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Posts Tagged ‘Corona Virus’




Rename it Year-the-Redwing-Blackbirds-Came-to-the-Yard.
Is it true they were never here before?
Or was I not here enough to hear them?
Rename it How-to-Read-Eyes-101. Or
Intro-to-Zoom. Or Age-of-the-Unmoving-Odometer.
Is that any better than COVID-19, which grates
like the righteous shouts of politicians?
Or coronavirus, which sounds like
a chorus of ventilators?
Call it Killer-of-the-Wise-Generation.
Or Bringer-of-Empty-Schoolyards.
Period-When-I-Lean-into-Uncertainty.
Time-I-Know-How-Human-We-Are.
Silver-Lining-for-Introverts.
Yet-Another-Chapter-of-Inequity.
Call it Life-Taker. World-Changer.
Pandemic. Prayer-breeder.
Loss-Bringer. Choice-Maker.
Teacher.

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Will I remember this day with its greening of grass,
its blooming of apple blossom, its stilling of pond?
Will I remember the sweetness of my daughter
not leaving the house for school on a Wednesday
because her classes are all online? Will I remember
how she comes to snuggle on the couch during lunch
and pinches my cheeks and teases me about my ugly feet?
Will I remember the terrible yellow sticky casings
of the cottonwood seeds, how they glue to the hood
of my car that rarely moves from the drive? Or
the lavender in the garden that always looks
grey and dead before it erupts into fragrant life?
Perhaps there is some wave of presence
that will carry such stillness forward, a current
of quiet, a tide of tenderness that will insist
on itself for years to come. How forgettable
it all is—and how cherished—this swooping of swallows,
this opening of iris. How necessary, this holding
my daughter while the dark pool of night curls around us,
this cradling each other as we say nothing at all.  

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I see my old self walking down.
She doesn’t have a mask in her pocket.
She doesn’t move to walk six feet away.
She leans in to hug me, as if it were the most natural,
ordinary thing to do. She looks offended
when I offer her an elbow.
She doesn’t yet know how a virus
will use genome origami to infect and replicate
inside host cells with terrible efficiency. 
She doesn’t know the schools will close
and the stores will close and the streets will close
and the doors will close and it will all happen
in a week. She doesn’t know her daughter
will cry herself to sleep each night for weeks.
She doesn’t know her son will slip
into a darkness and rage she will try to carry.
How the days of her calendar will empty.
How pixilated her life will become.
How the hospital won’t let visitors in .
How she will miss her mother, her father, her friends.
How millions and millions will die. 
And that’s just the health of it.
Part of me wants to tell her what’s coming.
I don’t.
Part of me wants to hug her back,
and I can’t quite explain why I do.
Because innocence.
Because she will be here soon. 

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for Heartbeat, singing together since 1994


Every week we sang, sang blues
and ballads, folk songs,
rounds, pop songs, jazz,
love songs, chants. And we
didn’t just sing, we touched
and hugged, leaned in and loved,
ran our fingers through the waves
of each other’s hair, laughed till we peed,
and jostled and shoved and teased
and offered tissues and kissed cheeks
and brought the shared melodic air
into our bodies and returned it
into the room in currents of ecstatic song.
Oh we sang, how we sang, as if
singing were a life raft that kept us afloat
on the aching broken world.

Now, I sing alone in the kitchen.
Sometimes I’m haunted by the part
I sing—a harmony line unanchored
by the melody. With no tonic,
the tune feels off. There is so much
that’s missing, that’s lost.
Sometimes I make up a new song
and sing about what is here. 
Good morning, hummingbird.
Good morning, loneliness. Good
morning big empty room.
The air holds the notes like shimmering drops
that sometimes leak out of my eyes
when I think of how we sang, the music
a life raft, and your voices, my friends, the oars.

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Beat. Blending. Bolero. Breakaway.

Before bed, my daughter and I

do a word search. The theme:

“Social Dancing.” At the same time

we notice how closely related

Dancing is to Distancing.

 

The hidden words all snuggle

in their thirteen by thirteen square.

Brush. Cha-cha. Foxtrot. Polka.

They cross each other, touch each other,

overlap, congregate, connect.

Rumba. Samba. Slow Dance. Spin.

 

How I miss doing what these letters

are doing—getting lost in a crowd,

then emerging less as a self and

more as a spiral turn, upside down

and backwards, or heck,

showing up as a straightforward sway.

 

Oh I miss that glorious not knowing

where I begin and end, surrounded

by others as we swing, swivel, tango, waltz.

 

 

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We all belong to the same galactic oneness.

—Carlos Santana, Master Class

 

 

I could be the doctor who, overwhelmed

in the ER, went home and killed herself.

I could be the sixteen-year-old boy

who had to cover his father with a white sheet

before the coroner arrived.

I could be the white sheet.

I could be the lawmaker unable to sleep,

or her pillow that hears her cry out in fear

when at last the sleep arrives.

I could be the rhythmic hissing of the ventilator

or the wail of the wife, or the weary hum

of the custodian beneath her mask

as she wipes the surfaces clean.

It could be me, the eleventh death

in the town next door to mine.

It could be me, the one who

unknowingly makes you sick

because I don’t know I carry

something deadly inside my breath.

And so I don’t hug you when I see you

across the post office lobby,

though my heart leaps up to hold you.

Because you could be the flat line

on the EKG.

Because you could be number twelve.

 

 

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Today I take the courage I don’t feel

and the resilience I doubt and

all my unspent longing to serve,

and I bring them, cupped in my hands,

to the garden. They nestle there in my palms

like three baby birds that have not yet

opened their eyes. I take them to hear

the pungent song of the garlic shoots

and the thriving chives who chant

how to survive the winter.

I bring them to hear the strawberry leaves

who sing how to flourish despite the frost.

and the old song of chicken manure

and composted grass that hum about

how old life begets new life.

And they open their tiny beaks,

as if they could eat the green song.

How vulnerable they are.

So I open to the song, too.

I do what must be done.

I take in the nourishing song,

and feed them with my own mouth.

 

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And so I pull the purple comb

through my son’s thick hair,

the same way I’ve seen

the stylists do at Great Clips.

Wet the hair. Comb it through.

Part it. Hold it between

two fingers. Cut vertically. Snip,

and his hair falls to the floor.

Comb it through. Snip. Snip.

 

We both know that I

have no clue what I’m doing.

So we laugh as the hair

piles up on the floor.

We chatter, the way

a stylist and customer would,

talking of school and his friends

and his unruly cowlicks. Snip.

 

I remember that time

I was trapped underwater

by the river’s hydraulics,

how I stared up at the light

shining through the surface

and thought, I don’t think

it’s my time yet to die.

And the river spit me out

and I swam hard as I could

through the rapid toward shore.

 

I don’t think it’s my time yet

to die. Nor my son’s. Though

all around us the news of dying—

the numbers increasing every day,

stories of beloveds who are gone.

 

We ask ourselves, how do we

go on? And meanwhile, we do.

We go on. And because my son’s hair

is too long for his taste,

I learn how to cut it by cutting it.

How much more will we learn

as this goes on? How to share?

How to grieve? How to let go? How to live?

 

And meanwhile, life spits us out

into sunlight, and we come up

spluttering, gasping, surprised

we’re alive, and we swim, what a gift

to find we’re still swimming.

 

 

 

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Tonight I can laugh at the part of me

who thinks she should know

the right thing to do, the right thing to say.

 

Meanwhile, the rest of me

wakes up each morning in wonder,

marveling at the quickly changing world.

 

Every morning this second self practices

how to bathe, how to dress. Even now she is practicing

how to write a poem, how to make breakfast,

 

what to say to her friends, family, herself.

She knows there are so many ways to do it right.

Every moment contains invitations

 

she’s never noticed before. Sometimes

she practices saying nothing at all.

If you see her lingering beside the road,

 

it is because she is practicing how to walk

how to see. She used to know, of course,

but now she can’t seem to take anything

 

for granted, how to drink tea,

how to walk into a room, it’s all new,

how to weep, how to smile.

 

 

 

 

 

 

 

 

 

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Like the giant rock, balancing in the desert

on a slender pillar of sand. Like the way

the full moon seems so much larger

when it first rises. Like how the bluebird,

smaller than my open hand, migrates

up to two-thousand miles in the spring.

 

Every day, the world bewilders me,

as if daring me to believe in other

impossible things. Like how closeness

to death makes us more alive.

Like people all over the world

choosing kindness over chaos.

Like love, that against all odds,

continues to grow.

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Eadem mutata resurgo

Latin motto: Changed, I rise again

 

 

Sometimes in spring

I can still find the dried seeds

of the mountain mahogany

clinging to the ends

of the branches—

feathery golden spirals,

logarithmic and light.

 

How the universe

loves a pattern,

an elegant mathematics—

this same spiral is found

in spider webs, sunflowers,

snail shells, cyclones, the arms

of galaxies, the human ear,

even in the nerves of my cornea

 

that help me to see

the very pattern that

gives me the ability to see.

I want to find the self-similar spiral curve

that informs kindness and strength

as it spreads through a people. I want

to find the equation that calculates

an exponentially growing radius of love.

I want to find the dynamic beauty in us

 

that amplifies as it moves out

with ever increasing speed

from the infinite center.

I want to embody the trustworthy constant

that inspires our species to be better,

want to know the recursive courage that drives us

to thrive in difficult times.

Our potential, endless, yet humble

as last year’s seed in my hand, ready

to be planted, to sprout, to grow.

 

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Hello Friends,

If you were unable to join us live for our April 3, 2020, reading, you can catch me and my friend Albert Flynn DeSilver doing a special online reading … about an hour long total. We each read for 15 minutes at the beginning, then open it up for a discussion based on viewer comments about the role of poetry in our lives right now.

I read exclusively poems written in the last three weeks–all of them found here on A Hundred Falling Veils–all of them speaking to the world we are in right now.

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Dear Other Version of Myself,

 

In my calendar, it’s April second

and you are going to an event tonight

at a bookstore in another town

where the people will gather

and hug each other and taste

each other’s wine. You live in a world

that no longer exists, and every day

I try to reconcile it—how you

had plans to go camping next weekend,

how you were going to go to the theater

with no mask, no gloves,

no sense of your body as a weapon.

 

Every day, your life, which once was my life,

seems increasingly impossible.

Every day, these two worlds are farther apart—

the one in which you were getting on a plane

to visit your mother

and the one in which I put on rubber gloves

to go to the post office box.

I remember how seldom you washed

your hands for fear that someone you love

would die. I remember what it was like

to hug my friends with no worry

of harming them, to go to a restaurant,

to plan for a day past tomorrow.

 

 

 

 

 

 

 

 

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also known as Johnny jump up, heart’s ease, heart’s delight, come and cuddle me

 

 

Into the shade by the porch

bloomed the first wild pansy,

its small yellow face sunny

and eager and open.

 

The Athenians used to make

the tiny flowers into syrup

to moderate anger and

to comfort and strengthen the heart.

 

And here it is today,

small volunteer beauty,

growing in this patch of dirt

where nothing else wants to grow.

 

This tiny garden is but one of many

concurrent realities—others involve

hospitals short of beds, loved ones

gone, doctors scared to go home.

 

Our hearts need strengthening.

Little violet, we’re learning, too,

how to be surrounded by death

and still rise up, bring healing as we bloom.

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Need a poetic boost? Join me and Albert Flynn DeSilver as we read poems inspired by and in conversation with the pandemic.

Albert is the author of Writing as a Path to Awakening. He’ll be hosting the reading on Zoom. After they reading, we will open the platform for a conversation: “What role is poetry playing in your life right now?” Join us April 3, 2020 6:30 PM MST (US and Canada). Please register in advance for this webinar:
https://zoom.us/webinar/register/WN_pOZT_Vq2Rs6TQMRAT5ssTA

After registering, you will receive a confirmation email containing information about joining the webinar.

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Even as the snow was falling,

the birds in the branches

kept singing into morning,

easing their bright notes

into the thin gray spaces

between snowflakes.

 

There are days, imagine,

when the birds go unheard.

And it isn’t for lack of song—

the single note chirp

of sparrow, the bass of raven,

the chickadee’s hey swee-tee.

 

Some gifts come only

when we stay in one place,

come only when we are alone,

come only when we stop praying

to be somewhere else and instead

pray to be here.

 

 

 

 

 

 

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            with gratitude for Dennis McNeil

Every night now as I make dinner in Colorado,

I listen to a tenor sing live from his back porch

in California near the coast.

While I chop onions and chard

and sip on sauvignon blanc,

he belts tunes from Oklahoma

and Phantom of the Opera,

patriotic songs and Frank Sinatra,

and I sing along, my small soprano lifted

by his generous voice that baptizes the room.

This is the world I believe in—

a world ringing with beauty.

A world where people share their gifts

with strangers, knowing our lives

depend on this.

Between songs, he toasts us with gin,

and smiles. I return his toast with wine.

This is the way we carry each other

through difficulties, one song at a time.

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Again today, the invitation

to fall in love with the world—

with the gray jay who flits

from empty branch to empty branch,

with the sharp scent of rabbit brush,

with the warm spring wind

and the dark buds on the crabapple

still tight with future bloom.

 

Some days, though the world offers itself,

it’s not so easy to fall in love—

days when heartache twists in the chest

and turns in us like a screw,

leaves us raw and sensitive, until,

too tender to hear any more bad news,

we shutter our hearts, we close our ears.

 

But if we’re lucky, an inner voice

sends us outside into the day,

and though it is gray, the world does

what the world does—

holds us despite our heartache,

holds us the same way it holds

the stubby pink cactus, all prickly and clenched,

the same way it holds last year’s thistles,

all brittle and flat and gray,

the same way it holds the dank scent of river

and the moldering scent of last year’s leaves,

holds us exactly as we are

until we are ready to fall in love again.

 

 

 

 

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for my children, for all children

 

 

I want to give you the kind of day we didn’t have today—

a day when the wide blue sky makes you rush outside,

when we go to the park and meet your friends

and you run to greet them—you hug and play chase

and tag and tackle and whisper in each other’s ears.

I want to give you a day warmed through by laughter,

with crisp green leaves already on the trees.

And on our way home we could stop for ice cream

and joke with the women at the counter

about how there’s not much news to share.

A day when you can’t imagine being afraid. When

you fall asleep not wondering when someone we know

will die. Instead, the world gives us this day—

this day with its fears and its warnings—and

I give you what I can: A scarf to play dress up in.

A homemade pumpkin pie. Dance party in the kitchen.

Three tired and perfect words. Open arms.

A reminder the sleet will make the grass green.

Secrets I will keep for now to myself. The slow tide

of my breath beside you as you fall asleep.

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Lucky

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Look around, look around, at how lucky we are to be alive right now. History is happenin’.

            —Lin-Manuel Miranda, “The Schuyler Sisters,” Hamilton

           

There are days when we know we are lucky—

when we go for a walk and find, beneath dead leaves,

yellow petals. When an envelope brings a surprise check.

When a loved one calls to say they will visit. When

our name is pulled from a hat.

And then there are days our luck is less clear.

When the commercial world as we know it collapses.

When the schools and restaurants and whole towns are closed.

When our paycheck is gone and we can’t pay

next month’s rent. When loved ones lives are threatened.

Yes then, it’s much harder to say we are lucky.

But. Every day, every day for the last week,

every day when I wake, I think to myself,

This, this is the day to make a difference.

This is the day to bring your best self to the world.

This is the day to shine and work and forgive.

 

Every cell in me is wildly alive. Every moment

feels like a gift. I’m transfixed. Every minute

feels like an invitation to show up more open,

more vulnerable, more brave than I ever dreamed I could be.

And damn, if that isn’t lucky, I don’t know what is.

The morning light, it reaches in,

bathes the whole room in gold.

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