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Posts Tagged ‘Kayleen Asbo’


for Kayleen Asbo
 
 
In those days when I was terribly raw,
my friend would make mandalas
out of petals and sticks, pinecones and rocks, 
sometimes shells, sometimes leaves.
She’d send a photo and a note
to say she was thinking of me. 
I still marvel at how, of the thousands of choices 
she made on any given day, she chose to spend time 
sending love to me. How simple the act, really. 
A smattering of acorns shaped into a circle 
with some leaves arranged in the center.
Now I trust even the humblest, most ephemeral act, 
when motivated by love, has the power 
to reach through the years. Now I trust 
I am made of thousands of acts of kindness,
most of them small. I can’t touch where they live 
in my body, some I have even forgotten, 
but to this day I am made of them all. 

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for Kayleen Asbo

With hands that have played Bach
on the finest pianos in Europe,
hands that have written poems
and love letters and treatises on art,
with precious, skilled, talented hands

she lifted my foot to her lap
and smoothed oil into the cold, rough skin,
kneading and pressing deep circles
into my arches, squeezing my toes
(once deemed by a boyfriend

“the ugliest toes I’ve ever seen”).
And she made me feel beautiful.
I remember how all of me softened,
even those voices that sometimes rage,
you’re not good enough.

How could those voices stand a chance
against such a gift of touch?
Her hands said, you are not alone.
Her hands said, you belong.
Her hands said, you are treasure to me.

And the day was gray; her hands were strong.
I was less woman, more clay.
With hands that coax music
from sorrow and fear,
she made me into song.

*

Exploring Dante with Guides for your Head and Your Heart
March 7, April 4, May 2 10 a.m. – 2:30 p.m. Mountain Time
Zoom (recordings available)

Oh friends, if you weren’t able to join us today for an ecstatic hour of exploring Dante’s Divine Comedy, don’t worry–here’s the replay. It’s free–a preview of a three-part class that begins next Thursday and runs the first Thursday of the month for three months. The classes themselves with be spacious–with lots of time to listen to composer, pianist and cultural historian Kayleen Asbo lead us through the art, music, history and mythology that informs Dante’s life and writing. Then I will help you explore the truth of your heart and how this centuries-old story might have something valuable for you in times of loss, struggle, elation. It’s a story of connection, of how we help each other, how we become most wholly ourselves. Join the big conversation as we Find Our Way Out of Hell to the Shores of Acceptance (Inferno, March 7); Climb the Mountain of Hope (Purgatory, April 4) and Come Home to Ourselves in Paradise (Paradiso, May 2). Each session has a 30-minute break in the middle. Recordings available to all registrants. Sliding scale. Scholarships available. To register, click here. You do not need to have read Divine Comedy–in fact, we suggest you read it AFTER the class so you have more tools for understanding and appreciating it.

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The Journey Begins with Catastrophe
a one-hour preview of a journey with Dante
Kayleen Asbo & Rosemerry Wahtola Trommer
February 29, 11-noon Mountain Time, zoom

How did Dante get to the place where he wrote the Divine Comedy? Have you ever wholly lost your way? Found yourself on the shores of humility? Join me and my amazing and beloved friend Kayleen Asbo, cultural historian, musician, and art historian, for a 60-minute preview of our new collaboration, Writing with Dante, a three-part workshop. This first one-hour program on Feb. 29 is free, though donations are gratefully accepted.

Kayleen will lead us by the hand to explore connect our lives with the psychological landscapes of Dante’s Divine Comedy through a feast of art, music and storytelling. I’ll guide writing and sharing to help weave our conversations, questions and explorations into our own lives. 

The series continues: 
March 7 10 a.m.-2:30 p.m. mountain time, In the Dark Woods: Reading and writing into Dante’s Inferno

April 4 10 a.m – 2:30 p.m. mountain time, The Mountain of Hope: Reading and writing into Dante’s Puragatory

May 2 10 a.m. – 2:30 p.m. Coming Home to a Place of Belonging: Reading and writing into Dante’s Paradise

To register for this free preview, visit here

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I listen as she spins
gold out of words,
infusing the room
with grail and goddess,
with Celtic greens
and Grecian blues,
until the whole room
is glowing and golden, lit
by her love for the world.
Stories are, perhaps,
one of the simplest
proofs that miracles exist.
Look how before
there was only a room.
Now everything
and everyone in it
is shining, changed,
drenched in grace.

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for Kayleen


Sometimes after many dawns
a song returns to the heart
and brings with it a new sweetness,
as if in its absence it went to a faraway place
and bathed in turquoise and gold
and rolled in honey and then waded in petals,
as if it has been spending time
amongst ripe fields of wheat
and swimming in the perfume of love.
When a song returns like that,
it finds new ways to sing in us,
and once again our heart becomes
concert hall, resonant, spacious, ringing,
and then it becomes the song.

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featuring Kayleen Asbo on piano, Rosemerry Wahtola Trommer poetry and the art of Vincent van Gogh

Friday, March 31
10 a.m.-noon PDT; 11 a.m.-1 p.m. MDT, 1 a.m.-3 p.m. EDT


Last year, the incredible composer and cultural historian Kayleen Asbo completed an astonishing suite of piano pieces inspired by the work and life of Vincent van Gogh. Rosemerry worked from her pieces and the art to create a body of poems that weave the paintings, the music, van Gogh’s life, and Rosemerry’s own story of losing a loved one to death at his own hand. The works were performed live last November in Petaluma, CA, and we will be sharing the video of that collaboration in this online salon of love and memory on the anniversary of Vincent Van Gogh’s birth. We will close with a heartfelt communal ritual of creativity.

“I don’t know what to call this because I’ve never experienced anything like this before. What I do know is that this is one of the most beautiful, healing and heart-opening experiences I’ve ever had. In my entire life. “

-Audience Member from the summer productionTickets available on a sliding scale donation. The program will be recorded for later viewing.

To register visit here.

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August 15, 22, 29

Join Rosemerry and pianist/composer Kayleen Asbo for a three-week ekphrastic exploration–writing poems about art that explore the work of van Gogh and our own heart awakenings. Each class will include a brief historical talk, a conversation between Kayleen and Rosemerry about how to meet a work of art with music and words, plus two writing times and a chance to share what you wrote. Sliding scale. On Zoom. 

To register and for more information, visit here

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Oh Vincent,

There is in my heart
a small yellow room
with a small wooden table
with a dull yellow cloth
and a rounded clay vase
with your name scrawled in blue,
and it’s bursting with sunflowers,
all of them open, all of them turning,
turning toward the light,
which is to say the flowers face every which way.
There is light everywhere we dare to turn.

Consider this a love letter, Vincent,
a letter sent back in time,
a letter that impossibly arrives
just when you despair,
just when you believe no one cares about your art,
the letter that reaches you to say you are loved
in that exact moment you feel unlovable.

Let this be the letter in which you see
the sunflowers you sowed a hundred thirty years ago
have re-seeded themselves in me
and now grow rampant in my days,
golden petalled and flagrantly lovely.
And your stars, swirling, your wheat fields goldening,
your cypress reaching, your church bells unsinging,
you will find them all my words.

This is how love replants itself—
more love, old friend, more love.
Because you were so truly you,
so full of hope, so full of fear,
because you risked your everything,
I, too, will risk, will dare.

Consider this a love letter, Vincent,
the one that helps you see
how your life is linked to eternity.
Let this be a letter that says thank you, Vincent,
for teaching us new ways to see beauty.

Perhaps this letter will arrive
when you are in the yellow room,
or perhaps the asylum, perhaps in Neuwen,
and you, surprised to find it addressed to you,
will receive it and let the words in,
then hear your own startled voice saying,
It matters? as you pick up your brush
and begin again.  

*

My dear friend composer/pianist/historian Kayleen Asbo and I want to offer you the video recording of our hour-long conversation about Vincent Van Gogh, loss and The Art of Creative Collaboration– click here.This project has been such an important part for each of us in holding on to hope and beauty during a dark and challenging time. If it speaks to a part of your own aching soul and you want to share it, you have our blessing to forward it to whomever you wish.

If you want to offer a donation in support of our work so that we can professionally record our project in both audio and video format, click here for our Go Fund Me account. And we have an anonymous donor who will match all funds donated before July 30! 

If you want to engage in the full collaboration–Vincent’s paintings, Kayleen’s music, and my poems–I hope you will join us in “Love Letters to Vincent” on July 29, the day Vincent died, at 11 a.m. mountain time. We will present the entire collaboration, sending love letters back in time to honor this man who changed the way we see beauty. There will also be a chance to participate in a group creative activity, responding to his work, creating a giant love letter for Vincent. Sliding scale. It will be recorded and sent to all who register.

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inspired by “The Starry Night” by Vincent van Gogh and the piano composition by Kayleen Asbo by the same name

Anything will give up its secrets if you love it enough.
―George Washington Carver


You teach us how to meet the night,
the quiet shadowed pools of night,
the night outside the glow of home,
the night beyond the sleep-warm bed.

You teach us how to fall in love with night,
the violet night, deep fields of night,
the swirling, churning curves of night,
the whirling, sweeping waves of night—

and oh the stars in their spiraling
you share their gold and pink and green,
a twinkling, a burst of shine,
a firmament in which to dream—

but there’s no way to see stars
if you don’t first befriend the dark.
You teach us how to love the dark,
the verdant, fertile wholesome dark.

Oh, to love what frightens us—
to meet dark with curiousness,
Though it’s mighty, tumultuous,
you teach us the dark is generous.

Vincent, you didn’t paint your asylum’s window bars.
You showed us only night. And stars.

*

My dear friend composer/pianist/historian Kayleen Asbo and I want to offer you the video recording of our hour-long conversation about Vincent Van Gogh, loss and The Art of Creative Collaboration– click here.This project has been such an important part for each of us in holding on to hope and beauty during a dark and challenging time. If it speaks to a part of your own aching soul and you want to share it, you have our blessing to forward it to whomever you wish.

If you want to offer a donation in support of our work so that we can professionally record our project in both audio and video format, click here for our Go Fund Me account. And we have an anonymous donor who will match all funds donated before July 30! 

If you want to engage in the full collaboration–Vincent’s paintings, Kayleen’s music, and my poems–I hope you will join us in “Love Letters to Vincent” on July 29, the day Vincent died, at 11 a.m. mountain time. We will present the entire collaboration, sending love letters back in time to honor this man who changed the way we see beauty. There will also be a chance to participate in a group creative activity, responding to his work, creating a giant love letter for Vincent. Sliding scale. It will be recorded and sent to all who register.

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each line taken separately from his letters or speech
 inspired by his unfinished painting “Tree Roots,” which was first hung upside down,
and by Kayleen Asbo’s piano composition “Roots”

you will find beauty everywhere,
the root of everything—
and the sadness will last forever

*

the sadness will last forever,
the root of everything—
and you will find beauty everywhere

*

My dear friend composer/pianist/historian Kayleen Asbo and I want to offer you the video recording of our hour-long conversation about Vincent Van Gogh, loss and The Art of Creative Collaboration– click here.This project has been such an important part for each of us in holding on to hope and beauty during a dark and challenging time. If it speaks to a part of your own aching soul and you want to share it, you have our blessing to forward it to whomever you wish.

If you want to offer a donation in support of our work so that we can professionally record our project in both audio and video format, click here for our Go Fund Me account. And we have an anonymous donor who will match all funds donated before July 30! 

If you want to engage in the full collaboration–Vincent’s paintings, Kayleen’s music, and my poems–I hope you will join us in “Love Letters to Vincent” on July 29, the day Vincent died, at 11 a.m. mountain time. We will present the entire collaboration, sending love letters back in time to honor this man who changed the way we see beauty. There will also be a chance to participate in a group creative activity, responding to his work, creating a giant love letter for Vincent. Sliding scale. It will be recorded and sent to all who register.

Read Full Post »


My dear friend composer/pianist/historian Kayleen Asbo and I want to offer you the video recording of our hour-long conversation about Vincent Van Gogh, loss and The Art of Creative Collaboration– click here.This project has been such an important part for each of us in holding on to hope and beauty during a dark and challenging time. If it speaks to a part of your own aching soul and you want to share it, you have our blessing to forward it to whomever you wish.

If you want to offer a donation in support of our work so that we can professionally record our project in both audio and video format, click here for our Go Fund Me account.

Read Full Post »


inspired by Pietà by Vincent van Gogh and a piano composition by the same name by Kayleen Asbo

When Chopin wrote his prelude in E minor,
its melody descending like sundown in a field,
he could never have guessed how
Eugène Delacroix would listen to the song relentlessly
when he painted his Pietà, how the haunting notes
would infuse themselves into the twilight
of the Virgin Mary’s blue dress,
into her outstretched hands and her oddly angled neck
as she held the dead body of her son.

And Delacroix could not have known
how, two years later, Anna van Gogh
would give birth to Vincent Willem,
his heart unbeating, his lungs unbreathing—
how Anna would long to mourn like the Virgin
and hold her own dead child, but her husband
would forbid her to even speak of the loss,
calling her grief a sin.

And Anna could not have known
how a year to the day when her first son died
she would deliver another boy
and name him Vincent Willem van Gogh,
and he would grow up seeing his own name
and birthday carved into a gravestone.

No surprise then, perhaps, that when Vincent
painted his own version of Delacroix’s Pietà,
he painted the dead son in the likeness of himself—
his own slender shoulders, his own red beard.
In Virgin Mary’s eyes, he painted dusk.

And van Gogh could not have known
how over a hundred years later
a woman named Kayleen, inspired
by Chopin and the agony in Vincent’s painting,
would write a song for piano, a song infused
with heartache and beauty, eventide and gloaming.

And Kayleen could not have known how,
months later, another woman would hear
in the slow rolling bass of the minor key
a mirror for her brokenness,
the spilling of her own golds and blues,
how she would seek out Vincent’s Pietà
and see in the painting
her own empty hands, her own dead son.
She would understand in an instant
she was not alone
in meeting the darkling swell of unbearable loss
and the light of bearing it anyway—




 *

Today (Monday, July 12) at 11 a.m. mountain time, I hope you can join me and composer/pianist/historian Kayleen Asbo for an hour of conversation about the “unfolding delight of collaborating on a multimedia project for Vincent van Gogh. No charge, but if you want to donate in support of our work, we will accept gratefully! Above all, we want to share the joy we have discovered in weaving poetry and music in response to van Gogh and each other. 

To register. cut and paste this link: 
https://events.r20.constantcontact.com/register/eventReg?oeidk=a07ej9t6q9ac30328ce&oseq=&c=&ch=

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Dear readers, 

As you know, I’ve been sharing lots of poems inspired by van Gogh’s paintings and the music of the incredible composer/pianist/historian Kayleen Asbo–and finally, a chance for you to hear her work!  We will have two events together: the first one is Monday, July 11 for a conversation about collaborating across the arts. We’ll share about the process of creating “Love Letters to Vincent,” piano compositions and poems all conversing with the art of van Gogh, who was, in turn, responding to other artists of his day. Join the big conversation! It will be practical and passionate! Donation based. 

for more info and to register, copy and paste this link:
https://events.r20.constantcontact.com/register/eventReg?oeidk=a07ej9t6q9ac30328ce&oseq=&c=&ch=

The second event, “Love Letters to Vincent” on Friday, July 29, will have all the pieces she composed, all the poems I wrote, all the art, plus a chance for you to write your own love letter to Vincent. This online salon of love and memory on the anniversary of Vincent Van Gogh’s death will be a heartfelt communal ritual of creativity.

Available on a sliding scale donation and also recorded for later viewing. for more info and to register, copy and paste this link:
http://events.r20.constantcontact.com/register/event?oeidk=a07ej8dm76j7c30686c&llr=q9rr4nabb

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after the painting “The Bedroom” by Vincent van Gogh and the piano composition “Yellow Bed” by Kayleen Asbo

In the tilted room with the yellow bed,
hope waltzes on the wooden floor—
one, two, three, one, two, three—
 
not that you see it there,
it’s not obvious like the windows,
the paintings, the mirror, the pitcher, the chairs.
 
Hope is what you don’t see.
But it is there, beside the water glasses,
beside the long towel.
 
Hope sways so keenly
to snatches of melody
the whole room seems to sway.
 
And it’s one, two, three,
one, two, three; Who, hope says,
will dance with me? It promises
 
friendship. It promises rest.
Will you dance? it asks, a dizzy mess.
It promises community. It promises fame.
 
Will you dance? it asks, but it smells
of paint and faraway dreams.
It smells of madness and longing to be seen.
 
Will you dance? it says, its arms flung out.
Here is where Vincent said yes.
Some see a still life, but others see
 
the whirling, the twirling, the beautiful
spinning of hope, reeling hope,
fragile hope.

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     inspired by Landscape at Auvers in the Rain by Vincent van Gogh and Rain at Auvers by Kayleen Asbo

 
Sometimes when it rains
I forget it will ever stop raining.
The rain, it falls,
it falls for days, it falls,
and the rain becomes
a metric imperative,
insistent as a stop watch,
familiar as the pulsing
of blood in the heart,
a throbbing, a beat so adamant
I forget any other tune.
Did you forget, Vincent,
the rain would stop?
Did you feel inside you
a storm as urgent, as bold,
as the rain you painted
long diagonal strokes?
 
I can’t look at your painting
without feeling inside me the rain,
the rain, feel it slant across my world
in thick dark lines.
I can’t look at the purples
and yellows of Auvers
without remembering how days
after you painted these hues,
you would take your life.
 
But how could I vilify the storm
even knowing what I do?
You found in the tumult
light.
You fueled the dampened, darkened world
with ecstatic gold.
You didn’t push the storm away, Vincent.
You let it drench you.
You shared with us all
how struggle, too,
is so terribly, terribly
beautiful.


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inspired by Eternity’s Gate by Vincent van Gogh and a piano composition by the same name by Kayleen Asbo, with quotes from van Gogh’s writings about the painting


Perhaps you, too, have sat
in the corner of a room,
back bent like winter grass,
elbows on your knees,
head weighty in your hands.
Spent. Exhausted.
Unsure how to live
another minute.
This is perhaps
the moment
we least want to be seen,
but if we are lucky,
perhaps an artist
with an eye for eternity
will feel it his duty
to find in our ruin
something precious,
something noble,
something unutterably moving
something to help us
know ourselves
as a part of infinity,
our life a brief song,
unbearably beautiful,
a masterpiece,
dark and descending
though it is.   

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inspired by the painting “The Sower” by Vincent van Gogh and piano composition by the same name by Kayleen Asbo

Forever, the farmer depicted in oils
strides across the field throwing seeds
in an eternal ostinato sowing.
Forever, the sun behind his back
pulses radiant, golden, glowing.
Forever, the worker is caught mid-step
as he swings back his arm in the blue-ish light,
Forever his work is never done.
Forever there are mouths to feed
and grain to grow and the need
for one who unstintingly sows—
and there are thousands of ways to sow.
 
It is said the only thing necessary
for evil to triumph  
is for good people to do nothing.
And so like van Gogh’s sower,
it is our work to keep sowing.
Though forever loss.
Though forever the poor.  
Though forever depression.
Though forever war.
Though forever the crows descend
to follow the sower and eat the seed,
the sower sows despite.
The sower sows because—
The sower sows forever,
for that is what a sower does.

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inspired by Almond Blossom by Vincent van Gogh and music by Kayleen Asbo by the same name

I want to hang a painting
of almond blossoms
above your bed
so when you wake
the first thing you see
are delicate white petals
and a sky a thousand shades of blue.
I want you to wake every morning
into an ever-emerging sense of spring—
wake into sunshine,
wake to a world of splendor
and extravagant blossoming.
 
Of course, the fall.
Of course, the struggle.
Of course, the difficult days.
And of course, the almond blossoms,
painted in creams, pinks and greens
each one an insistent grace note
that lingers beyond its season,
promising something improbable
and utterly necessary,
like ever-blooming beauty,
like the light and airy perfume of hope.

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Inspired by “Impasse des Deux Frères” by Vincent van Gogh and Kayleen Asbo’s musical response, “Moulins de Gallette.”


Some days, like today, I long for rain,
long for the muted, grey kind of day
that unfolded in the oils of van Gogh,
when he’d stroll through the flat
and quiet daytime streets of Montmartre,
those dreamy hours when the world
is not too bright, not overly exultant,
not too sure of its gaiety,
a day when the wind is the only thing
that feels it needs to move,
when I don’t need to know anything
about anything, can notice how
the world resists resolution,
how the barest scrap of color
can change the whole scene,
can let myself be content to be gray,
can let myself be a student of windmills,
notice how it’s the invisible forces
like silent love, like persistent wind,
that make the whole world spin.

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inspired by “First Steps” (after Millet) by Vincent Van Gogh and a song by the same name by Kayleen Asbo


Precious as the first pale green of spring
those first awkward steps of a child.
How we cheer their innocent tottering.
How we celebrate the very thing
that will lead our child away
from the safety of our arms.
 
Memory is like a Dutch painter
who insists on portraying
a child’s first steps
in only the loveliest hues,
and the frame contains
only lyrical hope,
and each brush stroke
is dipped in tenderness,
and we don’t yet know
how hard it will be to let go,
how the sweetest songs end
long before the heart is ready.

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