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Archive for May, 2018

One Confusion

 

 

full moon

in the rear view mirror—

I curse my hands

as they drive

the other direction

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Why I Play Uno

 

 

 

It’s so easy, really,

when you have no blue

nor a seven, and so

you pick and you pick

and you pick, and your chances

of winning lessen with each

yellow four, each red six

But there’s so little at stake,

and so you laugh

as your hand fills to spilling.

No one is dying

and no one is lost

so you let luck

punch you in the gut

again and again.

You have favors

to call in later.

For now,

all you have to do

is find a little blue.

What’s another

yellow reverse?

What’s another

green two?

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for Merry Stoll

wahtola - 02

After I learn that she died,

I go to the garden, grateful

that there are petunias,

cosmos and snapdragons

to plant. Salvia, pansies, and

verbena that will drape its purple

kindness down the sides

of the planter. I don’t

put on my gloves. I let my hands

enter the soil and feel

how good the earth is.

This is how I best remember her,

with a trowel or a scissors in her hand,

ready to transplant, to trim,

to harvest the blooms

into a bouquet for the altar

or table. Flowers hung

in her garage to dry. Flowers

in her bathrooms, her dining room,

her kitchen. It came easy to her,

which stem to place where.

Which color, which ribbon,

which grass, which vase.

She left beauty all over the place.

Once she sat with me

on her green and white couch,

and let me read her poems,

a whole book of them.

We sat there for hours,

and she listened and laughed

at Shel Silverstein’s antics,

and as I read, I felt like a flower,

like something just at the edge

of bloom. Her attention

made me beautiful.

Today, the garden is just starting

to find itself after winter. I cannot help

but weep into the holes I have dug.

It is tender, this moment, and fragile

this life. I feel like making wild pledges—

to honor her legacy—to find

and share beauty everywhere I go.

I feel determined to keep my word.

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carrying a candle outside

into the twilight, the whole world

revolves around the tiny flame

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First, she built a tower of blocks.

It fell down. She cried. She built

it again. It fell. You could have told

her then, Honey, it all falls down,

but no, you told her, Rebuild it.

She did. And it fell. Again.

It is hard to not want to rebuild things.

Towers. Marriages. Egos.

Careers. It is hard to stand

in the crumble of life

and not ache for repair.

Until it’s not hard anymore. Until

you feel the freedom

that comes from the mess.

She’ll go off to college,

get a mortgage, a job,

building it all like you told her.

Meanwhile, you’ll get out

your wrecking ball,

the sun hitting you

where that tower

used to stand.

 

 

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There are many kinds of love, and I have lived some of them.

—Katherine Gallagher, Distances

 

 

You’re too restrictive,

he shouts at you,

and the fist of his voice

connects with your most tender parts.

There was a time

when loving him looked

like holding him, letting

the small question of his body

soften into yours. There

was a time when loving him

looked like kissing a knee

or playing Monopoly

a third time or singing

to him in the dark. How

easy it was to love then.

Now, love is a war

with no winners,

ammo without a gun,

a wall you wish you could

tear down. That’s right,

you say. I’m restrictive.

That’s my job.

He stomps away

and slams his bedroom door,

leaving you standing

alone with your horrible,

fierce love.

 

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I know that things just don’t grow if you don’t bless them with your patience.

            —First Aid Kit, Emmylou

 

 

There are gardens in me

where I have tried

to make things bloom

out of season—

how difficult it can be

to let a seed do

what a seed does

all on its own,

especially in a time

of drought when I fear

the seed may not grow at all

if I don’t help it

grow more quickly.

And so I let soil

be my teacher.

How perfectly

it waits, letting

the world feed it.

How easily it

partners with rain,

with sun, with time.

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One Eventually

 

 

 

arriving in the dark

at my own doorstep

learning at last

to leave the light on

for myself

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            for Merry

 

 

Though she could barely carry

a conversation, she could still sing,

so I would sit by her nursing home bed

and sing Moon River and her eyes

might not even open, but

her lips would start to move,

wider than a mile, I’m crossing

you in style someday.

Her voice was wobbly, perhaps,

but her notes were true,

and she’d smile as she sang.

Old dream maker, you

heart breaker, wherever you’re goin’,

I’m goin’ your way.

She’d been nowhere but

this bed for years,

but I could see behind her eyes

she was aiming toward some

imperceptible future,

a drifter, off to see the world

beyond this one.

And I would hold her hand

and she would squeeze it.

If she could hear the tears

in my voice, she didn’t say so.

We’d sung together since I was a girl,

show tunes in her kitchen

and hymns from the choir loft in the church.

Her soprano, a beacon of my childhood.

Now, in a room far from her,

I light a candle as she drifts away,

and sing as if she could hear me,

there’s such a lot of world to see,

my voice cloudy, as if any moment

it might start to rain and that

rainbow’s end might appear,

and for a moment, we could

look at it together before

she goes around the bend, alone.

 

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after the curtain call

the mind still rehearsing

how to shine

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One More Layer

 

 

 

after shedding all these skins

still saying to the cherry blossom

teach me how to let go

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singing beside the falls

the sound of the water

drowns out our voices

but that isn’t any reason

to stop singing

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Longing is the hardest thing to give up.

            —Jim Tipton, “What is This Place I Have Come To?”

 

 

Some days can’t end soon enough,

when the heart, so full of love,

breaks and breaks again—

for beauty, for loss.

And the eyes can’t cry

another damn tear

but they do anyway,

I would rather not

cry anymore, but God,

thank you for letting me

be one of the ones

who can’t help but weep,

whose house is built

too close to the water.

What a gift to feel this horrible ache

like a lantern, golden

and soft, guiding us

deeper and deeper

into our humanness,

leading us closer

to each other, even

though we have never felt

farther away,

and though the stars

are out and at last,

thank god, it is night,

we have never

been more awake.

 

 

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Poetry friends, I hope you will be able to join me for some of these upcoming events:

May 18-20, Telluride Literary Arts Festival, featuring free readings, free open mic, free workshops, a poetry hike! For more schedule and featured guests, visit http://talkinggourds.weebly.com/literary-arts-festival.html

 

May 19, Literary Burlesque!! This year’s them: Uncorseted: It’s not what it seams . Eight whip-smart women strip away what it means to fight for LIBERTY in all their cheeky glory. It’s the 100th anniversary of Armistice. We celebrate the women who unbound themselves using their voices and bodies. Sexy, serious, playful, hot. I’ll be playing Anna Akhmatova, the Russian poet. 7 p.m. at the Black Box Theater in Telluride. Tickets are $20, available only at Between the Covers, 728-4504. Always sells out, get your ticket now!

 

May 21, Naked for Tea—I will be performing and sharing poems from my newest poetry collection in Ridgway at 6:30 at Cimarron Books and Coffee Roasters. Featuring Kyra Kopestonsky accompanying me on cello. Free.

 

May 23, Lost in Motherland, a free writing workshop for moms (step, biological, grand, etc) exploring how motherhood has undone us and made us who we are. At Wilkinson Public Library, 10 a.m. to 2 p.m. in the Telluride Room. To register, please call 970-728-4519 and ask for the youth services desk.

 

June 18, Always Becoming: A Dream and Poetry Workshop in Placerville, CO

What if you could rest in the knowing that your own consciousness had the answers that you were looking for? Each night, through the power and intensity of our dreams, we are offered pieces of ourselves that we might never come to know. Dreams speak the language of the soul, a rich and deep patois, from the deepest parts of our being. A dream may speak to a personal mythos or idea we hold about who we are, how we are living or what our future might hold; or it may offer an insight into a small detail of everyday life—what we do in relationships, how we pull back or illuminate the places we are stuck. Talking about dreams – as opposed to interpreting them – opens us up to a deep discovery of our own authenticity.

In this six-hour workshop, 10 a.m. – 4 p.m., we will explore the landscape of dreams and use the symbols, images, metaphors and feelings to leap into language, writing poems that walk the line between certainty and uncertainty, dream and reality, the irrational and the true. Through dreams and poetry, we will navigate the tides of becoming—the continual, miraculous unfolding of life. No previous experience with dream work or poetry necessary. Led by Rosemerry Wahtola Trommer and Corinne Platt. $100. 

To register, contact Rosemerry, 970-729-1838 or wordwoman@rosemerry.com

 

June 26, Art Bar(d): The Art of Showing Up, Ridgway, 6-8 p.m. Sometimes, writing a poem is good medicine. The process can help us keep our heads and hearts where our bodies are, inviting us to return to the present moment again and again. No matter how busy you are—or not—this art of paying attention to the here and now has a wonderful way of inspiring us to live better, and to make our world better, while at the same time allowing us to see ourselves and the world as “good enough.” This is a workshop brought to you by curiosity and paradox. And wine. $25 gets you instruction and some liquid inspiration. We’ll read, write and share poems. All levels of writing expertise welcome. For more info or to register, contact Weehawken Arts, https://www.weehawkenarts.org/all-classes/343-artbar-d-the-art-of-showing-up-with-rosemerry-wahtola-trommer

 

July 7, First Saturday Poetry Series at Bookbar in Denver: Naked for Tea and Phases: Rosemerry joins bestie Erika Moss Gordon for an evening of poetic play. Free. Mingling at 4:30, reading at 5:30. For more info, contact Kate@bookbardenver.com

 

 

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I make in my heart a nest for the questions,

ask them to stay, and at the same time

post a sign that says

answers only—

no wonder they fly away.

 

 

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for Jim Tipton

 

 

Margaret tells me

that while in a morphine stupor,

our friend told her I am dead.

I take the news of my death

rather well, I think,

remembering that just this morning

I ate blackberries

and pulled on my shoes

and drove a winding road.

But my friend, he is close

to death, his hand so tired

he signed only half his last name

in his book Margaret sends to me.

Reading it, he is in the room,

his voice still baritone and booming,

speaking of high desert honey and mesas

and cinnamon. I meet him there,

startled by how close he feels,

and when the book is over,

how enormous the emptiness.

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She looks so happy with her new baby, all coo

and smile and jiggle and swing.

 

I smile at her, and think of everything

I do not tell her. How the child will grow up

 

to break her heart over and over. How

she will give him more love

 

than she knew she had, and it will not

be enough. How he will hate her

 

for holding a line. How she must hold it,

still. How she will come to doubt herself.

 

How all of us are broken, no

matter how hard we’ve worked to be

 

whole, and how none of us can

carry the other, no matter how

 

much we long to. How she will

beg her own heart, Stay open,

 

stay open. And how some wise friend

may someday say to her,

 

Shut down your big heart

at many a time. It needs to rest

 

while you are awake.

And she will know perhaps by then

 

the truth of love, how it is never

what we imagined. How

 

big a risk it is to love. How

everything depends on this. And how

 

she will weep, someday, watching

another young mother in the park,

 

cooing at her baby, remembering

how simple it seemed, and how

 

perhaps it is still that simple,

a mother, a child, a big world to explore.

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before the planting,

the dreaming, laying out seeds

while summer still fits in my hand

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To every mother, Happy Mother’s Day. Here are two poems published today in Telluride Inside and Out, one about my mother, one about being a mother … wishing you all grace and rest!

Happy Mother’s Day!

 

 

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Priceless

 

 

moments of clarity

strung like pearls

with knots between them

never touching

but oh, the sweet weight

of wearing that necklace

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