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Posts Tagged ‘courage’


 
 
There in the church of poetry
beneath fluorescent lights
on a makeshift stage, 
one naked heart
after another came to the mic
and through words and breath
they turned wound into blossom 
again and again until the evening
became a giant bouquet
of the unbearable being borne.
It is a terrible gift to make beauty 
out of suffering,
and this is the gift we most need.
But what stays with me, too,
was how each time a poet was called up,
a woman in the middle of the audience
with a voice made of equal parts
midnight and salve
would croon low and smooth, 
Let’s go, poet. 
Each time she spoke it, 
she made a red carpet out of sound, 
a generous path for the poet to step onto.
Each time, she spoke it, 
I felt my whole being soften and open
through the alchemy of encouragement. 
This, too, the gift we most need—
to dare to turn toward
what makes each other bleed.
This, too, transforms wound into generous bloom, 
the gift of hearing and hailing,
honoring each other’s humanness, 
saying yes, I see you, I see you. 

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The Trap


for Coleman Barks (April 23, 1937-Feb. 23, 2026)
 
 
It took me six months
to get Coleman Barks
to grant me permission
to use his translations of Rumi.
Six months of fretting.
Six months of worry.
Six months of feeling unworthy.
One day my friend asked
what was taking so long.
I told her, I hadn’t yet summoned
the courage to ask him.
In five minutes, she’d found me
his email. That night I wrote him.
The next day, he responded.
Of course. Please use them.
Fear is a trap. It uses self-doubt
as bait. But sometimes
generosity breaks the steel wire.
The trap never works as well again.
Years later, I remember his kindness
and the clarity of my friend.
How quickly joy can find legs.
Joy is the mouse that sees the trap
and knows there are better
places to find nourishment.
Joy is the mouse that sees the trap
and walks the other way.
 

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I made a cage out of doom.
Thought, who am I
to change the world.
Believed that thought.
It’s not so much that
the doom dissolved,
no. It’s never been
more real. But the cage?
Just one story of just
one person who chooses
to stand up for integrity,
equality and peace
is enough to show
what one courageous
person can do.
Then the bars of that cage
bend enough for the most
courageous part of the self
to slip through. I’m not
saying it isn’t scary.
But this is how
one becomes two.
 

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Dear Charles Bukowski,
This morning when my student wanted to share a poem,
I was disappointed when she said the poem was yours.
I didn’t want to hear about whiskey and whores.
And there they were in stanza two,
but also, singing its way through the whole poem
was the bluebird that lives in your heart,
and Charles, I wish you could have heard it,
the living epiphany in her voice as she read the poem to me,
because she, too, has a beautiful animal trapped inside her.
She, too, realizes she can be too clever or too tough
to set that beautiful animal free.
And I fell in love, Charles, with her courage, yes,
but also with the honesty in your words
that winged through any cage
I might have put around my own heart.
In fact, I was shocked to realize I had a cage in place
with bars so stubborn they almost
kept your bluebird from flying in.
This began as a thank you letter, Charles,
but it’s also, I see, an apology.
To you, of course, and also to myself,
and most especially to that little bluebird
I tried to keep out. Look, now there’s a little
cup-shaped nest in my heart where that cage once was,
a nest woven of humility and genuine gratefulness.
And your bluebird now lives in me, too. I know you
wouldn’t cry over a bird living in the heart.
But Charles, you remind me, I do.

Love,
Rosemerry


to read “Bluebird” by Charles Bukowski, visit here.

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said the ice to the flame
teach me again
to be cloud

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Beside the purple lupine
she says, “The thing I most
don’t want to talk about—”
and then, with a sigh,
she talks about it,
and the path and the wild iris
and the bear bell and I
all listen as she meets
what she most wishes not
to meet. There are moments
when we step right up
to the line that delineates
the world that is and the world
as we wish it would be,
and no matter how much it hurts,
there is such relief in meeting the truth
that I swear as she spoke
the world was even more itself—
the lupine more purple,
the sky more blue,
and my heart more a heart
because of her courage
to take off her mask
and says this, this is what’s real.

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In my tall
brown boots
I can walk
into any room,
any fear,
any graveyard
any loss.
I zip up
those tall
brown boots
and I become
a woman
I trust,
a woman
who knows
how well-protected feet
somehow make
it easier
for the heart
to stay open.
In my tall
brown boots,
I could even
meet betrayal,
could shake
that two-faced hand
and know
where I stand,
could walk
toward love
no matter which
way I walk,
could walk
ever closer
to myself.
 
 
  

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Sometimes I want to be anywhere but here,
but today, I let myself feel it all.

I go to the river covered in ice,
and move along the bank until

I find the open places where the dark-feathered ouzel
chooses to submerge in the cold, cold water—

It doesn’t hesitate to plunge into frigid depths.
It knows it was made for this.

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IMG_6144

 

 

Today I take the courage I don’t feel

and the resilience I doubt and

all my unspent longing to serve,

and I bring them, cupped in my hands,

to the garden. They nestle there in my palms

like three baby birds that have not yet

opened their eyes. I take them to hear

the pungent song of the garlic shoots

and the thriving chives who chant

how to survive the winter.

I bring them to hear the strawberry leaves

who sing how to flourish despite the frost.

and the old song of chicken manure

and composted grass that hum about

how old life begets new life.

And they open their tiny beaks,

as if they could eat the green song.

How vulnerable they are.

So I open to the song, too.

I do what must be done.

I take in the nourishing song,

and feed them with my own mouth.

 

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IMG_6058

Tonight, courage is the voice

of the mint tea as it lends its strength,

its green to the water.

 

It’s no small thing

to infuse something else

with warmth, with sweetness.

 

All day, I’ve wanted to be bolder.

All day, I’ve felt unsure

of what comes next.

 

The mint says yes, says drink,

says rest. Says, a small kick

can do a lot. The mint says,

 

one way to get stronger

is patience. It soothes me,

it helps me to sit

 

and feel what I feel

this smooth tea—

subtle, strong enough.

 

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And tonight I think

of the seventeen Italian doctors,

dead. And the hundreds

of thousands of people

whose test results were positive.

And all the doctors, nurses,

health care workers—

some right here in our town.

I think of them eating breakfast,

reading the same discouraging news,

then kissing their loved ones,

putting on their shoes,

and walking out the door,

though resolution’s as elusive

as last month’s peace—

the peace we didn’t

even know we had.

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Should We Tell Her?

 

 

 

Somewhere in my heart

there is a tiny woman

with a crimson scarf

and hair pulled back

who is balancing

on a tightrope—

she has not yet learned

that it is okay

for her to fall,

that the net

will always catch her,

so she keeps doing

the same boring walk

back and forth

thinking how brave

and how proficient

she is at staying

on the rope,

never learning

she could also

jump and swing

and leap and twirl and fall

and get back up.

 

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for Corinne, skate skier extraordinaire

 

 

The meadow was a violent scourge of white,

and still we chose to leave our cars and ski.

The wind and blowing snow obscured our sight,

 

lashed through our hats and stole our breath, but we

leaned into it and laughed, as if the storm

were nothing more than an excuse to be

 

more brave, more willing to eschew what’s warm

so we might face our fear, find joy in risk—

and sure enough, I felt myself transform

 

from nervousness to animated bliss—

and we for hours skied amidst the gusts

and for that time, knew nothing more than this:

 

to meet the crazy storm. When scared, to thrust

ourselves into the howling world. And trust.

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When her voice is weary

it means it is time to listen.

 

When her armor is heavy,

it means it is time to be soft,

 

time to slip out of her certainty

and her battle songs,

 

time to retreat from the lines

she has drawn, time to unknow

 

the world she thinks she knows

and to find herself in the world

 

that knows her. She lets the darkness

penetrate her, it caresses

 

her universal curves. Her quiet

joins her to an infinite quiet—

 

she is everything, nothing at once.

She relearns how vulnerability

 

transforms us in ways

ferocity can not.

 

She is her own fertile seed.

She is her own desert rain.

 

She’s her own cocoon, her own inner cave.

Sometimes it takes the darkness

 

to remind us how to be brave.

 

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The maker of gloves

is busy now. She knows

there are many hands

to sheath, much weeding

to be done. All the paths

of the garden are overrun

by brambles. The fountains

are covered in thorns.

The disarray didn’t happen overnight,

but in our present haste

to make things quickly right,

we’ve arrived with eager hands bare

and now they are bleeding, numb.

Attuned only to beauty,

how tender we’ve let

our hands become.

The maker of gloves

does not waste any time

tsk tsking. She starts

right in on her knitting,

infusing each stitch

with courage, ferocity.

Do not be surprised

when her gloves

arrive at your door.

Slip them on. They are

not for ornament.

She has made

them so you will feel

invincible. It’s not true,

but you must believe it.

The time for hard work has come.

 

 

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Calling

 

 

 

There are tigers in the forest.

I used to think I was tame. No one

knows why they are given

a certain task. My task

is to catch the tigers.

We keep each other strong.

My arms are bare. My head

is bare. We stay awake. We prowl.

 

*

 

A friend offers me a bit of something dead.

What is dead is dead, but still I try

to make of it something useful. I tie it

to a ribbon of blue and cast it into the forest.

The tigers do not care for beauty.

The tigers care nothing for what is dead.

It is me that they want.

I stay strong. The tigers stay strong.

 

*

 

I walk closer to the tigers

until we are face to face.

I have nothing to offer them

except for myself. This is all

we ever have to offer.

The tigers follow me now.

Once I thought I was hunter.

Now I see we are all each other’s prey.

 

*

 

There is a room with no windows,

a room with two hidden doors.

I lead the tigers here, though I

have never been here before.

The first door closes behind us

and as the tigers explore

I push on the weight of an inner wall

and slip through an inner door.

 

*

 

Anything tame is a lie.

It is only me that I want

and I will do even that

which I think is impossible.

I do not need a weapon.

I do not need a lure.

I am the wall that I slip through.

I am the hidden door.

 

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The Truth

it was so enviable

all that courage

I never had

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Too long I have dared to not dare,

love. Here, here is my whole heart,

and here is the fence I built

around it and here is the match

to burn the fence and while we are at it,

the doors, too, and the walls

and the weathervane.

I have no idea what comes next.

Fabulous.

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Every day I fall in love again
with the world—with the sweetness
of pears or with green. With
a man or a child or a woman
or a cat or with the way drupes hang
from birch branches in spring.
Every day it overtakes me,
this rush of joy paired with a rush
of sorrow. Always the two together.
Like opening my eyes as wide
as I can, but longing to open them wider.
Like the terrible tingles I feel in my hands
when they return after being numb.
Like the long, terrible silence
after I share the secrets of my heart.
Oh world, don’t let me be deterred.
Let me fall in love always. Let me always
be opening, wide and wider than that.
Look, even now the sun is peeking
through the clouds just enough
to make the whole world,
even the old tires, even the bones shine.

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