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Archive for March, 2017

 

 

 

Sure you’ve delighted in mud before,

slathered it all over your skin

beside the brown currents of the Gunnison

until the only unmuddied parts of you

are your teeth, your tongue, your eyes.

 

Sure you’ve been baptized before

with gray muck by your best friend

on the edge of the Blue Lakes Road,

her slender hands anointing your forehead

with the color of high mountain shale.

 

You’ve painted with mud on desert rocks

and rolled in mud with your son,

but that doesn’t mean you want

to get muddy now, not when you’re so clean

and on retreat, not when you’re so so very very

 

not not muddy. So you skirt messy ruts

and you gingerly side step, you pussy foot,

weaving your way on the spring-puddled road,

but one slip and one oops and you’re in it again, ankle deep,

and what to do now but laugh

 

and notice how the path expands

when you no longer need to watch

where you’re going—how much more open

the world has become, how available you are

to any step that comes next.

 

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The Beholder

 

 

 

While the wind chime clinks and the magpie

chatters and the mare nickers and the

doves swoon and the melting snow

tinkles and the passing cars purr

there’s a woman who listens

surprised at how what she hears

most of all is a stillness inside her

that seems to spill its quiet

all over the clamor of morning,

perhaps the way the shadow

of the mountain seems to spill

across the earth and changes nothing

and changes everything.

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clinking my glass

with god—a toast

 

to the little green leaves

beneath the dead brush—

 

neither of us is surprised,

but dang, ain’t it grand

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Miles Davis stood behind

the new tenor sax man,

hired for the album,

who thought

he was giving his soul

to the song, but Miles

growled in his ear,

“You already said that,”

and with a back scratcher

whacked at his back.

 

Tonight I said again

the same words

I always say—

come to dinner,

time for bed,

do your homework

brush your teeth,

sweet dreams—

 

and felt that old stick

on my back, heard

the gravel in the growl,

and when I turned

out the light I went ahead

and said the same old words

again anyway, but said ’em slow—

I love you—

the syllables lingering

in the dark, breathy,

warm, kinda blue.

 

 

(with thanks to Joel Long for the story about his sax teacher)

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Morning Commute

 

 

 

Red carcass beside the road,

the thin ribs like white staffs

and the black birds

that flitter around them

like staccato notes

escaped from the score—

 

if you listen for a death song

all you’ll hear

is the shiny caw of good fortune,

the sound of your own

hungry wheels humming by.

 

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Shelf Life

 

 

 

Like milk kept in the fridge too long—

the carton beginning to bloat,

what was healthy, nourishing, wholesome,

 

now yellowed and curdled and sour.

It wasn’t on purpose, this spoiling,

but forgetting is its own kind

 

of aggression, and what

to do with it now,

this promise that can’t be kept.

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Three days of contemplation and creative expression–you deserve it. This weekend, March 10-12, we have a couple places left in The Grand Embrace: Writing & Relaxing into Not Knowingness.

The residential retreat is held in La Sal, Utah, and includes lodging, meals, and guidance in poetry and meditation led by poet Rosemerry Wahtola Trommer and dharma teacher Susie Harrington.

For more information or to register, visit desert dharma

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trickle in the desert—

it takes so little water

to make a song

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Given a Window

 

 

 

It’s a dangerous thing, the window,

with its curtains pulled to the sides—

 

it allows you to see through the walls,

but it doesn’t allow you to leave.

 

It shows you another possible world

while you are still shadowed inside.

 

And what is the voice that says, Jump?

And what is the voice that says, Hide?

 

And which voice is louder today?

And which voice chants low, a resonant drum,

 

Jump, it says, Jump, jump, jump,

to hell with the fall, and when you land,

 

if you’re not broken, run.

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Blowing and gusting

and pushing and rushing

the wind tugs at every

surface it finds

and pries and whips

and shreds and flips,

overturns and tears

and ravages, wears down

and frays, unravels

and loosens in an entropy

dance, and to all

it touches—willow,

leaf, clothesline, fence,

it whispers

resilience, resilience.

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I say I want to fly

then fill my shoes

with sand

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One Spring

 

no cranes in the field—

looking at the emptiness

seeing four thousand gray wings

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