our work so that we can professionally record our project in both audio and video format, click here for our Go Fund Me account. And we have an anonymous donor who will match all funds donated before July 30! 

If you want to engage in the full collaboration–Vincent’s paintings, Kayleen’s music, and my poems–I hope you will join us in “Love Letters to Vincent” on July 29, the day Vincent died, at 11 a.m. mountain time. We will present the entire collaboration, sending love letters back in time to honor this man who changed the way we see beauty. There will also be a chance to participate in a group creative activity, responding to his work, creating a giant love letter for Vincent. Sliding scale. It will be recorded and sent to all who register.

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Perspective




In the corner of the window,
slumps an old gray cobweb.
No longer gossamer,
it holds the spring pollen
in its dull clumpen strands.
At the edge of the web,
a long dead mayfly trembles
in the wind, its abdomen bent,
legs broken and detached,
its wings more cloud, less shine.
There is so much of me
that is dusty and damaged,
so much I would like to clear away.
So much that is spent and dead.
My friend tells me all she can see
is beauty. Though I can’t find it here,
there is at least beauty in the looking
for beauty, beauty in the invitation
to see the world with a lens as open as friendship,
to see myself with eyes as generous as love.





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Who is this woman so concerned with arrivals?

Doesn’t she know we are writing about paths?

What is her rush to get to the meadow?

What does she think she will find there?

She missed the sunflowers in the garden,

a whole row of luscious bright yellow bloom.

She missed the chatter of the chipmunk,

the hot scent of rabbit brush almost like sage,

the mica glistening like crushed starlight beneath her feet.

She is like one of those trucks on the highway,

a blur, a roar, an impersonal thundering.

Oh, see, now that she thinks she’s arrived somewhere,

now she starts noticing the field,

the crunch of dry grass, the dirt, her own short shadow.

Funny, she looks lost, standing there with her pen and paper,

her longing to find something worthwhile to say.

Should we tell her it’s okay,

that the lack of arrival could be her new point A?

And everywhere she looks, a new path.

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It smacks me, sometimes,

how connected we are—

though we draw boundaries,

build walls, fight wars,

call names, and kill. All it takes

is a photo of earth from space

and I’m stunned again,

how much we are in this together.

And though we’d rather not know it,

every choice we make

affects everyone, everything else.

Perhaps this is why I weep

when the woman I’ve barely met

embroiders me a sweater

with a word she knows I’ll love

and then brings it to my home.  

Because it’s proof of kindness,

a confirmation that beauty

not only exists, it will lead us to each other.

How easily two strangers

might become friends.

It can happen anywhere

on this small blue and green planet—

anywhere two people co-exist,

the invitation to be generous,

thoughtful, to think of new ways

to be good to each other.

Each kindness a bridge that spans

the world’s flaws. Each moment,

another chance to build another bridge.

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