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Archive for April, 2016

Secure

 

 

 

Just trying to keep things safe,

this innocent, valiant inner mason

who built this stone fortress

to protect me from the vicious wind—

of course there are no windows,

no doors.

That’s how a breeze might come in.

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One Beautiful Madness

 

 

 

just past the cliff edge

where land yields to infinite air—

spreading our picnic blanket there

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Ritual

 

 

We should have each other to tea, huh? We should have each other with cream.

“Lovecats,” The Cure

 

 

Perhaps you don’t like tea.

Perhaps you don’t like cream.

It’s not what’s in the cup that matters,

though of course there’s the lovely

unfurling of leaves and the way

that the water accepts what

it’s been given. But no.

It’s not about the tea.

It’s the ritual of the pouring that matters.

It’s the sharing from a single pot

and the all that is said and

the all that is seen as we sip.

We can fill the pot with water.

We can fill the pot with wine.

All that really matters is

that we take the time to sit

together and slowly drink—

we, two separate beings who

are choosing at the same time

to accept the same thing into ourselves.

It’s a little bit like love.

 

 

 

 

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What would a painting sound like? Come find out at the Ars Nova Singers presentation of Shared Visions this weekend in Denver and Boulder (I will be at the Boulder concert on April 30). They invited Colorado artists to submit work. Then poets responded. Four composers chose four poems (one was mine!–the composer for my piece is Paul Fowler, music chair at Naropa, and the artist is Wewer Keohane, an amazing artist from Carbondale). I am so excited to hear the result! I hope you’ll join me! What a fabulous, collaborative process!

You can read more about the artists, the project, the concerts, and the ticket sales here: Shared Visions

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Three Answered Prayers

 

 

 

in the beginning

before the word

the silence

 

*

 

walking the other

direction it’s so obvious,

that waterfall we missed

 

*

 

in my pocket

this laughter—all day

I pat it to check if it’s still there

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One Entering

in the breath, a back door,

in the door, a lock, in the lock

a catch, in the catch, your name

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What Doesn’t Work

 

 

And so when his bridge was destroyed by the sea,

Xerxes I had the sea whipped. Three hundred lashes.

He branded the water with red-hot irons

and ordered his soldiers to shout at the strait.

 

I have tried to lash these errant thoughts,

have wanted to whip them to keep them in line.

I have wanted to make my mind eat soap,

have tried to force it to sit in the corner.

 

But the sea cared nothing about the lashes,

just as the mind is nonplussed by the soap.

The sea laps its tongues against my frustration.

Salt gets into my eyes, my beliefs, my throat.

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One Perennial

 

 

 

singing harmony

with the melody missing—

lotus, no water

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On An April Evening

 

 

 

The creek is rising, love,

all surge and plunge,

a rapid, eager coursing—

do you see how the water

surges, falls over itself

in its springborn hurry—

all around us, ahh, do you hear?

the world is a-scurry

with reachings and rushings

and places to go,

and in me this wish

to do nothing but

touch you very,

very, very

slow

ly.

 

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Two Marvelings

 

 

 

just another full moon rise—

is it any wonder

I can’t stop bowing?

 

*

 

how, I said,

to the river bed

do you make

of yourself a home?

I let the flow shape me,

the river bed said—

flood, current,

shimmer, stone

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and let the warm water hold me.

I close my eyes and when they reopen

they are filled with clouds.

I feel no need to name the shapes

as they shift. As I watch,

the sky changes from gray to blue.

I am naked as these winter-simple cottonwoods

ringing the water, though there

is no denying it is spring—

everywhere life is preparing

great change. Buds in the willows.

A robin chatters. Sound of falling water.

Beneath what is bare, there are evergreens.

My empty hands float, and each time I inhale

my chest rises out of the water. Some time passes

before I notice the clench in my gut

has disappeared. That is the way with some things—

so impossible to ignore when they are present,

so easy to miss when they are gone.

I unfold my limbs atop the water’s surface

and open myself to the sun.

The wind ruffles whatever it touches.

I let it touch me everywhere.

To the south, the grayness gathers again.

I see it will be here soon. Scent of coming rain.

As if it were no work at all, I breathe.

 

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Only the Dance

 

 

At the still point of the turning world; neither flesh nor fleshless

—T. S. Eliot, from The Four Quartets

 

 

Waltzing in the kitchen,

I ask the sauté pan to dance.

It is an awkward affair,

neither of us is really sure

of the steps, neither of us

knows if the other is leading.

In the end, I curtsey. The sauté pan

retires to the stove top

and says nothing. There

is no applause. The music

that was not playing

continues not to play.

 

The deer in the grass

who did not turn to watch

the strange dance in the house

continue to eat the lawn,

which I know by tomorrow

will seem taller, though

I have never seen it grow.

 

In me, something so still.

I struggle to name it,

say “nothing,” and I bow

to the nothing, know it as true,

then it changes its name

to “everything.”

 

There is so much

I don’t understand.

On the stove, the butter

skitters across the pan.

It smells salty, sweet.

The pan and I are partners again.

I lift it by the handle

and swirl it slowly,

then return it to the grate.

 

I don’t dare be still now,

lest the butter burn.

Whatever is still in me

remains very, very still

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A Languaging Between

 

 

 

Spring speaks a language

with only present progressive verbs—

just today as I walked into blue sky

turned blizzard, I attempted translations

into English with words such as flusterizing,

mirthing, tizzying, and unguarding,

but none of these seemed quite right.

As soon as I felt I had touched

something true, the moment

was already changed.

 

In Springese, there’s a word

that means both destroying

and flourishing. And another word

that means both grieving

and rejoicing. I felt my heart

leap up in glad recognition—so familiar

it is with unrepentant paradox

that the clumsy tongue can’t master.

 

They seemed to have a profound conversation,

my heart and spring, that my brain wanted

so much to decode. It could not,

but the snow was heavy and cold and wet

as it fell on my warming cheeks,

my rising chest, the greening grass.

And though it was clearly

inadequate, the brain settled

for this gloss, God, its so good,

so damned good to be alive.

 

 

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Here in the heart of National Poetry Month (though I believe in Poetry Year, or perhaps even Poetry Life), a wonderful online resource for writers, Tethered by Letters, has published this Q & A with me … I liked their questions, and I like rummaging around their site, too …

You can read the interview here.

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Hi poetry friends, we’re back from a couple of weeks in the sun. Here are some tropical haikulings from our travels …

 

 

 

no answers in the sunset—

watching it redden

I forget the question

 

*

 

a warm wind blows north

thoughts become clouds—

I chase their shadows

 

*

 

enormous spider!

or just a scrap of leaf—

the heart leaps just in case

 

*

 

years after the wreck

returning to the wreck

this time with anticipation

 

*

 

this body

a million million doors

all of them swung wide

 

*

 

the further I swim from shore

the clearer the ocean’s invitation—

keep swimming

 

*

 

on the heart’s cracking walls

such tender graffiti—

you were made to love like this

 

*

 

the surf and I reach

for the same pink shell—

all day we play for keeps

 

*

 

in white sand

my fingers trace vague outlines—

what is and what is not here

 

*

 

butterfly farm—

everywhere I look

life reinventing itself

 

*

 

diving into clear water

I change from swimmer to wave—

gentle communion

 

*

 

in the arms of dawn

waking to unfamiliar birdsong—

oh rising urge to sing a new song

 

*

 

white underfeathers

of the osprey soaring—

my heart comes out of hiding

 

*

 

with a drill sergeant voice

he clips out orders for meditation—

deep peace arrives right on time

 

*

 

imaginary

this last piece of key lime pie—

still, we vote for who gets it

 

*

 

hold back, my friend says

but I fall relentlessly open—

red red hibiscus

 

*

 

after two weeks away

new birds outside my window—

or perhaps new ears

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Hi friends,

My TEDx talk on The Art of Changing Metaphors has finally come out on youtube! The premise: Our thoughts are made of frames, many of them unconscious. Identify them and change them, and you can change the way you engage with the world.

I hope you enjoy watching it! Let me know if you try it … and what might happen!

The Art of Metaphor: Rosemerry Wahtola Trommer TEDx24401784413_60193d7757_z

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More Poems Soonly …

Hey friends, I will be taking a short break from sending out poems, but when I return, I will have a full bouquet of poems to share with you, 

Xo

r

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Ain’t Love Something

            

 

digging into the soil

of our hearts, pulling out roots

dripping with light

 

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