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Archive for July, 2014

Two Discoveries

in your voice
looking for the color
of larkspur,
finding only
a broken stem

*

oh silly woman
who thinks she is
a woman
when she is an entire
universe, a larkspur

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a c-poem for Lian Canty’s Alphabet Menagerie

Imagine with trillions of stars above
all the constellations yet to find—
maybe a canary in a cage that sings
to a miner across the sky.

And perhaps over there is a cyclone—
see that swirl of stars in a cluster?
To the west there’s a giant carrot
and a lucky four-leaf clover.

With our eyes, we can draw all the lines we want—
we can connect the stars into cactus,
or calla lilies (not lilies at all),
or cupcakes! Or Japanese catfish …

oh, I think that catfish was a bad idea—
he’s causing an earthquake in the sky—
quick, redraw him as a cat
sitting on the lap of the miner’s wife.

Even on nights filled with clouds
we can look up and make believe
that the stars somewhere are wishing on us
to give them stories before we dream.

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Teach me, world, to speak
in mahogany—to begin
every word with a hum

and deliver each word
with a laugh and end every word
with the trust

that if it wanted to
the word could go on
forever.

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She pulled the covers
over her head and hid.

She didn’t really want to hide.
She wanted to be found,

but the only way to be found
is first to be lost.

I find her.

Her body heaves. A little lump, she is.
A little lump that whimpers and longs

to be held, even as it kicks
at whatever warmth comes close.

Oh this terrible loneliness.
It becomes a habit. It is so easy

to see the lie of it
as it ravages someone else.

But this morning
when loneliness rose up in myself

I only pretended I wasn’t hiding.
I’ve learned to wear my covers

on the inside. No one notices. Either that,
or perhaps they’ve learned to pretend

to not see that I am a lump,
a little lump just hoping (or is it dreading)

to be found.

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This is the way
I want to sing,
the way rain does
as it pummels the house,
scouring the gutters—
no way to ignore it
as it batters the rooftop,
the windows, the porch.

I want to sing
that ferocious, that
untamable, true as rain
which touches everything, everything,
even reaches inside
with its deep gray scent,

O great tides of it
changing the landscape,
rearranging the hillsides,
finding the roots—
a song of change right now
and change sure to come.

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It is not so easy to change.
Consider the sunflower you dug yesterday
from one crowded corner of the garden
and moved to another more open space.
How you dug all around it to keep the roots
intact. You pre-watered the new hole.
You told it what would happen. You held
the stem firmly and pulled with great care.
But it didn’t matter, all these precautions.
The sunflower wilted, bent double, leaves
flagged. So why should you not expect
the same when you make a great change
in yourself. It doesn’t matter that the end
result makes more sense or seems healthier.
Change is hard. Though you tell yourself
it will be okay. Though you tug at your own roots
with great care. Here you are, bent double,
dreams flagging, looking dead or close to dead.
And that sunflower, darned if it isn’t on the edge of bloom
even right now outside the window.
It doesn’t always go that way.
But sometimes a gray sky comes along
at just the right time to slow everything down
and damn if those petals aren’t just about
to come up gold.

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a q-poem for Lian Canty’s alphabet menagerie

It was a funny little man
I met on the street, with the sparklingest
look in his eye.
He said, I have some things
right here in my bag that I think you might
just like to buy.

Now I had a quarter,
shiny as a quasar, and a new dollar
crisp and clean,
and I said to the man,
show me what you have
that I might give to a queen.

First he pulled out a quill.
For just one dollar bill,
he said, and I declined.
Then he pulled out a quail
with a curving crest—
I said, Not what I had in mind.

Not fancy enough for the queen?
he said, and he pulled out
a red and green quetzal.
That’s lovely! I cried,
but please, no more birds.
He twisted his arms like a pretzel.

Okay, he said, you are not
easy to please. How about
some Queen Anne’s Lace?
Though the blossom was fair,
it smelled terrible
and I made a sour face.

How about a queen bee
to make her honey
whenever she wants something sweet?
How does that work?
I asked the man,
he said, Watch her carefully.

Or would she perhaps like
quartz crystals—
how many would she need?
Or maybe a book
of clever quotes—
do you know what she likes to read?

My dear man, I said,
that’s it! You have shown me
the best way to make an impression—
not with something I’ve bought
but with curiousness.
I shall bring the queen a question.

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I may never travel to Neptune,
I’ll never eat a newt,
I’ll never ride a narwhal,
but I’ll always love you.

They say the North Star’s brightest,
they say nightingales sing best—
but to my ears and nose and eyes
you’re finer than the rest.

You’re more prized than the needlefish,
as elegant as a nautilus,
as cheerful as a nasturtium,
and lovelier than the narcissus.

I’d make you a nest of my love,
I’d draw you blank staves for your notes,
I’d spin you blue thread for your needle,
I’d carve you oars for your boat …

and I’ll nudge you from my nest
and push your boat out to the ocean—
I will always, always love you
though some ways are too sad to mention.

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Eighteen Small Steps


Those who would climb to a lofty height must go by steps, not leaps.
—St. Gregory the Great, from a letter to Augustine of Canterbury

teach me crosswise
streets, how to believe
all directions are possible

*

at my next shindig,
inviting happiness
and grief
for a
ménage a trios

*

she’s got everything she needs
ever since she made best friends
with nothing

*

sitting on the bench
I wonder if adventure forgot
to RSVP
or I forgot
to send the invitation

*

I would like
to want
to be at a shindig,
but dang, this couch
is so darn soft

*

forgive me
if I spray paint your thoughts—
I just knew a little bright orange
would do you
a heap of good

*

what’s up
with all those shenanigans?
well, she said,
you can’t just have one,
can you?

*

I asked the quince
about pleasure—it said baby,
time to get reckless

*

what is there
not to love
about grace?
the shaman says
now try loving fear

*

omphaloskepsis—
nice idea, but whoever
says all answers
come from within has never
seen your belly button

*

what’s a rain dance
except a snow dance
just a few adventures early?

*

I think the world
is addicted
to paradox—
I think I am
addicted to the world

*

the world gave me light,
I wanted shenanigans—
oh foolish woman,
now surrounded by shenanigans
all I want is light

*

every once in a while,
peace
but hey, world,
the rest of the time
let’s dance

*

it’s not that I forgot
to stand in the light
it’s just
that darkness
was holding my hand

*

indecision settled in
like a fog—every morning I practice
turning myself into a sun

*

will you like me better
if I cover myself in chocolate
said my sorrow

*

with authenticity
as my compass, every road
is the right road

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I so wanted
for you to be
the one to bring
me love and
happiness, but
the world
could hardly
conceal its sparkle
when it slapped
my own hand
on my heart
and said tag,
you’re it.

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Just Sayin’

all those stars
not a single one
out of place
but your hand, darling,
belongs right here

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in my red briefcase
no notebook, no calendar,
no laptop, no pen

only stones, rocks, dust
the things I know will last

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after knocking on so many doors,
beggar’s bowl in hand, I put down
the empty bowl, and my hands
lost their desire to knock
and began to plant a garden instead

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Walking on the Road

rain comes at last
and wrings the air clean
and every green thing greens—
so little of what I do
is important

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Reversing Leda

It never belonged to me,
the blue heron. At least not
in the way that one might own
a sweater or a tea cup or a car.
Still, I had that feeling of ownership,
the kind that one has when
she finds wild berries growing
in her yard and eats them by the purple handful,
giddy with her good luck. Or the feeling
you might have when the marigolds bloom,
and because you have planted them
from seed you feel in some way responsible
for the mounds of yellow and orange.
Not that I was responsible for the heron,
stoic and elegant standing in the shallows or
rising slowly as it did above the river on great
blue wings, though I did take it personally
each time I saw it, and I did love to give
it my whole attention, stilling my body
and following it with my eyes,
as if through appreciation I could create
a greater connection, a connection that went
beyond woman and bird.
It is so funny, this longing to own
what we adore, to call it ours. My love,
my darling, my precious, my dear.
This morning, after a year without seeing
a single blue heron, I found one resting
on a branch outside my front door.
We were both equally startled, though it
moved first, gathering air in its angles,
reaching away from me with its neck,
disappearing beyond the tops of the cottonwood trees.
As always, I gave it everything I had to offer—
the only things I really own, my adoration,
my attention, my gratitude, my wonder.

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It is not fancy, the campground,
with the bathroom down the road.
Gravel covers the tent site,
and the number 13 hangs akimbo off
the fence that was once painted brown.
I’m embarrassed to bring Audrey here,
but she sits at the red picnic table
in her simple black dress and diamond tiara
and sips her tea, looking at me over the cup
with her enormous doe eyes and she says
in a voice equal parts romantic and matter of fact:
“Everyone wants to be loved, don’t we?
Everyone looks for a way of finding love.
It’s a constant search for affection
in every walk of life.”

The box elder beetles are not as bad
this year as they were two years ago.
Still, they seem to be everywhere
and one climbs across the table
toward Audrey’s tea. She laughs
and brushes its red body away. I want to tell her
yes, yes I want to be loved. And
I have done terrible things in the name
of love, never wanting to hurt anyone.
But I am too nervous to treat her
like a friend. I have her on a pedestal,
though I am beginning to sense
that it is getting in the way. She senses it, too.
“I never think of myself as an icon,”
she says. “What is in other people’s minds
is not in my mind. I just do my thing.”

A low rider goes by on the dirt road
beside us, and Eminem smacks the air
with more talk about his mother.
I don’t know why it makes both of us laugh,
but we do, perhaps just because it is fun
to laugh. A mosquito lands in the middle
of her forehead, and I hesitate before
giving Audrey a slap, but I do.
And knock over her tea. What is there
to do but offer to make her another cup.
She says yes, and slaps me back.

“When you have nobody you can make
a cup of tea for, when nobody needs you,
that’s when I think life is over,” she says.
God, she is beautiful, I think, looking
straight into her eyes. That’s how I notice
the pedestal is lower, now. Before
I could not see how clear they were,
star-piercing, twin doors long since opened
by love knocking from the inside.

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fairy house on the san miguel

Will it work? says the girl,
when I hand her the magic dust
to sprinkle on the fairy house we’re building
out of sticks and stems and rocks.

Why wouldn’t it work? I say, dropping
more of the tiny red weed seeds
into her open hand. She doesn’t argue with me then,
only keeps her hand extended so I will sprinkle

more magic dust into her palm.
I can tell she doesn’t totally believe me.
I can tell that I wish she did. Oh the sad advent
of being purely practical. I am open

to believing improbable things.
I am tired of math and the same problem
never adding up. I could use a little magic.
I don’t mind if I need to make it up myself.

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I Pushed Him Away

I pushed him away
until the loneliness in me
recognized the loneliness

in him, two awkward birds
still afraid of sky

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Look Around

and for your amusement … I made a video of my first alphabet menagerie poem in honor of the illustrator Lian Canty’s opening of her work in Crested Butte tonight. I sure wished I could have been there in person …

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driving past that dirt road
my mind takes the turn
while my body goes sixty

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