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Archive for November, 2019

 

 

 

Easier to keep open the doors of the heart

when a feathery breeze comes through, or

the scent of lavender, or slant of sun. Harder

 

when a wounded tiger comes in. Of course,

the impulse then is to run it out and close

the doors. Lock them. Barricade and block them.

 

But now is the time to take those locks

to the second hand store and to pull the chairs

away from the door and place them at the table,

 

then pour two cups of water. Say grace.

Let the tiger pace. And always, I pace, too.

Of course, I’m afraid it will hurt me.

 

That’s what wounded tigers do. And when

the inevitable happens, it’s hard to not wish

it were some other way. And it’s tempting

 

to lock those doors. But when I do, I quickly

note the lack of light in here, I want

for lavender, I rue how very stale the air.

 

Rather to die by tiger claw than live cut off from love.

Even now the wounds are raw, but oh, the breeze,

it touches them, and how soft it licks at my chest, my cheek.

 

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Perhaps that is when Thanksgiving

matters most—when you

walk the empty street alone,

scarred and scared and unsure.

That’s when giving thanks

becomes less of an abstract and more

like the way to take a next breath—

something that seems elusive, but

in fact it’s essential, and it’s right there,

just waiting for you to meet it,

to open yourself, to let it in.

Yes, for now it feels worthy of thanks

that the air is cool and clean and feels

good in the lungs, and the feet know

to walk you closer toward yourself

and the day holds you, holds you

in its soft gray arms, throws

a carpet of dry leaves at your feet,

suggests you keep walking into your life.

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Forty years later, my brother and I

go to the Jewel to buy evaporated milk

and egg nog, and part of me doubts

I will remember the way that we scoured

the produce aisle for green beans. Then again,

who could say why I remember

with incredible clarity the moments

when I was ten and we had just finished

the great turkey feast and my brother and I,

as we loved to do, asked to be excused,

but instead of leaving the dining room,

we simply lay on the floor beneath the table

with our feet up on our chairs

and conversed with each other

there across the green and white shag.

I don’t recall what we said or what we wore,

and it was no important moment, but

I remember the feel of it:

I knew we were together in this—

this moment, this family, this life,

so much so that forty years later

the memory of these ten minutes

is as real to me as the scent of the pumpkin pie

my sister-in-law baked tonight.

How is it that such a short snippet of time

defines us? How it comes to be

the moment we return to again and again

to remind ourselves who we are,

who we love, and why we are here—

those moments, stolen, and still

they give us back ourselves. Even now

in the produce aisle of Jewel, I can feel it—

the carpet against my cheek, can smell

the cranberry salad, can hear my grandfather

and grandmother laughing over our heads,

my brother’s eyes widening, mischievous, so alive.

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One Late November

 

 

beside the great lake

holding hands with the sun—

every step a thanksgiving

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Because we are traveling,

I say, We’re on the plane.

I say, Just landed. I say, See you soon.

 

As always, my heart leans beyond

the transactional. Longs to say,

Tell me about the pain. Longs

 

to say, I feel lonely. Longs to ask,

What do I most need to know?

But it’s not easy to hear. And

 

there isn’t much time. Is that

just the same old excuse?

And so I say, I love you,

 

because it is true. Say,

Can’t wait to see you.

Say, Gotta go. All through

 

the flight, the heart keeps leaning,

rehearses the five

most important words:

 

tell me all about it.

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Someday I’ll prefer to sit, to sit

and breathe and think or not think

and sit. But now, now when

the high mountains sing with snow

and the snowcat has groomed

a path through the nowhere of spruce

and the sky is a winnowing blue

that makes me unknow my name,

yes, now is the moment to slip deeper

into the self of myself

and snap skis on my feet

and let the day slap a smile on my face

that I could not possibly unsmile,

because for now, there is

this burn in the lungs, this wind

in the face, this spilling of laughter,

this joy in stride and push and glide,

this thrill in losing the breath.

 

 

 

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I did it. Exactly as she said.

I removed everything

from my closets and drawers,

and touched each thing—

every sock, every shirt, every shoe—

and I asked them, “Do you bring me joy?”

 

Joy, it turns out, wears many clothes.

She likes scarves. Wide necklines.

Black pants. She loves long knit dresses

and tall leather boots. She needs

lots of sweaters and many gardening gloves.

 

And all the while I did it,

I did as she said, I visualized

the life I want,

which is apparently a life

in which my closet is full of black pants

and scarves and tall leather boots—

a life in which I talk to my clothes

and smile as they whisper back to me,

Joy, Joy, Joy.

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after The Great Wave off Kanagawa by Katsushika Hokusai

 

In this sea, the great rogue wave is always

about to crash, and the fishermen

in their long thin boats

slip themselves forever in its path—

and though it hangs above them

with hundreds of frothing claws,

and though they cower atop their boats,

they’ve yet to be cast off into the sea—

and the moment is forever charged

with an anticipation larger than

the highest mountain, caught in curiosity—

how will it be to be devoured?

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Someone has crocheted a half dozen blankets—

one dark purple, another camo green, another

with stripes in every possible color.

There are half a dozen quilts with bright squares.

And someone has knit a dozen hats—

and a basket on the shelf overflows with handmade scarves.

 

My friend chooses a pink cotton pillow

that someone has sewn in the shape of a heart

and a long creamy scarf, impossibly soft.

She would rather be anywhere but here,

but look at that smile as she dons the scarf,

as if its stitches are keeping her from falling away.

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Drinking Assam Tea

 

 

Malty, bright and voluptuous,

the tea meets me this morning,

and though I’m alone, the kitchen

 

is filled with other hands—the

potter’s, for instance, that threw

and trimmed and pulled and glazed

 

this favorite mug into mugness.

And the hands of the harvesters

in India who gathered the fresh green leaves

 

of the second flush, then

spread them on a tray and left them

to dry in the sun. And who rolled the leaves?

 

And who gathered them after they aged?

I wrap both hands around the mug

and inhale the musky scent of tea

 

and marvel at how much humanity

went into this simple cup. I stare

at my knuckles, my fingers, my palms.

 

It’s your turn, I tell them.

Serve the world well. Can you make something

so bold, so strong?

 

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And No Key

 

 

 

I plunge both hands

into the love poem,

 

surprised to find

they’re now handcuffed there.

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If you could use some good news, find your way to DOOGOOD Stories, an international site hosted in Finland, sharing stories of random acts of kindness around the world and their ripple effects.

If you scroll around, you’ll find where I talk about one of my mentors, Art Goodtimes, and how a simple and personal interaction 25 years ago changed everything about how I meet the world, and how that random act of kindness is one of the seeds that made this site and the daily poems happen.

Check it out!

 

IMG_0708

 

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Part of me wants to give you

the book of answers, the solution key,

to help you know which decision, A, B, C or D,

will bring the most healing, the most happiness.

I no longer believe in such a book, such a key.

 

Instead I wish for you the peace

that comes only with surrender—

a word that sounds beyond reason

until it becomes beacon, becomes

north star, becomes map.

 

May you know for certain

that in every case, you are beloved.

May you know beyond doubt

that no matter what happens,

you always become more essential, more you.

 

 

 

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Hundreds of smooth red stones—

we gathered them that summer

and spent days carefully laying them out

into a wide and winding red path.

It had no real starting point, no destination.

We tucked white daisies between the rocks.

We said it was for the fairies.

I wouldn’t have said it then, in fact,

I hesitate today to say we didn’t believe in them.

They gave us so much purpose.

Even now, I’m following that path.

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yet another poem inspired by this composition by Erik Satie

 

 

You wonder why I haunt you

like moonlight, why I come to you

like morning fog, dream thick and cool,

why I steep myself into your thoughts

like bergamot in black tea.

You wonder why I seldom leave you,

why I slip into your silences

the way rye darkly slips into bread.

 

It is my work to give you shivers,

make you tremble, make you still.

It is my work to make you fall in love

with the darkness inside yourself. It is my work

to be the unexpected black swan, and you,

it is your work to be the night pond.

 

 

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IMG_5225

 

 

Truth serum cannot be made alone. We will begin with stories

in which there are red flowers, white flowers, maggots, gold.

Add walks in the woods where the walls of the gorge

still remember when they were plateau. Hours

of listening to the other voices of ourselves speaking.

Bright chime of a singing bowl. Scent of burnt toast.

Taste of wild muscadine. Snaps and laughter and scratch

of pen on paper. Acorns and snake skin and hazelwood.

There is truth here to be found, but no one

can serve it to you. You must choose it. And it’s slippery–

like your own handwriting that you later can’t read,

like wet leaves on a hill, like the sun that enters the grove,

then is gone.

 

*

Check out this great program here

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Try to praise the mutilated world

            —Adam Zagajewski

 

 

The cratered earth

and the blood stained shirts

and the men with guns

and the hate sharp words

and the sour rooms

that never see sun

and the rashes, the cancers

the blackened lungs

 

and still, there are paths

in Ohio woods

where upended trees

show elaborate roots

and the water seeps

in the ancient gorge,

and dead leaves fuel

whole dominions of soil

 

and though beauty

can be hard to reconcile,

worse to ignore it,

worse to look away,

worse in this mutilated world

to pretend we don’t have

ten thousand times ten thousand

reasons to praise.

 

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One Almost Miss

 

 

catching the plane—

five hours later this heart

still rushing to the gate

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When pregnant, it was clear

I was along for the ride with a miracle.

Sure, I could eat organic broccoli,

walk and eschew caffeine,

but that was just taking care

of the vessel. Life itself

was doing the real work.

 

Imagine my surprise today

to realize I’m still along for the ride.

How did I ever kid myself

that I was in charge?

And oh, the bliss today

to notice anew these hands,

these eyes, these feet!

What joy to see them again

as the miracle they are,

to offer them in service to life.

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Join me and artist Meredith Nemirov at the Ah Haa School’s amazing (and elegant) New Year’s Eve Gala … art and poetry and incredible food to celebrate the old, bless the new and remember what is vitally important in the present.

 

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