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Archive for January, 2014

Making It

Not once did I think I was lost today
in the trees, but part of me wished
I were lost. It wasn’t the lost part so much
I was craving, but the thrill of feeling found.

Once I was lost in a strange city. I had
stepped off the tram at the stop where
the cathedral was. We were going to visit,
my mother and brother and I.
I went straight for the station’s candy stand, and stared
at the brightly wrapped sweets, then turned
to ask my mom for one. And she was not there.
Sure she had left the station, annoyed with my wanting,
I ran up the stairs toward the light
of the street. But she was not there.

Meanwhile, on the green line, my mother
had fallen asleep. Mom! said my brother,
Mom! When she woke, I was gone. She was sure
we were playing a trick. She checked under
all the seats. The adjacent cars.
She was without her ten-year-old girl in Boston.

I lost my mommy, I told the policeman.
He was standing right there on the corner.
He wiped my eyes, then took my hand
and walked me to the cathedral.
Out front, a man was having a seizure.
His arms flailed. His tongue wagged.
He flopped about on the square. Don’t worry,
the policeman said to me. He walked me right past.

Candles. Candles everywhere. Singing.
And stained glass. And marble statues.
And not my mother.

At the station, the policemen gave me candy.
As much as I wanted. M & Ms and Starburst.
I told them where we were staying in the outskirts.
They drove me there with the sirens off.

And though I was not lost today,
I still had in me something of the joy
that I had on that day when I was recovered
and delivered safely, through wildly good luck.
And why not feel joy. Today is as good as any other day
to celebrate finding my way home, no matter
how well I know my way around these woods.

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Why the Women Cry

Lara and I sit side by side in her rocking chairs.
Like old women. We are old women.
Or at least much older than when we first
had sleepovers at her house in seventh grade.
She would tell me her secretest thoughts
late at night and I, laying in the trundle
bed beneath and beside her would often fall asleep
in the middle. Oh how she would pummel
me then with her pillow. Her anger was
as real as her tears.

*

At first I think she is laughing. I turn
down the music to hear the small
gurgles in the backseat. It is dark.
Sweetheart, I say to my girl, are you laughing?
Now I hear they are sobs.

*

In the search bar I type:
myth why people cry.
In seconds I am led to 9,980,000
results. People crying for myth.
Myths about crying and depression.
But there are no stories I can find
about the why of the tears.

*

It was her nephew who died.
As we rock, we talk about him and his life.
She loved him. He was the first
child she ever knew. Avalanche.
Though it doesn’t much matter,
the why. He’s dead. She says,
I knew him, but I never really knew him.
He never totally let me in.

*

My daughter is scared.
Mom, she says, are there any
other cars going the same way
that we are going?
Yes, my love, I say. We are moving
at the same rate and at the same time
in the same direction, so we cannot see them.
Does it scare you that we seem to be alone?
Yes, she says. Yes, I say, it can be scary
to feel alone.

*

Once upon a time there lived a woman.
She was all alone. She lived by the sea.
The sea frightened her. It was vast
and deep and full of things
she could not understand.

*

Lara does not cry. Not tonight.
She tells me about how her nephew
has lived so much in such a short time.

*

Grown ups don’t cry, my daughter says,
when I tell her it’s alright to cry.
Oh sweetheart, I say, yes they do.
Mommy cries all the time.

*

The woman who lived by the sea
stood on the beach and looked at the water
for many, many days.
At last she said to the ocean,
what do you have to teach me?
And the ocean said nothing at all.
But she could feel in her such
a great, great emptiness
so she began to drink. At first
a sip. Then another. She could taste in it
the unfurling of the intricate undersea fans.
She could taste in the water the blood of a recent kill.
She could taste the wreckage, the rainbow,
the force of the waves. And she drank
and she drank and she drank.

*

When I was 23, I remember
reading in a magazine about
how if you cried more than 2 times
a week, it meant that you were depressed.
Oh, I thought, but I cry at least two times a day,
and I am the happiest person I know.

*

And when she had swallowed the entire sea,
the violence, the glassine façade, the sludge
and the tug and the roar and the still,
she sat on the beach and was satisfied
that it all was inside of her.
Until she remembered the pleasure,
could it be? that she’d felt when she was
more empty. Less knowing. Less full
of it all. More thirsty. More space.
The world then was more mysterious.
And she began to, what was it?
cry. Something no one had done
before. Oh the salt. Oh the sting.
Oh the ferocity of the act as the sea
spilled out of her. And sometimes, too,
she leaned into the gentleness.
And slowly the shore became a shore
and again the sea became a sea.
And the woman then understood
what it meant to gain and lose things.

*

This night, when I am ready for sleep,
Lara does not throw her pillow at me.
She kisses me good night, and we lean
our bodies into each others bodies,
then climb the stairs to our husbands, our beds.

*

Mama, she says, you cry?
Oh yes, my love. I try to imagine
how she has not seen this before.
Inside I feel the teeth of the eel,
the ship without an anchor,
the shifting of the rising shore.

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one

old scar
he picks till it bleeds
to be sure it still hurts

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Ant-ic-ip-a-shhhh

It is a little bit
like when you see
from across the room
that someone with
a widening smile
and fingers flexing
is on their way
to tickle you and
and every part
of your body
leaps up and laughs
long before the teasing hands
have found you,
it’s a little bit like that,
this loving you.

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Again

Dressed in a hat I knit him, shame
invites himself on my morning walk.
I do not attempt to ditch him.

Don’t exactly encourage him
to stroll along, either.
He is limping. He catches

me noticing, reminds me
that I kicked him in the shins. I don’t remind him
it was an accident. He had tripped me.

“I’m sure you didn’t mean to,” he says,
reading my mind as he always does.
He curls his hand around my shoulders.

Pulls me closer. Says, “You know I’m
the only one who will always be with you.
I’m the only one who really knows you.”

Now I do pick up the pace.
“You can’t outrun me, doll,” he says.
He knows I hate it when he calls me doll.

I stumble on a patch of ice and start to fall.
He hustles to catch me before I hit
the ground. I can’t help but notice

the limp is gone. Part of me wishes
he’d let me fall. I don’t want him around.
But the other part surrenders

as he holds me in his strong, familiar arms.
“Doesn’t it feel good,” he says. “You know
you want it, doll.”

I sputter, “Don’t …” and he kisses me
long and slow. I can taste the curl
in his lips. Shit. He knows how

I love it when he does that little
kissy hum, and he does it, and then
he lets me fall.

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He spoke of a river deep and dark
that carries enchantment
in its waves and
makes whoever drinks or bathes
there greatly drowsy.
Not just drowsy, no,
but also likely to forget
whatever thoughts they thought
they knew. And that, he said,
you mustn’t do.
Perhaps it’s just as well
that he did not pass on
the ancient map
that told of where
the river could be found,
for I am very curious,
and I’m inclined to take your hand
and wade in currents
dark and deep
and let the waters do their deed
and lose these thoughts
of should and was
and wish and want and how,
then lay there on the shadowed banks
and shiver, mind and thoughts erased
and let the first thing that I see
be you. And naked there,
without recall, would we shyly
let our eyes fall to the forest floor?
Be lovers never more?
Or would we look at our own hands
not knowing how the scars were made
and reach for each other unafraid
forgetful of how love is both the bandage and the knife,
both wound and salve, both bliss and ache.
I do not need a river, love, I do not
need a map. I choose you. Yes, I see the scars.
I choose you. Here, these hands
are yours. I choose you. I remember.
And I choose you. You remember, too.
Perhaps some day we will forget
the how, the who, the pang, the love despite.
Not yet.

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Come Play Poetry in Telluride …

You. A poem a day. 30 days. Life may never be the same … 

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All night, all night she wanders the rooms,
hey nonny, ho nonny, slow nonny noo.
Looking for something she thinks she once knew.
knew nonny, coo nonny, true nonny who.

Into the kitchen and into the den,
dark nonny, hark nonny, lark nonny nigh.
And rooms she’d forgotten she’d ever been in,
oh nonny, ho nonny, whoa nonny sigh.

(Happy New Age Ending)

She found it at last in an old leather book
dust nonny trust nonny hushed nonny whee,
And never again did she wander or look,
Here nonny, clear nonny, she’s a Sufi.

(Hollywood Ending)

The dark handsome man stood behind the next door,
hot nonny, caught nonny, dot commy rich
They married and unmarried, still wanting more,
whoops nonny, oops nonny which man is which.

(Real Ending)

She never did find what she once thought was gone,
hope nonny, nope nonny, grope nonny mess.
The rooms changed and she changed and life went on,
day nonny, night nonny, no nonny yes.

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In the Lengthening Days

Instead of telling him I am angry,
never mind what it was, it was
nothing much, but I was angry.
And did I tell him? No. I went outside
and shoveled snow and told the driveway
all about it. Told the sky as it changed
from gray to blue. Told the empty
cottonwood branches. Told the missing moon.

*

The snake coiled up her arm
and round her nape, around
her face. It was red and gold and black
and never rested in one place. It twined
around her torso, round her jaw
and round her back. I watched
the woman as she sat there, eyes closed,
arms and spine relaxed.

*

A question I have never asked
but someone else asked for me
and printed the study for all to read.
Why do birds live longer than turtles?
Not the mass. Not the heart rate.
The resting metabolic figures only somewhat correlate.
It’s how much energy they expend
over their lifetime. The answers to this study
come slow.

*

Hopping mad. Glopping mad.
Splopping, troppling, blopping mad.
Hard to be mad when
you’re rhyming nonsense
with nonsense.
That didn’t stop me.

*

In the story the sage
talks about the knowledgeable man.
When the deadly snake twists up
his arm, he thinks to himself,
This snake could kill me. I should
brush it off. The wise man
doesn’t think at all. He simply
brushes it off.

*

Who is the one who thinks
she is angry? And who is the one
that notices her?

*

A straight line of black
through the snow. A wider
straight line of black
through the snow. A whole
driveway of black pavement
lined with snow.

*

I do not want to outlive
the Galapagos Tortoise
who lives a projected 170 years.
But I do want to live
long enough to learn
to love you better.

*

Don’t let it touch me,
don’t let it touch me I think,
and then it is happening
already the snake is moving
around my wrist, my elbow,
my armpit. Don’t move,
I think. Too late to brush
it away. Sit still, I think.
Relax. Expend no energy.

*

Snake. Bake. Cake. Lake.
Smake. Trake. Grake. Sprake.

*

The anger is real and then
it is gone. The woman is real
and she is still here. The snake
was a fiction and still
it is twisting around the woman
who stands in the drive and watches
the sky as it turns from blue to gray again.
It seems to happen slow.
She only has 2.25 billion heartbeats left
if she is lucky.
She tells the drive she wants to make the most
of every one.

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If I Died Right Now

they would find in me
a whole standing forest
of dead ash trees
blighted by beetles
waiting to be hewn,
and the scent of apricots
ripened by the sun
and ten thousand thousand
blank pages
never written on
and they would find
my hands reaching
for the fields of purple
aster hiding inside you,
reaching not to pick
the flowers, no, only
reaching for the pleasure,
the sadness of reaching.

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