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Archive for February, 2017

That Dry Feeling

 

 

 

In his heads, he swirls

the dark loose leaves

of his thoughts,

lets them boil

and steep too long,

then offers the tea

to others to drink,

but it spills before

the tea reaches the cup,

and he fumes,

throws in more leaves.

 

 

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Before she sleeps, my daughter and I

face each other on her pillow,

our heads heavy, our eyes half mast,

 

and in the dim light we recite

“The Owl and the Pussycat”—

the words seem to leap between

 

our breaths so that we can’t tell

where each other’s voice ends or starts,

and I think of the pericardium

 

around the heart, which the Chinese say

is a boundary place that decides

who gets in and who stays out,

 

and I marvel at how, for now,

on this quiet night, our hearts

seem to need not any space apart,

 

and after the owl and the pussycat

dance to the light of the moon, the moon,

we curl into each other’s curves

 

like two parentheses

on the same side of a thought,

like twin silver runsible spoons.

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Sole

 

 

 

Like a boot takes the shape

of the foot that wears it, I imagine

my hand might come to take the shape

of yours, your hand—something

I was made to hold, made to move with,

made to let go.

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In Room 1224, St. Mary’s

 

 

 

The Mozart Aria fills the hospital room

and Jack closes his eyes and weeps,

his thin neck and shoulders lean

 

into the familiar notes,

then return to stasis

as the soprano rests.

 

It’s the phrasing, he says, the phrasing,

using a hand to meet the crescendo,

then to illustrate the softening phrase.

He, too, is softening, the punch line

whacked off, and what remains

is his thrill in beauty.

 

Just ten minutes ago,

they strapped a purple band

on his wrist, DNR,

 

the same wrist

where so much tenderness,

so much life is pulsing.

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Making Light

 

 

Fumbling in the dark

with the matchbook

grateful my hands

are experienced

with making flame—

 

part of me fears

using them up

part of me knows

it’s what matches

are for.

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One Set Up

 

before the lines are written

asking the players to go

on stage and shine

 

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power out—

an invitation to fall in love

with darkness

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“Sometimes I draw a straight line

and the other artists tell me

to squiggle it—“

 

all night I re-imagine

our storyline with curves

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Next Chapter

 

 

 

Mom, she says, Stop crying.

She’s embarrassed for me.

 

I can’t stop. After three hours

of snuggling on the green couch,

 

we are nearing the end of our book,

where the silverback gorilla

 

and the baby elephant say goodbye

to the girl who has helped them

 

leave their cages. It is not

the farewell that makes me weep,

 

though that, too, but the way

that the girl and the gorilla

 

share a passion for art. It’s so good,

I say to my girl between sniffs,

 

it’s so rare and so good to find someone

who really understands you.

 

She looks at me as if she will never

comprehend how such a thing

 

could make someone cry.

My tears land on the end of the chapter,

 

leaving a wet trail I don’t

expect her to follow, not yet,

 

her small hand already

pushing on mine to turn the page.

 

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Parched Heart

 

 

 

all day the gray scent

of distant rain—

ripe apple just out of reach

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Age of Expansion

 

 

 

Almost all I remember of seventh-grade history

is sitting in the back right corner

where I could lean my head against the wall

and look as if I were listening.

 

Those were the days when we still learned

that the Europeans had “discovered”

new worlds, and the indigenous people

were “found,” implying a subject/object relationship.

 

I never thought to question Ms. Estes about the terminology.

I only knew how desperately I wanted

to be discovered—preferably by Ron Didonato,

though he barely knew my name.

 

It was mid-semester when the note

arrived on my desk, passed along the back

of the room. Though the handwriting was messy,

the blue-ruled paper was folded neatly.

 

It was from the boy in the back left desk,

wondering if we could go together.

Circle yes or no. I certainly didn’t want

to be found by him, but I also

 

didn’t want to hurt his feelings.

Ms. Estes, up by the green chalkboard,

rambled on about European dominance

of a non-European world,

 

and meanwhile I prayed that an ocean

the size of the Atlantic might appear

in the middle of the classroom

so I could fall in or sail away before the bell.

 

It was only a few years later that history books

began to use the word “encounter” instead of “discover,”

which implies a reciprocity—though it doesn’t

change the fact that the Europeans

 

conquered the lands anyway and killed

and displaced those they encountered.

I remember I didn’t circle anything.

I remember I wrote something

 

about a boyfriend in a different town.

I remember the weight of the lie.

I don’t recall if I looked him in the eye

when I handed him back the note.

 

For the next five years, neither of us

ever mentioned again the encounter, perhaps

grateful for the ocean that rose between us

every time we met.

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In Room 224

 

 

 

My daughter is still asleep

after stealing the sheets

all night. I finally let her

have them all and I’ve risen

to watch the snow not fall

outside the window.

It is gray, and from where

I sit on the floor, I’m not sure

if it’s gray because it’s too early

for sun or because it’s cloudy.

I don’t want to move

or make a sound—

would rather not wake

my daughter. They are rare,

these moments alone.

 

A truck rattles by outside.

I notice I am noticing the truck.

That’s a lot of noticing

for something so insignificant,

I think to myself,

then I’m startled by a laugh,

a full belly laugh, in the bed

beside me. My daughter, dreaming,

can’t stop giggling.

God, I think, it’s great

to have a body,

and on this cold, gray morning,

gratitude finds me and

body slams me

with my wild luck,

pins me with joy

to be this very woman

on the floor in room 224

not at all alone.

 

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Going Forty

 

 

 

these longer days,

still not enough time

to notice how beautiful

the cottonwood

rimed in white

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Wild Rose … she dances on tables with death. She lights the whole house on fire. She does absinth shots with God. She has a real good time. Hope you can join her and her good pal McRedeye as they perform in Telluride on Feb. 21 at Telluride Arts and in Fruita as they perform at Lithic Books …

Read all about it, and see a few pix of the crazed duo here: Telluride Inside And Out: Wild Rose & McRedeye

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Between us a silence

so fragile that half of me

fears it will shatter

 

and cut us, half of me fears

it will erupt and we’ll burn,

and half of me thinks

 

if I stay still enough,

something beautiful

might emerge.

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Big Love

 

 

 

singing the same song

again and again—

each time, finding new wings

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A woman’s soft skin, I have it—

not on my hands, which thrill

 

to garden and spread shine—but

soft I am in neck and belly and the long

 

slow reaches of my side body.

I hum like a woman, and

 

laugh like a woman and weep

for beauty, for sorrow.

 

In the early evening,

I leave on the lawn

 

the long curving shadow of a woman.

Sometimes I even fool myself—

 

but sometimes I remember

I am also sand and elephant,

 

skylark and sunflower,

blood orange and button,

 

wind,

and the stillness after.

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Happy Valentine’s Day!

Here’s a small bouquet of love poems to celebrate the joys and stumblings of loving each other. May love find you in all the places you need love most,

Rosemerry

Four Love Poems on Telluride Inside & Out

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In the front seat,

I am talking with Ulli

about all the people we know

who are hurting.

 

They are people we love,

and there are no right words to say,

so we say the words we can—

I’m sorry. That’s hard. I hope

 

it will be okay.

We drive past a family of deer

standing on an island

in the center of the Uncompaghre River.

 

We oooh with the pleasure

of seeing them, their bodies, slight,

moving both separately and together.

Just an hour ago, we were singing

 

a whole concert of love songs, and though

not all the notes were right,

the spirit with which we sang

was no less true.

 

It was easy, in those moments

to believe in harmony,

to smile and really mean it.

I urge the car to follow the curves

 

of the river road.

There is a gate we pass

that is crooked. For years, each time

I have passed it I long to make it straight.

 

This time is no different.

I ask myself, Can you fall in love

with the world as it is,

this world in which no words

 

can make things right?

To the west, I spot a hawk

sitting in the empty branches.

I would like to slow down here

 

to watch it sit. The road curves on.

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I like the way he leans over the paper,

the way he pulls the black ink

 

across the page, the matter-of-fact way

he says, “Like this, Mom,

 

only you don’t have to be afraid

to make mistakes. They usually turn out.”

 

I want to tell him

his life is like these trees—

 

that no matter how much

he thinks he’s messed up,

 

there is no blotch or line

that cannot be transformed

 

into an opportunity.

Instead, I say, “Show me

 

what to do next,”

and he shows me how

 

to shade the sides

with small quick strokes,

 

the dark lines holding

so much light.

 

 

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