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Posts Tagged ‘play’

Playing with the Wild Child


 
 
Beckett doesn’t want to play butterfly anymore.
He wants to play band. He wants us to wear
our green plastic glasses with bright lights
that flash on the rims. He wants us to sing
about trains. And train tracks. And more train tracks.
Beckett names our two-person band the Sing Bells.
We have three greatest hits. All three feature
me on tambourine and vocals, Beckett
on kazoo and a small brass bell. I want
to make another song about books. Nope,
says Beckett. More train tracks. I think
of butterfly wings. How even the lightest
touch can damage the scales. How
one way to honor what is wild is by
letting it exist exactly as it is.
So the Sing Bells create another song
about train tracks that go all the way
to Beckett’s house. In his smile, I see
wings unfurling. When he leaps
off his stage for dinner, I swear I see him fly.

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for Erin
 
 
Anyone can see she’s a beautiful woman, but god,
she has never been more beautiful to me than when
I brought my great nephews to the loft of her barn
and she picked up a red ping pong paddle and let
the small, fretful boy across the old green table make up
the rules for the game. And every time he’d change the rules—
assigning points for hitting the ball over the exposed beams
of the barn or points for hitting the ball into narrow window frames—
no matter the rules he contrived, she would shrug and say yes
and laugh and let the ball be forever in play. There was sunshine
in her voice when she praised him, pure radiance
in the way she squealed as the ball ricocheted
in the rafters, honest incandescence in her smile.
This is how generosity and goodness survive—
they’re passed on one brief interaction at a time.
When the boys and I left that dusty, sacred space,
fully covered in dust and hay, I swear we, too, were luminous.

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There was that winter day when the ice floe
had cracked the river ice into giant slabs
thick as my open hand, tall as a child.
Our family gathered on the river bank
and played with the fractured chunks to make
sculptures—ice huts and ice caves and
a long ice wall that curved and snaked
through the snow along the river’s edge
like the spine of a giant stegosaurus,
jagged and upright. It’s never happened
again. The ice slabs always freeze together  
or crush into bits, but that night,
we went out with dozens of candles
and lit the ice structures from within.
And the glow then, the gold that blazed
through the ice, was the kind of luminous
magic that winter seldom knows. What
was shattered and sharp, heavy and cold,
became radiance, brilliance, a visible hope
I didn’t yet know I would need, some proof
of what might transpire in the winter
of the heart—how broken and frigid,
it still might become a means
to gather beauty, to amplify the light.

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One Momentary


 
 
running barefoot
past the end of the pier—
before the splash, flight  

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“Mom, what’s the title of this song,”
she asks me. I listen to the lyrics
for cues. Luckily, Taylor Swift starts to croon
in her mezzo voice, part velvet, part thorn,
“You’re on Your Own Kid.” And I shout
out the title. Vivian smirks,
knowing I was rescued by the song.
“Album?” she says. “Red?” I guess.
“Wrong,” she says. “Evermore?”
I guess. “Wrong.” “Midnights?”  “Yes.”
She nods in mock exasperation
it took me so long.
She loves it when I get it wrong
in her endless quiz of popular songs.
She loves that she can teach me.
I love it, too, that she shares with me
these lyrics that grow her, shape her.
We walk along the river trail,
one white air pod in her ear,
one white air pod in mine
and the river braids by and the next song
begins to play. “Title?” she asks,
and I listen for clues until Taylor
demands in a gravelly rush
“Are You Ready for It?” And I look
at my daughter, just fifteen
and becoming so wholly herself.
As much as I want to stop
in this moment with her hand brushing mine
and the musky scent of river
and sunshine warm on our skin
and I think yeah, I’m ready for it,
though it brings me to tears, yes I am.

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Perhaps I wish for something dangerous—
a rush, a breakneck ride, a snow-drunk risk.
Instead, my daughter and I slide the toboggan
down the drive with a languid, slow-motion
sluggishness. And we laugh as we urge
the wooden sled forward, creeping
down the hill. After a few laps, the run
is fast enough we can build a small jump
at the bottom, but it’s more of a bump
than a launch. What is it in the heart
that loves a surge, a swell of excitement,
a dance with danger? Why is it fun
to be out of control when the stakes are low?
 
Oh, my girl and I know, we know what it’s like
when the stakes are high. No wonder
we laugh as we slide at the pace of a stroll.
We know what it’s like to be out of control.
We know. I hold her by the waist as we barely move.
And part of me longs for speed. And part of me
is grateful to move in a way that lets me hold her
a little bit, even just a few seconds, longer.

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Once Upon a Night


 
 
In the living room after dinner, my daughter
plays Tchaikovsky on Alexa
and dances every character in Sleeping Beauty
Aurora, the prince, the evil fairy,
the lilac fairy, the bluebird, the jewels—
she leaps and lifts, she jumps
and twirls and raises her arms
with a delicate twist of each wrist.
She is more wing than limb,
more song than blood,
more frolic than bone.
To watch her is holy business
 as she learns to make each step beautiful.

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The Autumn Morning




Perhaps a red-tailed hawk
calls to you through closed windows,
and curious, you leave your work
and step out into the morning.
The air smells of rain and autumn leaves,
and the hawk makes wide circles above the yard
as if showing you how it’s done—
this is how you play with the day.  

Everything glitters as the sun emerges.
Everything, even your thoughts.
Even your greatest loss.
The hawk disappears up canyon.
You breathe as if you’ve just remembered how.
When you go back in, you’re careful to fold in your wings.

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Relearning




When the going gets tough, it’s just started.
A bite’s always worse than a bark.
It’s darkest before it gets darker,
Absence makes the heart.

Speak softly and carry a life rope.
Out of sight, in the prayers.
Good things come to those who love.
All that glitters is meant to be shared.

Where there’s a will, there’s a way to be tested.
Get a taste of your own disaster.
The squeaky wheel is also a song.
Loss is the art of being mastered.

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No Way to Anchor




While our bodies curl
into each other on the couch,
Vivian grabs my resting hand
and begins to smack it
into my chin.
Why are you hitting yourself?
she asks as my limp hand
repeatedly hits my jaw.
Why are you hitting yourself?
And we’re laughing and
I squirm and squeak
and she grins as she keeps up
her one-line interrogation.

I want to hold this giggling moment,
want to linger here
where the truth
that we hurt ourselves
becomes play,
where the trust
that we will do our best
to not hurt each other
runs deep, deep as the current
that drags this moment
with it through time,
even as I squeal Stop,
knowing how it goes on.

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