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Posts Tagged ‘longing’

after a dry spell
the long awaited song of rain—
even my dreams listen

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Let longing be longing.
Though it rises in me
with insistent hunger.
Though it clutches for my heart
with outstretched hands,
pins me with pleading eyes
Let longing be longing.
Never has it worked
to pretend I don’t hear it
as it shouts its demands
or charms me with silken promises.

In a vision I said no to the longing,
and the longing only grew
like a shadow on the wall.
But when I said yes, longing, I see you
(and what was it that was saying yes?
a voice not me, but through me)—
the yes filled me like a warm and golden glow,
color of sunrise, color of pollen,
and there was nothing it could not touch—
this woman, this longing,
the shadow itself.

Where does this yes come from?
I don’t know. But now everything
is infused with its light
and the longing is longing
and I am a woman who sometimes longs
for what she cannot have.
Even the no is shining.

 

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Dear Heather,

on William’s birthday

There was a time before we lost our sons,
a time before the long walks in the frozen woods,
a full-bellied time when we cherished how they grew.

Today the snow came again, at last,
though it was more sifting than deep drift.
I notice I want more.

It’s so human to want more, I tell myself.
More snow, more time, more love,
more memories of making fires in winter,

tasting summer s’mores, feeding hummingbirds,
making cookies, speaking silly languages,
skinny dipping in the river, singing to Rusted Root.

It feels right their birthdays should feel heavy—
heavy as the snow that didn’t fall today,
heavy as the bodies they didn’t grow into.

Oh, the weight of love—light as the sunshine
that slanted through the room between squalls,
substantial as the tractors our boys are not driving.

I think of how much we’ve grown in their absence—
which is to say how much we’ve grown
in the company of heartache, the company of love,

how powerfully loss has stretched us.
Somehow, these boys linger in our being.
They arrive through song, through silence.

In this after time, we feed them with memories—
some true, some more than true.
Each time we say their names, they grow.

It’s so human to want more, no matter
how reconciled we are to what is. Oh,
for more time, somehow, between forever and now.

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The Song Speaks

Lyrics from “Golden Slumbers” by Paul McCartney and John Lennon


 
I love when my lyric
slips into your thoughts,
when I float from your lips
for hours. Once there was a way
to get back homeward.
Sometimes I even believe
my own lines.
Once there was a way
to get back home.
Sometimes when you sing me,
I have faith in home.
Please pretty darling do not cry.
And yet you do cry
and make me want to forget
I am a song about longing,
a song of loss.
I want to be the song of finding,
song of arriving together,
song of coming home.
I want to be the song
that lies down to sleep
beside your heart each night.
I will sing a lullaby.
I want to be the song
that that makes you breakfast.
The song that dances with you
in the living room.
The song that always stays.
 

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Out of Reach

 

 

The crystal vase on the top shelf,

the one that holds two dozen roses.

The Hallelujah Chorus’s high A.

The perfect word that flutters away.

The name of the man walking toward you.

The card that slips between the seats.

The itch on your back. The dream upon waking.

World peace. Inner peace. Any peace.

 

In the kitchen, a persimmon

with its stubborn glossy skin. A knife

with its shrewd steel edge. Oh this art

of choosing to want what’s in hand—

sweet honeyed flesh, yielding and soft.

Oh this craving for blood oranges, tart and red.

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from Erik Satie’s Gnossienne 2

 

like an almost breeze

like sunshine slanting through

afternoon clouds—

touch me like that

like the rain I’m not sure is there

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One Trick

 

 

seeing them on the branch

the bright yellow tanagers

gone until summer

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Parched Heart

 

 

 

all day the gray scent

of distant rain—

ripe apple just out of reach

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Always Arriving,

 

 

 

the train

just around

the long curve,

with its cars full

of velvet-lined songs

and sparkling tomorrows.

I stand at the edge of the rails

my good arm always already raised

and waving, afraid that when the train

finally arrives, the conductor will smile and

wave back as the train trundles merrily

along the track, afraid he’ll mistake

my gesture for a greeting, not

seeing I’m trying to wave

the engine down. I have

songs in my pockets. I

learn the joy of

spending them

on the curve.

 

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In the Last Flush of Summer

oh but I swear

it smelled so sweet today,

that rose bush

we didn’t plant together

all those years ago

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Sonnet

I’m tired of wishing longing’s hold would soften,
tired, I’m tired of wishing I could steer.
Though what’s the use in steering when so often
after steering wishward, I’m still here,
yes, here again, same face, same empty pocket,
same despair. But not hysterical—
too tired to rail. Exhaustion’s tourniquet
is good for that, at least. No oracle
worth reading here. They never forecast what
I wish to see. No shaman, no, no priest
worth heeding. They just tell me I should cut
my wishing, and that’s never helped the least.
Of course I wish to shelf these wishes, shelf
the shelf. But everywhere I turn, myself.

This sonnet was inspired by an exercise I did yesterday on the plane on the way home … I saw my good friend Karen Glenn had suggested in her weekly poem email that we might want to write a sonnet with 14 line end words that she gave us … so I did!

You might want to do the same thing … just take the last words off each line and write your way into them. She had a poem about aging vampires … and mine turned out in another voice, too … funny to see what happens when certain words are given to you …

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I would like to find you
in the shade of an apricot tree
with rounded white petals
caught in your hair
and the hypnotic humming
of bees in our ears,
and we would lie there
draped in the scent
of warm sage and sweet bloom
and stare up at the blue
through the flowering limbs
and forget who we are
for just long enough, perhaps,
that anything could happen.

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these crazy thoughts
cross the center line, play chicken
with all other thoughts

*

in the sun glazed pond
not one sandhill crane—
the beauty of wanting

*

just when the bonfire
is too big to control—
throwing in another stick

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and saying yes to the world as it is,
my body craves what it craves.
Oh this terrible, beautiful bright stitch of longing
sewn into my breath
with red, red thread,
it pulls, tighter and tighter,
then catches on something
deep in my core,
and some voice,
is it mine? insists,
more, more, I want more.

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how many times
I have burned it
that letter
you never
sent

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They are large, the breasts,
more than two handfuls’ worth.

I move the soft cloth over them
slowly, gently, though she is bronze

and does not require tenderness.
I give her tenderness. I touch her

the way I long to be touched,
unhurried, deliberate, leisurely.

Outside the window, the cottonwood trees
are as naked as she is. Last night,

I saw the full moon in their limbs
and my thoughts let fall all their leaves.

I want the full moon to linger on me
the way I linger now on the narrow stretch

of her body, putting a shine on every
inch. She is lovely, God, she is lovely,

with her head flung back and her
arm flung high, staring at the world

with her unchanging eyes.
Through the window, I watch

as no birds fly from tree to tree.
The emptiness between the limbs

is empty. My thoughts grow
faintly green.

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Your eyes. I used to believe they created me.
One look from you, and I became chalice,
lotus, lioness, crane. Woman. Without your gaze,
I was unformed clay. Your absence, my absence.
It was like some strange twist on what Ptolemy said—
he believed that rays emanate from the eyes,
rays that traverse the air and find the object, allowing
it to be seen. If a woman dances alone in a room,
and you do not see her, is she really dancing?
Does she exist at all?

But Ptolemy was wrong, love, and so was I.
And this is not really the story of photoreceptors
and environmental stimuli. It’s the story
of how we long to be seen—it begins with such
innocence, a longing to please. It’s the story
of how eventually a woman might find herself
dancing for the leaping, whirling pleasure of dancing.

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It always seems as if it should add up,
except it doesn’t. Not like the story problems
did in school. No. In this equation, x
represents the rate at which sweet peas
climb an orchard’s wire fence, and y
is the speed that snowflakes fall without
accounting for wind. And z is the reason
that all those snowflakes never seem to find
your waiting tongue. Don’t take it personally. It’s statistics.
Then s is the way that the low light at sunrise
makes every other variable shine. Which changes
everything. Until f is the sloth-like velocity
of a deeply held sorrow just starting to mend. And g
is the relative effect of one extended open hand.
And h is a pair of seahorses with their tails
intertwined. Or maybe it’s a flock of seagulls
returning to the land. Or maybe it’s crazy
to try to assign meaning to any of this.
It seems obvious. The heart just wants to love.
But then y is the hole the size of Saturn that
you sometimes feel ringing inside your gut.
And g is the swan-like gracefulness
you thought you’d have once you grew up.
But d is the way you are more like a squirrel.
And j is the value of a sand dollar saved
for twenty years. And p is the sweet scent
of strawberries, ripe. And k is the surfboard
you never bought. And o is the way you often feel
like a sidewinder—edging slyly, slantly along.
You dream of straight lines, of answers that work out
neatly, efficiently, sure of themselves. But already,
x is a starfish, and y is just a homophone, and t is
the way you see yourself sometimes, scribbling away
as if it’s all some kind of test. And s is the sweet compassion
you offer yourself, even now as you watch yourself draw up
a new proof, determined to solve it right this time.

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Just because the moss is exactly
the right color green and the spruce
are spaced just widely enough to let

the sunshine in, just because
the red strawberry leaves and purple
gentian are growing nearby, just because

it rained last night and just because you
have found them here before is no
guarantee that the mushrooms you want

to find are here this time. And they aren’t.
A voice rises in you, “But they should be here,”
and you find yourself arguing with the world.

Disappointment, I suppose, is the mother
of indignation. You could already taste them,
sautéed in butter, hearty and nutty and rich.

The absence feels unfair. You look again,
this time in the field. You look again at the edge
of the woods. You look again in the low grass

on the ridge. And find nothing except
your longing to find something that is not here.
You are still holding the basket, empty

except for two small brown bolete buttons—
they are the perfect size for eating,
only hardly enough to bother with.

Expectation has a bitter taste, one that seems
to only enhance a hunger. There’s a beauty
in noticing this—not that it makes the longing

go away, but somehow you see that this is just
another invitation to want exactly
what is happening—

the empty basket, the growing hunger,
the ground so wet, so full
of potential right beneath your feet.

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Just Sayin’

all those stars
not a single one
out of place
but your hand, darling,
belongs right here

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