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Posts Tagged ‘breath’

 

                  inspired by Maya Stein’s 10-line poem form
 
 
What if, in this moment, every person on earth thinks of someone who makes us feel cherished, known, safe? What if we let ourselves linger in this moment of connection? What might happen inside each body? What might happen in the world as in unison our breaths begin to even and slow? Would the pulsing of our hearts begin to synch, the way heart cells in a petri dish come to keep time with each other? What is earth if not a great experiment in which we are all both observer and observed? How long could it last, this rhythmic communion between jailor and prisoner, oppressor and oppressed, between fighter and fighter, maker and destroyer, parent and child, liar and believer, all of us thinking of love? Foolish, perhaps, to imagine such impossible moments. But more foolish not to imagine such things. Even now, I’m thinking of someone. It feels like the moon is inside me.

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each breath
a sanctuary
I carry with me

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Consecration


 
 
Even a song can be an altar,
a place to bring an offering—
as on this anxious day
when I can’t stop giving my heart
to love songs for the broken world.  
And perhaps the breath, too, is an altar
on which the song is placed,
which would mean what is sacred
might be ever flowing through us,
a space where we might meet the divine.
To believe this doesn’t change
the song, but it changes everything 
about the singer.

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in the temple of night
the only audible benediction
sweet hymn of your breath

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Blustery

for Corinne


Into the wind, the whipping
wind, the fierce, tempestuous,
mighty wind, we skied
as it pushed us and
bent us and slapped us
in a language made wholly
of howl—how alive we were,
laughing into the gale,
taking the storm into our lungs,
as if our breath could learn
its syntax, translate
its tongues of gust and squall
into wild, untamable mirth.
This is how we carried the storm
home in our bloodstream.           
This is how, even now,
I feel it in my lips,
an uncontrollable, reckless smile.

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Offer your beauty always without calculation or defense.
            —Rainer Maria Rilke, “Initial,” trans. Mark S. Burrows
 
 
Oh friend, it’s true. These dark hours
can crumple us, can press.
No way to escape their crush.
How merciless it can be,
the fist of grief,
how strong the squeeze,
how difficult to believe
we’ll survive.
 
Today, it is enough
to offer the world
only the simplest song—
the wordless, tuneless
song of beingness.
How beautiful it is,
this offering,
your breath against my cheek.

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One Sacredness

 
an altar for wonder—
that small pause
before you speak

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One Peacefulness

so quietly this new year
slips through midnight—
our breath the most precious of cheers

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One Translation

tide of your breath
the only poem
I need

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Because you are gone,
I will never again stand
in your doorway and listen
to the sound of your breath
as you sleep.
I can remember the way
it used to calm me—
the slow, even rhythm
that proved you were alive.
I used to laugh at myself.
As if you wouldn’t be alive.
How farfetched it felt,
the idea of your death.
Now, I hear the absence
of your breath everywhere—
everywhere is a doorway
where I find you are not.
And so I listen.

Sometimes it seems as if a silence
is breathing me,
and somehow, you live in that silence.
I don’t know how it works.
I only know that since you are gone,
sometimes listening feels like communion.
Sometimes when I am very quiet,
when there is no sound at all,
I hear you say nothing.
It’s everything.

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In this deep sea of grief,
it is hard to trust
my own buoyancy—
great waves break on me,
take my breath away,
I’m submerged by loss,
yet with so little effort
I rise. Just by being alive,
I rise. So I splutter.
So I’m graceless.
So I cannot see the shore.
But my friend reminds me,
there’s no way
that I can do this wrong.
So I let myself be carried
by currents unknown,
and each time I breathe—
I feel myself rise.
With so little effort,
I rise.

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I wish you the peace of sleep,
your breath a canoe
that carries you
toward the next moment
without any need
for you to touch the oars.
How easily you arrive.

Oh, to trust the world like that—
trust you will be carried,
not just in sleep,
but in waking dreams,
trust no matter how high the waves,
the skiff of grace
has a seat for you.
And oh, to let go of the oars—
there is no steering
toward what comes next.

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One Distant



wide awake I listen
for the sounds of you sleeping
across the world

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Identity Check




When they asked
for my identity card
I looked in my purse
and found someone else’s.
And someone else’s.
And someone else’s.
But not mine.
But it’s me, I said.
I turned to my friends
so they could vouch for me,
but their word was not enough
to prove I was myself.
When I woke,
I leaned deeper
into my being, my breath
giving me what no card,
no word could do.
Even the flesh is a trick.
Oh, how the morning shines.

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Pneumonia

 

            —for A

 

 

And if I could, I would breathe for you.

I would inhale and exhale and hold

your breath for you. For you I would

sigh and rant, I would hack and pant,

I would be your lungs if I could. I would

ease this ache, I would carry this pain,

I would take away fear, I would be

the wind, the wild mesa wind,

the late April wind that blows change

into all we thought we knew

and rearranges the meaning of here.

No one could ever speak for you.

But I would breathe for you, friend.

Please, breathe, please keep breathing.

I need you to breathe for you, breathe

for me, please, friend. I wish I could

breathe for you, breathe for you.

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Longing to Help

 

 

The world enters

us as breath. We

return to it itself

as breath.

            —Joseph Hutchison, “Comfort Food: Breath”

 

 

And so today, on a day

when I feel quite sure

I can’t give you anything,

not anything that really matters,

I give you my breath.

It’s more conceptual

than actual, perhaps,

though scientists say

that the molecules we breathe

have been redistributed

in our atmosphere

for a century or two.

I decide to breathe as if.

As if with each breath,

I connect to you. As if

with each breath, we

become just a little

more each other

one molecule at a time.

 

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Someday I’ll prefer to sit, to sit

and breathe and think or not think

and sit. But now, now when

the high mountains sing with snow

and the snowcat has groomed

a path through the nowhere of spruce

and the sky is a winnowing blue

that makes me unknow my name,

yes, now is the moment to slip deeper

into the self of myself

and snap skis on my feet

and let the day slap a smile on my face

that I could not possibly unsmile,

because for now, there is

this burn in the lungs, this wind

in the face, this spilling of laughter,

this joy in stride and push and glide,

this thrill in losing the breath.

 

 

 

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The sound of your breath is the quietest of songs.

—Mark Nepo, The Book of Awakening

 

 

Maybe on that day

when we think, I forgot

to sing, that’s when we

realize that all day long

we harmonized with the world

in the quietest of songs—

joined in without any effort,

no striving at all,

and maybe that is the day

when we stop trying

to be heard and start

to notice the song

inside every other song,

the song inside every other being,

how perfectly in tune we are,

how easily we join—no conductor,

no notes, no beat, just one perfect

air. Maybe that’s the day we hear

the metronome of our own

steady heart and say to it,

I will trust you, feel the truth

of the song as it slips

from our lips, then

rushes in to fill us again.

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One Entering

in the breath, a back door,

in the door, a lock, in the lock

a catch, in the catch, your name

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       after an idea planted by Gabrielle Louise

 

 

 

it never works

this trying to exhale and inhale

at the same time

 

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