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Posts Tagged ‘attention’


 
 
In the dark house
we watch the moon
rise through the window,
watch as its fullness
climbs into the sky.
For everything we see,
so much we miss.
But in this moment,
your hand in mine,
we give the moon
all our attention until
every part of us,
even our wounds, are
shining.

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Right Here


 
 
Not easy to hear the soft chant of my breath
with the rumble of river nearby.
Even the low water hymn of late autumn
is loud enough to cover the small,
familiar song of inhale and exhale.
Further out is the sharp thwack of hammer
head meeting nail. Another nail. Another.
An elated whoop from the man with the hammer.
And further out, the growl of semi trucks
migrating east on the highway. If I close
my eyes, do I really hear better? Can I hear
into the distant pinion forest, the silence that gathers
there in spiraling trunks? Can I hear
past that into the vaster silence of mesa?
To the vacant sound of sky?
More than the sounds themselves,
something about the reaching stills me,
brings me present until I am more ear
than mind. Not a single thought brays as I follow
soundwaves to the shores of presence.
Such simple practice, attentiveness,
and yet how often I wander away
on paths of should and want. But now,
attuned, I hear it, even with the river,
this small luff of breath, a living metronome
beating here, here, here.  

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Only when I stop hiking
do I finally see the flowers
of the wild blueberries,
first one, then five, then
they are everywhere—
everywhere! How did I
miss all the tiny pink bells
that will soon become
dark sweet fruit? How often,
in my haste, do I miss
what is right here, the thing
I most long to see? Once
I start seeing the blueberry
flowers, I can’t stop seeing
them. Sometimes it’s like
this with kindness. With peace.
With beauty. With love.
 

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Four-foot rattlesnake.
Sunning herself.
Right in the middle
of the road. Strange,
how terror can also
breed awe. For long,
silent moments, I offer
her all my attention.
After she slips into swaths
of sweet clover,
the sky, such a startling blue.
The scent of wild roses,
so stirring, so sweet.

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Placing Attention

 
As the weather is changing
and the light is changing
and the birds at the feeder
in the yard are changing,
as the leaders are changing
and the feelings are changing
and the way that we see
each other is changing,
I notice the invitation to turn
toward the truth
of what does not change—
something so vast, so unnamable,
so unable to be grasped and held,
something so present
there is no life without it,
that knows itself
through you, through me,
through clover and tree and cloud
and goes on and on and on forever.
That. I turn again and again
toward that.

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In the cottonwood tree
beside the road
sat the red-tailed hawk
on a barren branch,
utterly still,
and though they are common,
hulking and bulky,
that didn’t stop me
from thrilling
in its whitish breast,
its short, hooked beak,
the branch an altar—
slender and dark,
and though I passed it
in seconds,
seconds are all it takes
for whatever is sacred in me
to be called to
by what’s sacred
in the world.
Hours later,
I still wonder why
the heart leaps up so.
I don’t know, but
that is perhaps itself
the miracle—
that some part of us
knows how to fall in love
with a bird on branch,
its body still,
while all around it
the wind.
 
 

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Rapture

 
Beside the river we stop mid-step, stilled
by sharp, shrill notes that hammer the air,
pip-pip-pip-pip-pip-pip.
And though we don’t see the whimbrel,
we train our eyes toward the leaves
from which the sound came, and we listen.
Listen longer. Our bodies still, until,
once again, we hear the call.
It’s not beautiful, no, but insistent.
Like a teacher who smacks a ruler to her palm
to call the class to attention.
Only now do I look back and wonder
if this is a kind of heaven—not the call itself,
but the listening that comes after,
the way we stop, enthralled together,
our senses stripped of self, our bodies
tuning with wonder, thrill lacing
our spellbound silence as we slip
through the narrow gate of amazement
and more wholly into the world.

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Stitching It Together



In our imperfect world/ we are meant to repair/ and stitch together/ what beauty there is
            —Stuart Kestenbaum, “Holding the Light”
 
 
Today I gather the morning light
as it angles gold across the lawn.
I gather the scent of fennel fronds
in the garden and the surprising sweetness
of the one-bite strawberries
and the softness of the shawl
I thought was lost, but today I found.
 
I gather the weight of my daughter
as she leans into me on the couch
and the smooth burn of rye whiskey
and the purr of the cat as she naps
deeper into my lap, and I stitch
them together with the thread
of my attention.
 
Long ago, I learned what I focus on
creates me. Not that I ignore the bindweed,
the news, the drought, the young raccoon
dead beside the road. I do not turn away
from the stories that make me weep.
I am willing to be ferocious—
to stand up for what I know is true.
 
But I study what is beautiful,
what is generous. I offer it my devotion.
Even in this moment writing this poem,
I stitch in the pauses and the stumblings—
these, too, are beautiful because they are true.
I stitch in the pure potential that steeps
in uncertainty. I stitch in silence. I stitch in hope.
 

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surrounded by the most

lovely silence

the crow

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Slicing the tomato

as if the world depends

on how well the tomato

is sliced—tell me

that it doesn’t taste

sweeter, sharper,

more red.

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I return to find the basil dead,

wilted and browned, dull limp flags.

 

And the cosmos, bent and spent

and dead. And the beans, dead.

 

And the marigolds, still brilliant,

but the forked tongues of their leaves

 

say they are dead. What a difference

one night of cold can make, how

 

no matter how warm the season has been,

it irrevocably changes things.

 

It doesn’t matter I knew it would happen

eventually. The petunias fall all over themselves

 

in profuse bloom as if to say, it’s okay,

not all is lost, but it’s enough to make a woman

 

decide to pay attention, to be warm

in every garden she enters.

 

Some blooms defy the seasons.

There’s so much beauty at stake.

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In the Darkness

 

 

 

rubbing ideas

together like sticks—

lucky to get a spark

 

but sometimes,

just noticing

the world as it is,

 

our attention

builds entire bridges

made of light

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But not this one,

its pale under wings

 

flapping and gliding, soaring

on the updraft,

the rise of it, oh,

the surprise of its shape.

 

How easily the world

rewards our attention,

 

how easily I

lose track.

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The world exists just fine without
our appreciation. It is not for us
that the dandelions bloom in tides of yellow

across the valley floor. It is not for us
that the elk stream in a slow brown current
before they disappear into the Englemann spruce.

And then there are the tiny empires
of grasshoppers, ants and bees—
and the underground realms of prairie dogs

and worms and rhizomes and moles—
so much of the world we never see.
And still, this drive toward gratitude.

Still this tug to pull over the car and step out,
this impulse to offer the world my attention.
As if being very still were as vital to

the moment as the scurry and swerve,
scamper and stride. As perhaps it is.

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Four Gifts

clouded sky
I never doubt
the stars

*

yellow dotted line
one foot on either side
walking with the crow

*

clenched, clutched, still
the only thing that makes sense
open the heart again

*

listening
inside the wailing
silence

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Love Becomes Her

When we use our attention to touch and open the deeper truth in a person, we not only catalyze the experience of love, we become love. The source of love is revealed to be within us; we no longer have to go looking for it somewhere outside.
—Nicole Daedone, “Love Becomes Her,” Tricycle Magazine

It is not too late for love.
Tonight the moon rose,

as it always does, but it
was not the same. It rose

as if close enough to touch,
right there, but I could not touch it.

I gave it my whole attention, then,
listened only to the sound

of it turning while we, too,
were turning, though the sage,

the rocks, the dry arroyo
did not attest to our turning.

The desert had other sounds, too,
but I had, for that moment,

ears only for the moon,
and felt, how strange, my own rising,

felt it so fully I nearly cheered
as the whole vacant shine of it

crested the mesa, cheered though
it was further away then,

or so it seemed, further away, or so,
I see, it only seemed.

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So busy watching my feet
move over the small stones,
dried leaves, paths of ants,
it is a long time before
I see the birds.

*

What is it I am circling?
What is this longing
to name it?

*

The slats of shadow
and light only look
like prisons.
We slide through the bars
like song.

*

The bell does not ring
when we call it bell. It rings
with the playing of it.

*

And what is playing me,
this too-solid bell of a
flesh called woman,
Hollow me, I am
diligently practicing
my one note
in the symphony.

*

All these obstacles,
and still
the unspiraling line.

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no matter how open
the heart, the eyes can only
follow one snowflake

*

tonight a whole hat
is stitched out of the promise
just two more minutes

*

all these flowers
I’ve learned by proper name
let’s relearn by scent

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That bald eagle
flies this canyon every day
today I saw him

*

all day I try
to scrape it off my skin
that bad dream

*

long after you leave
the chairs remain hushed so to
better hear you sing

*

every story
I’ve ever had
the end

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Let’s say the skier
is out of control
as she careens down the hill
and let’s say that she sees
the tall red willows
from a distance
and thinks to herself
I am not going to hit
those willows.

Tilted and lurching
she is too loudly laughing,
afraid of the speed
and equally thrilled with it,
gripped with conviction
that she is not is not
is not going to hit
those willows, those red willows,
those tall red willows
those willows the only
thing that she sees
as she skis right into
the tallest of the tall red willows
at the base of the hill
those willows
she gave
all her attention.

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