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Archive for October, 2016

 

 

Loneliness is still time spent with the world.

—Ocean Vuong

 

 

It would be easier if loneliness would come to me

like the angel that wrestled with Jacob,

 

if it would slip by night into my tent

and rip me out of slumber,

 

force me to be awake and alone, but

there is no room in my tent.

 

I have already invited the circus.

We stay up all night and dance,

 

me and the tigers and fire breathers.

We practice swallowing swords

 

and how to best stitch

new feather headdresses

 

and red-sequined capes. All night

the ringmaster announces

 

the next act and the next, and

though my eyes would droop

 

and my body would sleep

and my heart would have time

 

for mourning, I force my dimming self

to clap as the clowns yet again

 

climb out of their tiny car

with their garish grins—

 

how could there be so many of them?

with their horns and their tricks

 

and umbrellas and balls—

so many clowns that loneliness

 

has no chance to slip into this place

where I entertain endless acts that prevent

 

me from wrestling, from asking,

please, to be blessed.

 

 

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Sometimes when I feel my heart

harden, become quartzite, a stone

hard enough to cut my tooth, hard

enough to cut the blade of a knife,

I let myself be led

into the narrow and moss-soft gorges

of the Appalachians.

The creek here has rendered the sandstone

edges into rounded walls

where hemlock and dark green lichen grow.

 

It’s no revelation that this church

of curves is the work of water.

Still, when my friend Paul mentions

that only because the water is moving

is it able to erode the stone, the knowledge

washes me new. How long have I been settled

in a quiet pool?

 

I have tried not to move, tried not

to be tumbled. For a moment,

I envy the rounded bit of quartzite

Paul holds in his palm.

 

No, I tell myself. That would only change

the surface of things. What is smoothed

is no less hard. I turn to the ferns

growing out of the rock. Time

for a new metaphor.

 

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I could tell you it doesn’t hurt, but

that’s a lie. Still, I choose

to dive into what’s frozen,

 

entering the cold with no armor.

Naked and alone. I could tell you

I want you to join me,

 

and that is partially true.

After the shock, the shudder,

the clench, we can stretch

 

our limbs on a warm flat rock

and let the sun write its blushing graffiti

across our skin.

 

It is not our toughness

that will save us here, but

our curiosity.

 

Let us not come for answers,

and if we find some, let’s not

fill our pockets. Let’s toss them

 

like stones into the lake,

and let’s not dive in after them

no matter how strong we are,

 

no matter how deep

the water, no matter

how clear.

 

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What if

we spoke

about how

we can’t

speak to

each other,

and by

other, I

mean other

versions of

our selves,

and what

if, as

the words

crashed on

our lips

like ocean

tides that

won’t be

held back,

what if

we realized

that our

speaking about

not speaking

is a

starting shore,

sea water

collecting on

our cheeks.

 

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Some apologies we think we’ll never hear. Some we think we might never say.

This poem was published today on New Verse News–How to Eat the Moon

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Sometimes After a Drought

 

 

 

the way the rain

soaked the earth last night—

not because the earth deserved it

but because it could not help but rain—

that’s how love arrives

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may there always be

more why in us than because—

a storm from a cloudless sky

a rose garden flowering midwinter

a blind and ravenous wonder

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walking through the corn maze

wishing I could be the kind of person

who allows herself to be lost

meanwhile never

putting down the map

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scraps of rusted metal,

tumbled mine buildings,

splinters of fallen trees—

 

running clear and cold, the creek

makes music of everything

 

 

 

 

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Hurry, Hurry

 

 

 

So when we get to the measure

in the Hungarian folksong

where a man begs a boatman

to carry him across the sea

where his lover is waiting,

we decide as a group to sing it hushed,

hushed but urgent, says Jenny,

and we all agree, though when we get

to the phrase, we all forget the hush

and collectively belt out his longing

like a celebration, urgent and vital,

of all the longing that rings the world,

all the ways we yearn to connect, to love,

to stand beneath the window

of the one we adore and say

here, I am here.

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