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Archive for November, 2018

 

As summer leans into the fall,

as sunflowers that lose all

their petals—though it takes

some time. As rhyme

 

that slips toward normal speech.

As evening drifting toward the night.

And when you’re really sure

you’re right, let go as snow evaporates,

 

as puddles dry, as clouds

disperse, as waves unwave,

as light rehearses shadow.

And if you’re still sold

 

you are right, then practice

quietude. Like dirt. Like

bark. Like pearl. Like grass.

Like the moon, so dark, so new.

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One Bewilderment

 

 

 

my heart a red fist,

beating, intent on self-protection

when, despite itself,

it opens, astonished, to find

it’s a peony, a sunrise, a wing

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Despite the Bad News

 

 

after Sometimes by Sheenagh Pugh

 

 

It happens, sometimes. Though rain was predicted,

the sun invites itself to your outdoor party.

And sometimes, though you were afraid

to say something difficult, you say it, and

the words turn to wine in your mouth.

And sometimes, as you run toward your dream,

you don’t trip and fall. In fact, the wind nearly

lifts you, supporting your back. Yes, it can happen,

you feel alone and a friend arrives. With a bottle of whiskey.

And another arrives with dark chocolate. And

another arrives with a poem full of water.

And another arrives with nothing but

her big, open heart. And sometimes

when you say a prayer for someone to heal,

they do. Sometimes, that someone is you.

 

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I watched it happen, the confrontation.

The one who was hurt and the one

with no inkling that harm had been done,

and my heart ached for both of them—

for all of us really—all of us fragile, all of us

witless, all of us longing to love, to be loved

for being ourselves.

 

Outside the window, the leaves

were brilliantly dying, burning auburn,

vermillion, a heart swelling show

of what it is we’ve come here to do—

to give our all and give some more,

to do it unreservedly.

 

It’s all a series of repetition, design—

the leaves, the fall, the hurt, the blame,

the confusion, the reconciliation.

It’s all a matter of pattern and letting

go, letting go of whatever we think we know

about how to give.

 

What I’m trying to say is if I have hurt you,

I’m sorry. I don’t understand my own thorns.

I think I am singing and it comes out crooked.

I think I’m supporting and it comes out cage.

There are so many mistakes in my blood,

all of them believing they’re butterflies.

 

My friend tells me the leaves in fall

are returning to their true colors—

how the necessary chlorophyll disguises

what’s really inside.

 

What I’m trying to say is look at the leaves

outside the window, see how vibrant they are?

I am trying to love like that,

every day, the colors more true.

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I was fourteen, Richard was eighteen,

and he was Romeo in the high school play.

 

He was Romeo and I was chorus, and

every song I sang, I sang for him.

 

Every song I sang, a love song.

I had never been taught any other,

 

I had never been taught to be hard,

I longed to give him everything,

 

I longed for him to want to kiss me,

to give me everything, and when

 

he kissed me, which he did, he gave

me mono. I was somehow proud,

 

was proud of getting sick because

he kissed me, as if it were a badge

 

that I was worthy of being kissed,

kissed by Richard, Richard Smith, who left me

 

shortly after, who left me crumpled, weeping

in the green cement block halls,

 

halls that rang back all my emptiness.

I didn’t know then love could end.

 

I was a girl who knew only beginnings,

a girl who trusted in happily evers,

 

a girl who wanted to be chosen. Years later

I’d learn there are many kinds of love,

 

how all of them depend on one thing.

Years later I’d learn to choose myself,

 

to show up at my own balcony,

roses and poems in hand.

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You think it’s so much better to be petal,

pink flower, the perfumed bloom that lures

 

the bee. You with your flutter and blush.

Not all of us can be soft. Not all of us

 

can be beauty, and you have that role

all wrapped up. You with your tender buds,

 

your loveliness splayed. But I was not

made that way. Was made prick. Was

 

made barbed. Was made snappish

and piercing and sharp. Was made

 

fierce. Was made lance. Was made

to take no chances with survival.

 

There is glory in defense. Everything

that touches me remembers. I’m the one

 

that defines the scene. How would you know

your beauty without me?

 

 

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in part a response to Ferlinghetti’s “Instructions to Painters and Poets”

 

 

Teach me to paint the dark, the infinite

shades of the infinite dark, the basis of all

the light that is, the origin, the ink bright spark

 

that leaps from the great black well,

the darkling spring, the raven luck, the mother

from which the big bang sprang, the womb

 

of dawn, the only cloak measureless enough

to hold everything, everything in its folds.

Teach me to paint the inner midnight,

 

the moonless rooms, the lavish corners,

the mighty dark inside the fist, the vastness

of limitless space that links

 

with no effort the everything that is,

the everything that ever was, the everything

that will ever be. Teach me the song of soil,

 

the song of deep winter, the pure dark song

of the sea. All the dark that’s been terrorized

by light, and all the dark that’s been pushed away

 

and all the dark that’s been feared,

teach me its valor, its ferocity, its kindness,

its gentleness, its blinding generosity.

 

 

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The day is quiet and

the light is strong and I sit alone

in the V of the weeping willow

 

in a place where the sun can’t reach me

and no one can see me.

I pull off the bark in thick rough slabs,

 

and the day is drowsy and the light

is long and the bark feels rough

in my four-year-old hands,

 

but I flip it and find it is smooth

underneath where it touches the tree.

Yes, the bark is smooth, like my dress,

 

like me, and I move my fingers across

the soft side, surprised by the secret writings there—

meandering marks that slither and wriggle

 

in cursive spells, some language only

the tree can tell, that only I can read.

And the day is page and the light

 

is song and I am not at all alone,

perhaps there is writing inside me, too,

the bark thrilling in my hands.

 

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