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Posts Tagged ‘allowing’


 
 
It used to annoy me, 
the way my husband
cleans every trail
he walks on, slowing 
down to kick off the 
smaller rocks, 
stopping to pick up 
and toss the larger ones.
Every. Single. Rock.
Perhaps it still annoys
the part of me that loves
a heart pumping pace,
but now I honor how 
he has chosen this one 
small act as one way
he can serve the world.
But if he could, on our daughter’s
paths, pick up all the obstacles,
I don’t think he would. 
Such a gift for a father to give:
An open hand and heart that says
I will pick you up if you fall.
An open hand and heart that says
I trust you enough 
to let you stumble at all.
 

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                  “I, who did not die …”
                                    —Naomi Shihab Nye, “Making a Fist”
 
 
I, who did not die that day,
also died. Not all of me,
but part of me: The part
who believed I could change things
beyond my control.
The part who believed
any of us can save someone else.
What a terrible freedom to know
what I cannot do. The part
who did not die is the part
who loves—loves what was,
loves what is now, loves as long
as I am able to love.
The part who did not die
is the part who still thrills to see
the twitchy-nosed bunny
streak across the grass
and the near-full moon that bathes
me in cold blue light. The part
who still lives is not afraid to grieve
and lets herself be turned
toward fear and learns,
learns to meet even heartache
with wonder. Like a tree, I grow
from the soil of all I have lost.
I, who did not die that day,
am still being taught how to touch
the wound and let myself be sung
by the part still wildly alive.

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Show me again
how you do that trick,
the one where you roll,
where you lift,
where you disappear.

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Letting It Be

 

 

There is a carpenter in me

with an impressive tool belt.

She thinks she can fix everything.

 

Every time there’s a leak in the ducts,

she blames that darn condensation,

and whips out her metallic tape.

 

And when there’s a heart break,

she mumbles something about not meeting code,

then takes note of all the cracks,

 

all the places where it’s falling apart,

and gets to work: cleans up and preps

new concrete to hold things together.

 

I know she’s doing what she knows best,

I know she has good intentions.

But today, while she runs off to seek

 

just the right hammer, just the right nails,

I take those leaky ducts and that broken heart

into the garden and dig potatoes.

 

The soil is cool and slips soft

though my fingers as I sift for yellow fingerlings

and red-skinned Desirees.

 

There is a gardener in me who doesn’t try

to fix anything. She says in a quiet southern drawl,

Sweet thing, bring all that brokenness here

 

and let it walk amongst the sunflowers.

Let it weed the carrots and pick

some calendula bouquets. And nothing

 

gets fixed, but something shifts as I sit

beside unruly mint, its green spears rampant,

its scent so cooling, so sweet.

 

 

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One Staff

 

 

 

all those beautiful notes—

letting them fall from the score

and not rushing

to arrange them again,

listening as new songs arise

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I thought I could fix it.

Not with a hammer and glue,

but with listening. With loving.

With holding the wounded

in my arms.

 

I thought I could make

it all better, I mean all of it,

you know, the way a mother

kneels before her child

and kisses his thumb

and miraculously the hurt is gone.

 

I thought I could make myself

bigger than the world’s problems,

as if with devotion and will

and practice, I could touch

infinity, embody enormity,

step over the inconvenience

of pain.

 

But came muck. Came tears.

Came anger and shrill and short.

Came small and weak

and tired. Came shame.

Came embarrassment I ever thought

I could be big. Came the surprising

 

pleasure of muck, the way

I can paint it on my face in wide stripes.

Came the gift of exhaustion.

Only then when I stopped

trying to carry the world, only then

did I notice how generously,

all along, the world

has been holding me,

has been holding us all.

 

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Reverie

 

 

In the pond, it is easy to let go of the paddle,

to let the wind move my little boat

wherever it will. I feel no need to change direction,

no sense that one way is better than another,

no attachment to arriving on any shore.

 

All around me, dragonflies skim bluely above the water.

Cotton drifts through the air like midsummer snow.

Robins sing their simple song. In this moment,

somehow unstitched from the calendar,

everything seems possible—like a woman

 

who feared she could not love could do so.

And a day could open in surprising ways,

new worlds spilling into this familiar world.

And a chapter could be written inside another

so that we would never, ever get to the end.

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playing referee

between the sun and clouds,

eventually I take off my stripes

to be a spectator instead—

how pleasant

without all that whistling

 

 

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Two Marvelings

 

 

 

just another full moon rise—

is it any wonder

I can’t stop bowing?

 

*

 

how, I said,

to the river bed

do you make

of yourself a home?

I let the flow shape me,

the river bed said—

flood, current,

shimmer, stone

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and exhausted from pushing and not getting anywhere?

Today, a fabulous poetry site, “A Year of Being Here,” published a poem of mine about just this experience.

I love this site, love reading the poems daily and going back through the archives. You can find it here: A Year of Being Here: Trommer

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tall and clear

wholly illumined by sun

slowly I learn to see

the vase as lovely

even without the sunflowers

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“Come on,” I say, “come on,

this is your only chance.”

Every day for a month

I have walked into the garden

to speak to the sunflowers.

I try not to sound too urgent.

I don’t want to scare them,

but it is September and they

are still tall green stalks

with small tight buds.

“Come on,” I say. “There is still

warmth enough for you to bloom.

It’s what you are here to do.”

Just yesterday there was an inch

of hail on the divide. Every day,

it seems less likely that there will

be sunflowers this year. I notice

how much I want them to bloom,

how they have become more to me

than sunflowers in the garden.

What is it in us that wants

to see things flourish, especially

seeds sown by our own hands?

The sunflowers will bloom or they

will not. The moment I relax into this—

saying yes to the world just as it is—

inside me, I feel acres and acres

of golden heads all nodding.

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Perhaps when we finally see
there is no point to making things
look any better than they are,

then whatever friction
we’ve found in the world
is met with rose oil

and the great heavy gears
cease to grind
and spin with silent ease.

The only sustainable plots
are the ones no one has planted—
ones in which flowers, grasses and trees

rise up on their own.
They know when to sprout,
when to bloom, when to seed.

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This blank page of a day.
Last night, I had already crumpled
up the paper and thrown it in the trash.
With twin fists, I made it so small,
told myself there were no stories
I was interested in knowing.
This morning, picking it up again,
I watched the paper unrumple itself,
and unfold and unfold until
it was a million million times larger
than any page I could imagine,
big enough to have any story
fit on it, any story at all, even
happily ever after.

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inspired by The Nest by Teddy Macker

Teach me, world, to weave
a nest with whatever scraps I find—
sticks, dry grass, old thread,
twine, barbed wire, plastic bags,
the sad headlines of war. Teach
me to make a haven out of mud
and shit and thistle down, a cozy
space, just room enough, no more.
And then, though I’ll grow comfortable,
teach me to fly away from whatever
comfort I’ve made—not because
I think I’m going somewhere better,
but because there is a rising
in the blood that says go. Teach
me to take nothing but my song
and the silence inside each note.

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If you must know, I was scared,
running above tree line in a snowstorm,
unable to see more than twenty feet in front
of my slipping feet. And no one else around.

So why did I keep running? Was it courage?
Determination? Stubborn foolishness?
When the story ends happily ever after,
it is easy to forget there was another possible ending,

but sometimes these alternate worlds
invite themselves into our thoughts,
strange tides of what if? and what then?
Though they are unpleasant, I welcome them.

Why not? I am safe, and they are like
the mean girls, the ones who say the cruelest things,
but because there is no truth in what they say,
it’s not so hard to just nod my head and smile.

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Seldom does anyone praise the parsley.
But there is dignity in the way
it returned to the garden this year
without needing to be planted.
Dignity in the way it pushed its dark
curls through the late snows of spring.
Already summer is goldening,
and only once have I used
the parsley, snipped it into
a bowl of barley with lemon
and garlic and oil. How perfect
it tasted then, and how grateful I was
for parsley to be so precisely parsley,
so vibrant and green to the tongue.
Since then I have passed it by.
There is so much in the world
to appreciate, each thing appearing
as itself. How easy it is to prefer.
But oh, the parsley. It does not need
my approval to flourish. It finds its worth
in the fact that it is here, thriving
in full sun, its yellow umbels
bowing over the earth.

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After begging the stone
after asking the stone
after wishing the stone
after entreating the stone
after bribing the stone
after wanting the stone
after beseeching the stone
to become a butterfly
I sit with the stone
and notice how quiet
it is in my head when
a stone is a stone.

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The snow begins
then stops to fall.
In the alley, brown
tracks run against the white.

The gray folds through the air
and unfolds. Nothing
about this day seems
capable of settling in.

It is a like a woman
thinking about what
she wants. The blossoms
of her thoughts open

like roses in fast forward.
They wilt and dry in similar
fashion. They are out of season.
This does not stop them.

Sometimes we like to think
we are waiting. Waiting
for something marvelous to happen,
or waiting for an ache to disappear,

or waiting for gray to be
something other than gray.
And sometimes we see what
a gift it is, this indecisive day,

this watching imaginary blooms
that seem so real you can almost
smell the red perfume, almost.
Outside the window,

it is snowing again. No,
not snowing. But the gray
it has settled in and now
the dirty tracks look

like empty staves and anyone
listening might hear through the glass
how the birds don’t wait
to fill in the space with song.

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When I Drop the Stubbornness

All day I practice
noticing the space

between us, feeling
the subtle tugs, the

repulsions, the charge,
the release. Sometimes

I forget to let it happen,
try to force a nearness or

a solitude. That is when
I can feel it, how real

the space is, almost as if
you are one and I am another

and the space between us
is a third. I have noticed

that when you and I,
at the same time, allow

ourselves to lean—
is that the right word?—

perhaps it is more that we
open to that space,

then I notice how easy it is
to be for each other

as the water is for the moon,
holding entirely without

holding at all, not changing
and utterly transformed.

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