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Archive for February, 2012

The buds swell
till the shuck
breaks
but we
are not there
yet.

Inside, petals,
crushed and clenched
tiny fists pushing
against what
for so long
has protected them.

It is better
not yet
to bloom.
Better to remain
closed until
the days do
what days do,
lengthen and push back
the edges of cold.

It is cold.
It is cold.
White comes.
I grow old.

The opening comes
when it comes,
and when it whitely comes
there are no guarantees
that it will not freeze again.

But for now,
what is soft
leaps against
what is hard
and there is
infinite potential
for
sweetness.

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are you sharing it
with me, this
loneliness?

*

how do they do it,
those birds, keeping a course
through the gale
when even in this still, still room
I can hardly take one step

*

alone is more
alone than
I thought

*

as I fall
I feel how this, too,
is dancing

*

that small voice,
quiet as petals, says
why not be the one
who tears down any wall
that stands between two hearts

*

falling, falling,
I don’t know when I stopped
wanting to be caught

*

new snow in the field
the only tracks there
one woman dancing

*

they sure do mess up
the sheets—excitement
and grief

*

who is the one
that falls and who is the one
who notices her falling

*

midnight.
the power out, I make
of myself a light

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Tender Graffiti

In a dream,
the walls
of our one
giant heart
stretch beyond
the edges
of the dream
and in permanent marker
God has scrawled
all over them
with every color
i love you i love you i love you i love you i love you i love you i love you i love you i love you i love you i love you i love you i love you i love you i love you i love you i love you i love you

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And when ten thousand
million
of us realize
our souls rhyme
what will we do then
with our guns
our hands

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Dear Rumi,

After reading “The Guest House,” by Rumi, translated by Coleman Barks

The house, remember how it was swept
so clean last time you came around?
Not a book left on the shelves. The closets,
hangerless. The drawers, bare. Not even
a dust bunny under the bed. It was terrifying,
really, to inhabit all that emptiness. No cup,
not even a dirty one, to offer you. And you,
unphased, led me to the river to drink.

I am almost afraid to tell you I bought new cups.
And the shelves, well, there are lots of new books.
Many I have not yet opened. I just bought them
hoping to know, know something, something more,
something about nothing. That is ridiculous,
I know, and I can laugh at myself and still
I order more books.

There are rugs in the halls, and lamps, and I could even
offer you a stool. Is it so wrong, Rumi, to have brought
all the furniture in again? Shame, she came again
last week. She spit on my mirror and it won’t come off.
And Fear, he trampled mud all over the new white carpet.
And Anger, he tossed two of the new tea cups
on the floor where they shattered like hope.
And Hope, she picked up the pieces and made
a mosaic of wings.

I am learning, perhaps, to better greet
these visitors and laugh as you suggest.
Sometimes I even get excited to hear
the doorbell ring. And sometimes when I hear
footsteps at the door, I run to the closet,
curl myself into a ball, cover myself with old coats
and boots and shudder.

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If a butterfly flutter in Brazil
can cause a Texas tornado
no wonder
I felt on the wind today
your hands

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drive
sing
cry
slow
ice
sign
white
go
slide
brake
radio
sing
and
sing
and
gust
honk
slush
lines
each
here
a
choice
to
arrive

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Taking Note: haiku

though it is gray
the birds have not run out
of reasons to sing

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last night’s snow
fills in the spaces
where we’ve been

so many emptinesses
in our wake

some never fill

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sitting beneath the
nothing moon the only thing
stirring is my mind

*

in the produce aisle
slant of sun hits the bananas
and it’s gold, gold, gold

*

easy to give
away old clothes, old cups
not so these old thoughts

*

out of the dirt rise
oh! hundreds of small brown birds
our hearts: dirt and bird

*

Li Po drowned trying
to embrace the moon—I laugh
but still I reach

*

what’s crooked, what’s straight—
silence translates them
the same

*

new tea cup
and the same black tea tastes
not at all the same

*

not only when I am
quiet does the quiet move
through me

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Both the light and the shadow are at home in the heart.
–Jan Garrett & JD Martin, “Love Wins”

The shell
cracks

the fracture
gaps

and light
streams in

to reveal
another shell

not yet
begun

to
crack

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perhaps to prove
she can change the world
my daughter stomps
on the icicle right when
my camera clicks

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one of those days tanka

forgive me
for not hearing today
beneath the wailing
the boy who just wants
so desperately to be heard

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young girls in pink
tutus—it’s hard to believe
we’re all dying

*

anti-aging conference?
we argue and research
how to stay young,
meanwhile, on our shelves
drums and flutes gather dust

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In a ring of song
I hear your silence
I breathe in your silence
in a ring of song
I lose my singular voice
and become
what is unwritten,
unwritable, endlessly sung—
in the ring of song
there is no note
not worth singing,
there is no tone that’s wrong
in the ring of song
in the ring of song
the song rises and falls
all around us, it rises
and falls inside of us
I breathe in and pull
into my lungs the song
where it mixes with the unborn song
still forming
on my tongue,
in the ring of song
I am no one and if
I am anyone at all
I am one being sung.

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I’ve been noticing how,
when even the smallest
bit of light comes through,
everything starts
to melt—

I’m not saying
we should try
to build some wild
contraption that might force
all these clouds into moving,

but perhaps
we could put ourselves
out there in the field,
naked as we can stand,

so that whenever
that ray does come
our hearts
and all those walls
we’ve built around them
are ready.

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Wise Voices from the East: From Han-shan to Basho and Beyond

Wednesdays, 6-8 p.m.
Wilkinson Pubic Library Telluride Room
Telluride, Colorado
February 15-March 14
Free

“No direction is better or worse, east is just as good as west. Those who know the meaning of this are free to go where they want.” These words, written by Han Shan in the seventh century, were part of the Chinese literary tradition that informed the work of the Japanese tanka and later haiku. For five weeks, we’ll study Eastern poets, including Han-shan, Kukai, Shikibu Izumi, Dogen Kigen, Basho, Ryokan, Issa, Chiyo-ni, and more, as they explore themes of humility, grateful acceptance, non-duality, contradictoriness, love, freedom, courage and death.

Guiding you through the centuries is San Miguel County’s first poet laureate Rosemerry Wahtola Trommer. Her work includes a poem a day practice and her most recent poetry collection, The Miracle Already Happening: Everyday Life with Rumi.

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such a short time
I’ve been gone, but now how high
the drifts of snow where
once we danced a path between
my house and yours

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I cannot find
the right way
to say goodbye
to you and so
I watch your car
drive away
and only
then say
the impossible
please
don’t go.

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That little boy
who isn’t mine, I hold him
like he is.

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