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Archive for May, 2012

Vivian pours the sugar
from the cup into the mason jar.
I add the boiling water.

“It is magic,” I tell her,
“We’ll make the sugar
disappear.” She does not

believe me, and of course,
she’s right. It does not disappear,
but she is fooled as I hoped she would be

and squeals in delight as we swirl
the jar until the last white spiral
dissolves into the clear.

“Where did it go?” she asks,
in disbelief. “It’s here,”
I say, and we dip our fingers

into the water and lick the sweetness
as proof. It is only later
I remember the salt doll story,

how it stepped into the ocean
and lost itself. Or found itself.
Your call. We add cold water

to the simple syrup, four parts
to one. Then chill.
The recipe is simple.

The story simple, too.
I look at my hands. So solid.
So full of grasping. So

familiar with want and need.
And part of that longing
is to dissolve myself. And part is

to find stronger glue.
The feeder is empty now.
Best not to completely dissolve, I reason,

at least not for today, not while
there are still birds to feed
and a young girl to hold

in these so solid arms
as we watch through the window
the approaching blur of gray wings.

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wingless
but oh do I ever
know how to bend

*

the sun, perhaps,
or a stick—for the bug, always
a reason to sing

*

at the precipice
I did not yet know
I could fly

*

falling apart, falling
apart, each misshapen piece
perfect

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this heavy shell
I sometimes forget it, too
is holy

*

your eyes
everywhere I look
your eyes

*

god needed a flute
tried blowing into me—no note
still too much of me here

*

it sure does make
a lousy guard dog
pride

*

every pore, every
bone, every hair, every cell
an altar

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your hand
even when you’re not here
it holds me

*

pearls inside her
luster
turns to flesh

*

this algal strand
same blueprint with a twist
this milky way

*

climbing the rungs
of myself, oh silly woman
still reaching

*

bliss
not the new green bud itself
but the noticing

*

laughing at me
all those angels
I never believed in

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Embodiment

Not enough now to take off
the coat, the gloves.

Let me take off my skin,
my words, my thoughts

so that you can see
the sky here—so that

I might be as transparent
as air and you will find nothing

here but love. There, I said it,
love. Not the images of love,

not two birds or two rivers
or one bread or one blood,

not anything I could ever say
but love itself, infinite, a blue dome

expanding at the same rate
as the universe, on and on,

past the stars, there goes the Scales,
the Bull, the Scorpion, the Ram,

beyond whatever we could name,
it grows on and on and on and on and on

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that warm coat of shoulds
not one button missing
after all these years
oh happy goosebumps
these shoulders, so naked

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Winging It

What will our children do in the morning if they do not see us fly?
—Rumi, “The Way Wings Should,” translated by Daniel Ladinsky

Dear Rumi,

You tell me to fly, to cartwheel
around the sky, to soar, to reel,
to spiral in the wind. But
there is a nest and two hungry mouths
and two bodies not yet fully feathered.
It’s easy enough for you to advise
I should let my heart play,
as you say, “the way
wings should.” You
probably had someone else
at your nest to care for your
young while you unfurled
your wings and wheeled with Shams
and felt the joy of rising.
Perhaps I am too literal.
Perhaps you mean later in life.
Perhaps you mean bit by bit.
Perhaps you mean fly in this moment,
wherever I am. Perhaps you mean
I have put too much of a cage
on the word “should,”
have limited notions
of what flying looks like.
I thought I knew what wings
should do. But maybe this letting
go of what I thought I needed,
perhaps this, too, is flight.

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Flipping through the magazine
I find an ad for my life. They are selling it
at a discount—20 percent off if you call
this month. The children are smiling.
Their clothes are clean, their hair
brushed, and in the picture they
are picking up their yard toys, laughing.
My husband, very handsome, smiles at me adoringly,
and I smile back. My teeth are perfect,
though a tad yellow, my smile real.
My Volvo, sea foam with tan seats,
must have just been through the car wash,
and it shines in the golden light beside the garden,
which is weeded and hoed. The lettuce,
already up, is thinned, and at least
from this distance there are no aphids
in the leaves. In the upper left,
the solar eclipse has just begun, and
there is a sense that the birdsong
in the picture has just quieted
so that one might better hear
the hushed rush of the river, not pictured.
In the lower right corner
an asterisk snuggles up against
some very fine print that mentions
how the picture is merely a suggestion.
I know that the next four pages
will be black and white text, 8 point,
with testimonies from my friends,
my parents, my therapists. They will
divulge all the secrets I tried for years
to hide under my skin. Six columns
of side effects: A predilection toward
weeping in public. Inability to remember
important dates. Addictions to Diet Pepsi, and
listening to a cappella versions of Lady Gaga.
Aversion to going to sleep. Perfectionism. Erroneous
belief in an ability to mind read. Decades
of low self esteem. It will go on and on,
getting more serious as it goes.
They will leave out the worst of it,
afraid to deter even the most
enthusiastic buyers. I will not read it,
knowing it well. I will just leap into the photo,
write SOLD across the top in big red letters
and point out to my husband that we almost
missed seeing the eclipse, but it’s not yet too late.
Then he’ll pull out of his new electric gator
four pairs of handy welder’s glasses—
I’ll offer two pair to my kids, but they
will be too busy arguing about whose
glasses are better to actually put them on,
but my husband and I will stand there together
in that warm bath of light,
marveling at how we almost
forgot to look up.

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You normally have to be bashed about a bit by life to see the point of daffodils, sunsets and uneventful nice days.
—Alain de Botton

Perhaps they are not beautiful, the choke
cherry bushes all a-blossoming
beside the road. I never used to think
much of their drooping blooms all flopping, moping,
sagging from the limbs like limp white notes
gone flaccid falling off their staffs. And when
out strolling, no one sniffs the air and thinks
oh! the chokecherries! how sweet the odor!

No. But maybe it’s because I’m aging,
maybe cause I’m sagging, too, or maybe
cause life’s walloped me this year, I ran
today from bush to bush and plunged my face
in clumps of bloom and breathed them in, inhaling
bliss, white petals cradled in my hands.

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Beside the river
we knelt in rocks
to watch the chrysalis—

unmoving hardened skin
attached to a slender
willow spike, black bits

of excrement scattered below—
and though the metamorphosis
is slow, certainly not

something done by dinnertime,
for ten minutes we crouched around
the crusty case and wondered

at the fuse, the force,
the miracle happening inside.
Was whatever was in there

even alive? I could not help
but think of how our bodies
look from day to day the same,

but inside our skin, soft as it is,
we’re being slowly, miraculously,
even now rearranged.

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blue heron
so still in the sky
my heart beats
faster than
its wings

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It takes immense faith to take one step toward the Lion in the presence of the Lion.
—Rumi

When you arrived
I did not see the lion
crouched behind you,
did not feel the warmth
riding on its breath,
did not see the teeth,
the nostrils flared,
the glorious golden mane.
I only saw your smile.
And would I have run
toward you the way I did
knowing what I now know,
that its jaw could open wide
enough to consume the world
whole. And now you’re gone—
just disappeared—
sweet bait that led me
to the lair. And I’m
down to flimsy things
I pile between me
and his yellow stare.
Is the storyline inevitable?
Did all paths lead to here?
So few steps between us.
I pretend to hide all the same.
The hollow wish to know
what happens next.
Devoured by a lion?
Have I gone insane?
Rosemerry, it was
a metaphor.
I listen as his long tongue
slowly grooms
his paws, his wild
oh, it’s beautiful, mane.

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Perhaps it will seem to you that the sunshine is brighter and that everything has a new charm. At least, I believe this is always the result of a deep love, and it is a beautiful thing.
— Vincent Van Gogh

The Egyptians left
their pyramids,
the Romans their
public works,
the Greeks left
temples for
their deities,
the Persians
left palaces.
I am no
stoneworker,
will leave
no standing legacy,
just a heap
of heart rocks
beside the river
and all that enormous
space around them.

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You can’t solve being human. We will have this affliction till the day we die.
—Jeannie Zandi

I tried to know it,
catch it, show it,
to splay its wings
and pin them—
to chart it, graph it,
plot it, map it,
quantify and reckon,
I tried to stuff it,
box it, pack it,
leash it to a pole,
I wanted answers,
wanted keys,
I wanted oracles,
and in came tamarisk,
rodents, dust,
whole rooms
of I don’t know,
a screaming child,
my milk dried up,
my fear devoured me whole.
Splintered, rumpled,
rankled, crumpled,
my all collapsed,
unplastered.
Undone, released,
exposed, relieved,
I flowered
utterly mastered.

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Dear Readers of A Hundred Falling Veils,

I am collecting poems for my next book, Nest in the Unknown, and it occurs to me that I have you as a valuable resource … if you have a poem or two (or more) that you like more than the others will you please let me know which ones spoke to you and I will consider adding those to the manuscript … a kind of interactive collating process!

Thanks for your feedback …

Rosemerry

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After the Slam

It hurts worst
in the first few hours,
when the purple
leaps up in the moon
of the nail,
and it pulses, throbs,
how the thumb’s pulp
strains against
the skin’s chapel,
and the wrinkles
erase themselves
as the knuckle swells.
Tell yourself
at least it was
only your thumb.
Tell yourself
it was no one’s fault.
Tell yourself
it is not at all
like the heart.
It will heal.
The hurt
will be gone.

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Sing a new song. —Psalm 144:9

That song I sang
so long, so long,
so brimming with
sincerity,
I hardly can
recall the tune …
though it was something
like duh dum,
duh dum, duh duh dum …
or was it duh dah dum
duh dah dum …
I almost forget
I knew the song
at all, except
today a strand
of tune wound round
my thoughts just like
a scarlet ribbon
tied around
the pinkie finger
reminding me
I should remember
something, something
once so vital,
so important
now a blurry
memory.
And then the errant
strand of tune
was gone. Gone?
How could it end?
I sang it everywhere
I went. I lost
myself in its glissando,
fermata, sforzando
and painississimo.
I sang it ferocious,
I sang it tender.
The song, it was
my everything,
That’s all I can
remember.

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in the tiny seed
the scent
of marigold

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When I think
of all that had to happen
to constellate this moment

in which I stand
beside the road
with my whole face

buried in the lilac bush
I almost weep
overcome by the pure

purple sweet of it all,
how perfect, how
unlikely it all is—

from the star exploding
to the first simple creature
pulling itself out of the sea

to the seed being planted
before my parents met
to the woman who is me

finding her way
to the shoulder of highway 145
where the sun has just set

and the bushes are heavy
with good perfume
and the air is still warm

and the stars are just
beginning to show
their old light.

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It was here first,
the bindweed.
Before you even

paved the drive
it had sent roots
down sixteen feet—

not a defense mechanism,
just survival.
It had put out

those delicate
pink flowers, too,
trumpeting each morning,

long before you,
blooming not to be beautiful,
but just because

blooming is what bindweed do.
So when you
wake one morning

and see how its leaves
have pushed up
green arrowheads

through the asphalt,
bumping up what is flat,
the asphalt now cracked,

you could choose
to curse it and
you could choose to say

what barriers
will I push through
today?

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